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[personal profile] imomus
I joined the throng of congratulation when Rhodri Marsden announced, with typical English self-deprecation, that, despite not knowing how to operate a PC, he'd landed a job as technology columnist on British daily newspaper The Independent. After all, I could identify — I too, despite not knowing how to operate a PC, had recently been plucked from the obscurity of blogging and given my own tech-themed column at Wired News.



But the truce between old sparring partners couldn't last long. Yesterday Rhodri attacked—sorry, gently ribbed—my latest column for Wired under the heading "Pseud's Corner". For those outside the UK, Pseud's Corner is a regular column in satirical magazine Private Eye which rounds up samples of the most pretentious writing on offer in any given week. Interestingly, this week the column makes fun of two types of "pseud", liberals and black people: a Guardian reader is mocked for searching for a "primitive" holiday home and African-American academic John P. Pittman is mocked for an essay on "Hip Hop’s Dialetctical Struggle for Recognition" (whether the spelling mistake is in the original or added by Private Eye is unclear, since the magazine spells Pittman's name wrong too).

If being a "pseud" makes you inherently un-British, or at the very least suspiciously un-conservative, calling pseuds out is a thoroughly British activity. In fact, even the word "pseud" is British-only slang. It comes, of course, from the phrase "pseudo-intellectual", and the idea is that someone who's claiming to be an intellectual isn't actually anything of the kind. The reduced word tends to get used, though, as an all-purpose attack on intellectual aspirations of any kind, since, to some mentally phlegmatic Brits, any reference to something difficult or demanding is, in itself, a kind of fraud, imposture or imposition. Thanks to the minor-differences struggles that have defined English cultural identity, perhaps intellectualism is seen as a bit "French". Or perhaps it's a gauntlet thrown down, a challenge which demands either engagement or some sort of denunciation. (The weird thing is that Pseud's Corner candidates are often also the very people who end up in Poet's Corner at Westminster Abbey, flying the flag for British cultural identity, like the verbose, Italian-influenced Shakespeare. Sometimes the trip from Pseud's to Poet's Corner takes a while, though; the scandalous erotomane, poseur and political activist Lord Byron died in 1824 but wasn't memorialized in Westminster Abbey until 1969. At that rate, expect Harold Pinter to show up there in 2150.)

I think Rhodri's reaction to my column (well, to my description of it on my blog; he claims he wasn't able to read the actual column because the Wired site crashed his browser) is very telling, though. Rhodri and I are both British, and both write a lot of journalism (as well as being indie musicians). But I write exclusively for American publications, and Rhodri writes for British ones. America and Britain are, in the old but true cliche, two cultures divided by a common language. I really doubt that I could write for a British publication, just as I doubt Rhodri could write for an American one. If I had to sum up what the division between American and British journalism is all about, I'd say that America is Nietzschean and Britain is postmodern. Hello, Pseud's Corner! I'm not afraid any more! Americans are "Nietzschean" because they're interested in power, and unafraid of seriousness. They're also quite prepared to pose as something they're not, to remake and remodel themselves, to be boastful, to be utopian, and admit to optimism about the future. I'm going to watch Rhodri's Cyberman column with interest, because I find it quite hard to imagine a technology column without a positive view of artifice, optimism, a certain Panglossian tech-utopianism, and a certain boastfulness.

Britain is much less serious, much more postmodern than America. Sometimes it resembles a floating Butlins Holiday fun camp with marketing by Virgin and in-jokes by Graham Norton. I won't knock this too much, because in many ways, and increasingly, I think Britain—with its self-deprecation, its insular self-referentiality, its inverse narcissism, its ultra-marketing and ultra-postmodernism—resembles Japan, that beloved mirror image of my hated island home.

"I'm not saying Britain is less smart or sophisticated than the US," I said in my "official" response to Rhodri's pseud charges on his blog. "The layers of now-I-mean-it,-now-I-don't irony alone require a PhD to sort through, and it's all tremendously postmodern and meta and referential (even if it's only to TV shows that only Gen Y British people know about... Cyberman is a Dr Who reference, right Rhodri?). Trouble is, when you get down to what's being said, it's often a little lecture on marketing, leavened by some TV Cream / pub quiz pop culture in-jokes. And, frankly, if we see this British style as postmodernism gone mad (references to references, ironies upon ironies, the collapse of high and low culture, and a bit of clever marketing as the bottom line), then it's just as pretentious as telling people what Descartes said in "Meditations on First Philosophy"... and possibly even more so."

The day after tomorrow I fly to Paris for a meeting with a publisher who's offering me the chance to write my first novel. I've never even got to the discussion stage of such a deal with a British publisher. For some reason, my writing only goes down well in countries pseudy enough to have had revolutions and become republics.

(no subject)

Date: 2005-12-14 11:32 am (UTC)
From: [identity profile] imomus.livejournal.com
my writing only goes down well in countries pseudy enough to have had revolutions and become republics.

And before Cromwellians jump on me, let me say I meant "to have had revolutions and become republics and stayed that way".

