Trainman: lie or copy?
Jul. 11th, 2005 10:25 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
imomusIt's business as usual over on Neomarxisme: American St Georges are crusading to free Japan of its dragons, even when these "dragons" consist of the entire population of the country and all its institutions. Yesterday's dragon victims were the credulous Japanese public and the PR-driven publishing and media companies that lie to them. Marxy turned his attention to Densha Otoko, the "Trainman" story which began as an advice thread on BBS 2-ch, became a best-selling book, is now a film and a Fuji TV serial, and will soon see manga and, inevitably, porn spoof spin-offs. Trainman is a 22 year-old otaku or hikikomori type who's never dated a girl. He saves one from the attentions of a drunk on a train, and starts a 2-ch thread asking for advice on what to do next, very much as Allan in Woody Allen's Play It Again Sam solicits advice from an imaginary Humphrey Bogart. Well, thanks to the thousands of Bogarts giving him advice on the bulletinboard, the nerdy Trainman transforms himself into a cool dude and wins the girl in the end.
It's always interesting to read Marxy's pieces on Japanese pop culture (although readers of Jean Snow's excellent site learned about the Trainman saga eight months ago) but unfortunately there comes a moment in each one when he climbs atop a soapbox and delivers a sermon, an editorial, a complaint or a jeremiad concerning Japan's "original sin" or "termial decline". This usually involves a conspiracy of some kind, a lie by the authorities, or an idiocy on the part of the public. Sure enough, this time Marxy is irritated that the Trainman story is being presented as "a true story". He suspects that the whole thing was fabricated. In order to help him (and his many Junior St Georges, like the American who suggests, in the comments, that Marxy should alert the New York Times Tokyo bureau to the fraud, which would otherwise be covered up by the complicit Japanese media), I've gone through the Trainman plot stage by stage, assigning probabilities to each twist in the form of percentages. (0% = I think this didn't happen, 100% = I think it happened.)
1. Chance encounter in the train. May have happened, or may be a figment of Trainman's imagination. I'll give it 50%.
2. Saves girl from a drunk. A lot of chikkans and drunks abound on Tokyo trains, 90% likely.
3. Receives a set of Hermes teacups from her as a thank-you gift. Japanese do give a lot of gifts, but I find this somewhat excessive. 35% likely.
4. Obsesses online on whether or not to telephone her and ask for a date. More and more Japanese obsess online, 99% likely.
5. Finally plucks up the courage to call her and they agree to meet for dinner -- his first ever date with a woman. A 22 year-old hikikomori seems plausible to me. I myself didn't really have a proper date until I was 21, and I left home, which is more than these hikis do. 72% likely.
6. With the advice of his online supporters, he gets a stylish new haircut, buys new clothes, and decides to get contact lenses. I've seen a lot of Hair and Make salons, clothes shops and contact lens shops around Tokyo, I'll give this 100% on the credibility scale.
7. They have another dinner date, at which a friend of hers checks him out. Friends do tend to check you out, and are useful as chaperones if the fellow is too impatient, or conversation partners should he be tongue-tied. 87%.
8. They start exchanging cell-phone messages daily. 10,475,630 cell-phone messages fly across Japan daily, this is 100% true, I feel.
9. In April they have tea together at her home using the gift teacups. I smell a fish, didn't she give the teacups to him? So what are they doing at her home? 25%.
10. In May he goes shopping with her for a computer. May is a busy time at Sofmap, I'll buy that at 68%.
11. Later that day in a park he confesses his feelings to her and she reveals that she returns them. Pure otaku wish-fulfillment. This isn't a Yon-Sama melodrama, you know! Get back to your porn sites! 25%.
12. They kiss for the first time. Oh honestly, who would believe that? Wouldn't the birthrate be higher if this sort of thing were so easy? 7%.
Okay, perhaps I made my point. Art is "the lie that tells the truth", and the moment we write anything down for entertainment purposes, it becomes art. That doesn't stop its archetypes—boys meets girl, Bogart guides nerd—from remaining deeply true.