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Date: 2005-12-14 11:32 am (UTC)
From: [identity profile] rwillmsen.livejournal.com
often a little lecture on marketing

Nail on the head. I'm heading to LOndon to live for a while soon, and this kind of Graham Norton thing is one o the many things I'm not really looking forward to.

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Date: 2005-12-14 02:15 pm (UTC)
From: [identity profile] csn.livejournal.com
Lisboa->Dalian->Madrid-->London, hmm? Why?

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Date: 2005-12-14 11:35 am (UTC)
From: (Anonymous)
Flying again! There are Berlin-Paris trains you know. In future, please spare us the homilies on cutting down on transport pollution.

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Date: 2005-12-14 11:39 am (UTC)
From: [identity profile] imomus.livejournal.com
I disagree: the more we fly, the more homilies on cutting down on transport pollution we need.

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Date: 2005-12-14 11:39 am (UTC)
From: [identity profile] dzima.livejournal.com
Momus, I think by now we all now that your "fights" with Rhodri serve more as publicity stunts for both of yous than anything else.

Just for the record: even though you're the one always talking about authenticity/fakeness, it seems to me that in the end of the day Rhodri is more of an actor than you are.

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Date: 2005-12-14 11:40 am (UTC)
From: [identity profile] imomus.livejournal.com
Absolutely. He's way more postmodern than I am.

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Date: 2005-12-14 11:58 am (UTC)
From: [identity profile] eptified.livejournal.com
Nicely put here. As long as we're talking comedy, though, let's take a gander at both countries' pre-eminent providers of cultural commentary via fake news, Christopher Morris and Jon Stewart. Morris is undeniably smarter, but his convictions (should he have convictions) are so buried in levels of irony, invective and a kind of reflexive hatred for comfort and self-satisfaction that as a personality he comes across as a thunderstorm of negatives, whereas Stewart's fakeness is motivated by the sincerity of his beliefs and so he comes across as more genuine than the real newsmen his show parodies.

It's all down to being allowed to believe in things. (Which is, by the way, what makes the United States dangerous. The UK doesn't allow itself to believe in anything anymore, and is thus largely innocuous.) How do you move from an instinctive distrust of belief to the kind of benign but wildly randomized/fetishized sincerity that motivates Japanese culture?

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Date: 2005-12-14 12:07 pm (UTC)
From: [identity profile] dzima.livejournal.com
Remember that when a Westerner first arrives in Japan, his first reaction will be to deride the land because people there "don't get" sarcasm and irony.

To add another thought to your last question, who made up the golden rule that irony and sarcasm are superior to honesty and sincerity?

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Date: 2005-12-14 12:23 pm (UTC)
From: (Anonymous)
Good points. I think it's gone so far sometimes that people in northern europe would need to use emoticons when they're being seriuos :-| . Also, I'm seeing less honest opinions in journalism generally. Everyone always has to be so damn objective, something I believe is related to insecurity and in fact being afraid of taking yourself seriously.

By the way, I think younger people are less pomo... it's kind of a dying race. Generation X and all that.

//produkt

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Date: 2005-12-14 12:44 pm (UTC)
From: [identity profile] iamcoreyd.livejournal.com
sarcasm is the protest of the weak

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Date: 2005-12-14 12:55 pm (UTC)
From: [identity profile] imomus.livejournal.com
The only thing worse than an intellectual demagogue is an anti-intellectual demagogue.

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Date: 2005-12-14 01:00 pm (UTC)
From: (Anonymous)
Are you less enamoured of postmodernism than you used to be, Momus? A year ago you were all "I'm fake and I'm lovin' it". Now you're praising John Lennon for his "sincere" interviewing technique, criticising the British for their infinite onion skins of irony, praising Americans for their seriousness...

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Date: 2005-12-14 01:05 pm (UTC)
From: [identity profile] imomus.livejournal.com
Someone who heard my new album the other day commented "cho enka (http://www.japan-guide.com/e/e2114.html)!" Now, is that just confessions, or is it "confessions of a mask"? You'll have to wait and decide.

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subtext

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Date: 2005-12-14 02:11 pm (UTC)
From: (Anonymous)
Who is your potential publisher in France? French publishers give tiny advances, you're unlikely to get much more than the price of your plane ticket...

British publishers virtually never commission debut novels, you'd have to write it first and then get an agent who would then pitch it. The fact that no UK publisher has sought you out is not evidence that none would be interested in publishing you.

H.

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Date: 2005-12-14 02:18 pm (UTC)
From: [identity profile] imomus.livejournal.com
I probably shouldn't say more at this point about the publisher, it's all still in the first tentative stages and I don't want to jinx it.

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Date: 2005-12-14 03:41 pm (UTC)
From: [identity profile] charleston.livejournal.com
I was going to say something yesterday but couldn't thing what to say. Still can't think what to say. Except that I particularly enjoyed that Wired piece of yours. And I didn't understand the "Pseud's Corner" thing - I'd never heard of this Pseud's Corner before. I love writing like yours, but I also love music like Starship's. That's all.

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Date: 2005-12-14 03:47 pm (UTC)
From: [identity profile] benchilada.livejournal.com
Well, he seems to have his entry locked. Fucks.