It's impossible, and pretty pointless, to disentangle truth from fabrication in a cultural product, just as it's impossible, often, to attribute ownership to a big archetypal idea, an idea that comes out of common lived experience. But, deep in the epistemological morass of the "truth v. fiction" angle, Marxy has missed a shot at one of his favourite themes, Japanese pakuri or plagiarism. Someone called Steve Stratton signed Jean Snow's comments page in April with a claim to have written "Densha Man" with the same title and same plot , based on his own experiences in Japan, ten years ago. Stratton claims to have published extracts on the web six years ago. "Be assured," he says bitterly, "when the movie goes into production, my lawyers will be hunting for the Japanese clown who wrote the utter piece of crap Densha Otoko."
I look forward eagerly to the day Mr Stratton's gaijin Trainman replaces the Japanese copy on Japanese screens, and Marxy writes a tubthumping piece about how the American Trainman is hoodwinking Japan.
It's always interesting to read Marxy's pieces on Japanese pop culture (although readers of Jean Snow's excellent site learned about the Trainman saga eight months ago) but unfortunately there comes a moment in each one when he climbs atop a soapbox and delivers a sermon, an editorial, a complaint or a jeremiad concerning Japan's "original sin" or "termial decline". This usually involves a conspiracy of some kind, a lie by the authorities, or an idiocy on the part of the public. Sure enough, this time Marxy is irritated that the Trainman story is being presented as "a true story". He suspects that the whole thing was fabricated. In order to help him (and his many Junior St Georges, like the American who suggests, in the comments, that Marxy should alert the New York Times Tokyo bureau to the fraud, which would otherwise be covered up by the complicit Japanese media), I've gone through the Trainman plot stage by stage, assigning probabilities to each twist in the form of percentages. (0% = I think this didn't happen, 100% = I think it happened.)1. Chance encounter in the train. May have happened, or may be a figment of Trainman's imagination. I'll give it 50%.
2. Saves girl from a drunk. A lot of chikkans and drunks abound on Tokyo trains, 90% likely.
3. Receives a set of Hermes teacups from her as a thank-you gift. Japanese do give a lot of gifts, but I find this somewhat excessive. 35% likely.
4. Obsesses online on whether or not to telephone her and ask for a date. More and more Japanese obsess online, 99% likely.
5. Finally plucks up the courage to call her and they agree to meet for dinner -- his first ever date with a woman. A 22 year-old hikikomori seems plausible to me. I myself didn't really have a proper date until I was 21, and I left home, which is more than these hikis do. 72% likely.
6. With the advice of his online supporters, he gets a stylish new haircut, buys new clothes, and decides to get contact lenses. I've seen a lot of Hair and Make salons, clothes shops and contact lens shops around Tokyo, I'll give this 100% on the credibility scale.
7. They have another dinner date, at which a friend of hers checks him out. Friends do tend to check you out, and are useful as chaperones if the fellow is too impatient, or conversation partners should he be tongue-tied. 87%.
8. They start exchanging cell-phone messages daily. 10,475,630 cell-phone messages fly across Japan daily, this is 100% true, I feel.
9. In April they have tea together at her home using the gift teacups. I smell a fish, didn't she give the teacups to him? So what are they doing at her home? 25%.
10. In May he goes shopping with her for a computer. May is a busy time at Sofmap, I'll buy that at 68%.
11. Later that day in a park he confesses his feelings to her and she reveals that she returns them. Pure otaku wish-fulfillment. This isn't a Yon-Sama melodrama, you know! Get back to your porn sites! 25%.
12. They kiss for the first time. Oh honestly, who would believe that? Wouldn't the birthrate be higher if this sort of thing were so easy? 7%.
Okay, perhaps I made my point. Art is "the lie that tells the truth", and the moment we write anything down for entertainment purposes, it becomes art. That doesn't stop its archetypes—boys meets girl, Bogart guides nerd—from remaining deeply true.It's impossible, and pretty pointless, to disentangle truth from fabrication in a cultural product, just as it's impossible, often, to attribute ownership to a big archetypal idea, an idea that comes out of common lived experience. But, deep in the epistemological morass of the "truth v. fiction" angle, Marxy has missed a shot at one of his favourite themes, Japanese pakuri or plagiarism. Someone called Steve Stratton signed Jean Snow's comments page in April with a claim to have written "Densha Man" with the same title and same plot , based on his own experiences in Japan, ten years ago. Stratton claims to have published extracts on the web six years ago. "Be assured," he says bitterly, "when the movie goes into production, my lawyers will be hunting for the Japanese clown who wrote the utter piece of crap Densha Otoko."