And in response to those who are nitpicking your art/artist/artistry, I've always sort of viewed you as one Massive Work of Art, and everything you produce as Little Works of Art. One of those delightful instances where "separating the art from the artist" becomes quite impossible.

UNRELATED: My iPod is on shuffle, but it keeps playing "Hairstyle of the Devil," and it's weirding me out.

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Date: 2005-12-14 04:49 pm (UTC)
From: [identity profile] 300letters.livejournal.com
Would this (http://www.livejournal.com/users/withlenscap/) be considered pseudish?

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Date: 2005-12-14 05:10 pm (UTC)
From: [identity profile] imomus.livejournal.com
The man's living in 2012, our "pretentious" is their "normal".

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Date: 2005-12-14 06:33 pm (UTC)
From: [identity profile] lord-whimsy.livejournal.com
My agents wanted to meet me before they took me on to see if I was "the real thing"--meaning that if I was just being ironic, they wouldn't have been as interested. Likewise, my editor (who's Irish) wanted to visit my home this summer for similar reasons. Whether this is cultural or just irony fatigue, I don't know. I can only guess that people want to know that the artist has something personal invested in his work before they invest in turn.

Never cared for irony--too much contempt in it. It's unnecesary. I feel you can wink and still mean what you say.

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Date: 2005-12-14 07:29 pm (UTC)
From: [identity profile] anglerfish96.livejournal.com
Unless you wear an eyepatch, of course. *kazing*

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re : irony

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Re: re : irony

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Forbidden

Date: 2005-12-14 06:40 pm (UTC)
From: [identity profile] jes5199.livejournal.com
You don't have permission to access /users/rhodri/440251.html on this server.

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Date: 2005-12-14 09:21 pm (UTC)
From: [identity profile] cerulicante.livejournal.com
If I were you, I'd insist that the book be printed on recycled paper with soy ink to minimize the impact of your book on the earth and to help alleviate the stress on forests around the world that are slain to create magazines, newspapers and books with dog-eared pages clutched tight to the breasts of effete kaffehaus solipsists in turtleneck sweaters.

Hemp paper is always a good choice!

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Date: 2005-12-14 11:21 pm (UTC)
From: [identity profile] luckyclone.livejournal.com
why be sarcastic when really that's a pretty good idea >:O

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Objective Irony

Date: 2005-12-15 01:00 am (UTC)
From: [identity profile] nomorepolitics.livejournal.com
Actually, I have a new theory that sarcasm and irony come out of the scientific (objective) mindframe. Which would explain to me why I'm not ironic or sarcastic as often as others.

I have to disagree with the proposition above that sincerity and honesty comes out of the modernist frame of mind. Just because post-modernists were so ironic and sarcastic, doesn't mean that we are modernists if we choose to be sincere or honest. I think that we've just realized the dangers of irony and can now be more cautious of how we use it.

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Date: 2005-12-15 02:27 am (UTC)
From: (Anonymous)
Damn straight you all. Nothing wrong with having a little fun when you mean it; if you don't go out on a limb *at some point*, there'll be no material for future generations to exhaust.

I think people are getting tired of post-modernism because the culture that was parodied is really only remembered these days in the works of parody; as in, there's nowhere left to go but forward.

Yes, semicolons.

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Date: 2005-12-15 05:21 am (UTC)
From: [identity profile] stanleylieber.livejournal.com
Congratulations on the book. Since you use the world 'novel' I assume this means it will be fiction. It sounds delightful.

Nothing on earth eirks me more...

Date: 2005-12-15 09:05 am (UTC)
From: [identity profile] svenskasfinx.livejournal.com
than someone rising to the point of their total and undenyable incapacity...

...a computer illiterate has just taken a job I could be better suited for and I hate that!

ah but forget it... crash and burn!

Momus, congratulations.. I'm starting a publishing company BTW.. naturally I am going to get someone less spontanious and less dyslexic to look over my layouts but that aside.. I only am doing it to employ myself as an artist..

My work as an artist has funded my musical misadventures.. I'm sure a decent advance could do the same for you!

Let me go back into hiding now!

Re: Nothing on earth eirks me more...

Date: 2005-12-15 02:39 pm (UTC)
From: [identity profile] imomus.livejournal.com
Rhodri's second column is here (http://news.independent.co.uk/world/science_technology/article333133.ece), for anyone exploring his career with as much interest as I am. It's ostensibly on the subject of the convergence of function in electronic gadgets (guitar with laptop, toilet with mp3 player, etc), but after reading it I get the impression that it's really about the convergence of meanings in the inevitable pun on the word "convenience". It seems to me that what Rhodri is really interested in, and what he's celebrating, is crapness. The utter, and somewhat reassuring, crapness of everything, without which we wouldn't be able to celebrate... the utter and reassuring crapness of everything.

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Date: 2005-12-17 12:01 pm (UTC)
From: (Anonymous)
Yeah everybody loves a revolution, but britain was more democratic in the 1680s than france in the 1780s.. and france in the 19th century too.
Their revolution got them nothing, not for 100 years anyway.