I look forward eagerly to the day Mr Stratton's gaijin Trainman replaces the Japanese copy on Japanese screens, and Marxy writes a tubthumping piece about how the American Trainman is hoodwinking Japan.
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(no subject)
Date: 2005-07-11 09:29 pm (UTC)So what if there's a commercial machine behind the Trainman story? Come on, we're talking about popular culture here! "Commercial machine behind popular culture" is strictly a "dog bites man" sort of story, no? Why would I write about something as screamingly obvious as that?
If you think that things with a commercial machine behind them are inherently less authentic or interesting for that reason, you're basically a rockist and guilty of "moronic cynicism". Marxy actually hunts out a cynical angle for every single story he posts on his site. His "cynical angles" change from day to day, and often contradict each other. The only consistency is that the Japanese have to be on the wrong side of the equation. I found it interesting that he concentrated on the rockist question of authenticity here, and totally missed a pakura angle. He loves those! And I found it interesting that the pakura angle leads to a world where Trainman is remade with a Westerner as its hero (allegedly as originally written by Stratton). Marxy's authenticity question doesn't go away in that scenario, but it does get directed to an American instead of a Japanese writer... whoops, against house policy! Kill story!
semantic antics pt. 2
Date: 2005-07-11 09:39 pm (UTC)anyway, fun vocab trivia: the closest word to 'pakura' in japanese is 'hakura' which is a small sea-bass native to the kyushu area. i have no idea how it tastes though...
hi-five,
r.
Re: semantic antics pt. 2
Date: 2005-07-11 09:58 pm (UTC)Re: semantic antics pt. 2
Date: 2005-07-11 10:07 pm (UTC)dog bites man - revisionist angle
Date: 2005-07-11 10:03 pm (UTC)and r. says: right! WE are talking about popular culture here (in the west). WE already know "dog bites man" but guess what? that's total NEWS to the average japanese consumer! that alone makes writing about the "screamingly obvious" worth writing about...from marxy's POV.
hey, i know what, let's needlessly illustrate this with one of my nifty little imaginary dialogues, since i know how much you like them.
jun-jun (avergae japanese consumer, who is walking around urahara, copy of trainman in hand, with the fangs of that viscous commercial mongrel dug firmly into her bony rear, talking on her keitai): ...so then i was telling my friend about how i think that foreigners might cause a lot of crime, but we could still use them to compensate for the falling birthra...
st. marxy (future martyr via the cruel hand of jimusho fate, passing by jun-jun): excuse me!
jun-jun: hunh?!? (to her friend on the phone) hold on a sec yuki!
st. marxy: hi! my name is david w. marx...
jun-jun: so?
st. marxy: ...and if i may have a moment of your time? i promise not to commit any crimes.
jun-jun (suspicious of the lanky tweeness): go ahead
st. marxy: i'm not sure if you are aware of this or not, but...
jun-jun: go on!
st. marxy: ...you seem to have the fangs of that viscous commercial mongrel dug firmly into your bony rear!
jun-jun (looking at her own bony rear, and finally realizing that the fangs of that viscous commercial mongrel have been dug firmly into it from birth): well what'dya know!
st. marxy: with yoru permission, i'd be happy to help you remove that unsightly appendage.
jun-jun: sure...
[and so on and so on. dog removed, keitai #s exchanged. they live happily ever after. everything comes out on DVD next year.]
Re: dog bites man - revisionist angle
Date: 2005-07-11 10:10 pm (UTC)Re: dog bites man - revisionist angle
Date: 2005-07-11 10:15 pm (UTC)Re: dog bites man - revisionist angle
Date: 2005-07-11 10:30 pm (UTC)Re: dog bites man - revisionist angle
Date: 2005-07-11 10:12 pm (UTC)(no subject)
Date: 2005-07-11 11:42 pm (UTC)(no subject)
Date: 2005-07-12 01:38 am (UTC)