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I'm back in Berlin now, but here's a photo of the patisserie party we had at Kumi Konki's place in Paris on Sunday. Apart from being one third of the brilliant Konki Duet (I know, the math is crazy), Kumi works in a bakery, and at the end of the day there are always unsold cakes to take home. So we assembled to eat them, along with coconut cakes from the Vietnamese bakeries of the 13th arrondissement. From left to right you see Miltos Manetas, Florence Manlik, Jessica, Hisae, cat, Momus, Johann, Miltos' friend (didn't catch her name), Mai Ueda, Mehdi Hercberg, Khanh-Linh La, Kumi Okamoto. Click the picture for a bigger version.



Mehdi runs Shobo Shobo, and Khahn-Linh has documented the eight events they've so far staged in her pictures. If you're in Paris tonight, check out Shobo Shobo 9 at the Glassbox Gallery (13 bis, rue Oberkampf 75011, Métro Parmentier / Ménilmontant, starts 20.30, free) featuring the wonderful Lullatone. I wish I were there myself.

I might not be at the Lullatone show, but I am on Neomarxisme. Marxy is doing Golden Week interviews, and it's my turn today. Explaining why I hadn't been contributing recently to his blog debates, I told Marxy that the recent China-Japan tensions had changed the context of the debates we were having. He came back with "I'm interested in what you mean by that," so I expanded:

Momus: There were points of similarity between what you were saying about Japan and what the Chinese were saying. For instance, you've spoken about the history book issue and so did they. And neither you nor the Chinese looked at your own national records: the Chinese completely fail to mention major famines under Mao in their history books, for instance, that killed millions. And you would never mention the current efforts of the religious right in the US to get biology textbooks rewritten so that "intelligent design" is presented on an equal footing with evolution. So I just began to feel that the whole thing was really distasteful.

Marxy: I think you're right about this, and the more I read and watched, the more it was clear that the Chinese claims are totally hypocritical. (In the past, democratic South Korea has been the ones leading the attack against the textbooks.) That being said, the LDP (or at least, its more right-wing side) was really bad at PR and kept saying things like "Japanese textbooks must support the government line!" The most interesting thing is that Japan went out and apologized very quickly: no one apparently, certainly not the US, can say no to China's market.

Momus: Japan gets beaten up for doing things that everyone else does, and worse.

Marxy: Sure, I agree. But the opposition voices in Japan are so muted that it's hard to get the sense that the Japanese are debating it themselves. I think you know and I know and everyone knows that at least half of Americans wanted Bush out of office, but it's definitely harder to get a sense on the Japanese public's views. I think they're mostly against all this LDP neo-nationalism, but we don't get to hear much in the way of domestic complaints.

Momus: Anyway, I'm glad to see you're taking a slightly different tack these days. And Duckworth seems to have gone full time into charity work.

Marxy: I never aim to be ethnocentric, misleading, chauvinistic, etc. and I've always appreciated you putting me back in line when my outrage overreaches itself.

Isn't he sweet?

If you're in a reading mood -- and, like me, love public transport and its history -- there's a great piece in the new London Review of Books by James Meek. It's about the history of the London underground and it's called Crocodile's Breath. Oh, and if you're in an interview-reading mood there's an interesting interview with The Super Madrigal Brothers here. John Talaga does a word association test and, in response to "Momus", blurts out "Dad!" Hush, John, we don't want everyone to know!

(no subject)

Date: 2005-05-03 04:06 pm (UTC)
From: [identity profile] qscrisp.livejournal.com
This is not particularly related to the post, except in that it touches upon international relations, but, I just wanted to ask if you're familiar with Okakura Tenshin? Someone gave me a book by him for my birthday. I have started reading it and I think it's quite marvellous. It was written in 1906 in English - though Tenshin is, of course, Japanese - and deals with the history and culture of tea. It is, in fact, called The Book of Tea.

I seem to have a thing about tea, anyway (perhaps it was karma, but the second time I went to Japan, I lived in Uji, which is held by many to be the green tea capital of the world), but reading this has made me conscious of exactly why I like tea so much.

A choice paragraph:

"Strangely enough humanity has so far met in the tea-cup. It is the only Asiatic ceremonial that commands universal esteem. The white man has scoffed at our religion and our morals, but has accepted the brown beverage without hesitation. The afternoon tea is now an important function in Western society. In the delicate clatter of trays and saucers, in the soft rustle of feminine hospitality, in the common catechism about cream and sugar, we know that the Worship of Tea is established beyond question. The philosophic resignation of the guest to the fate awaiting him in the dubious decoction proclaims that in this single instance the Oriental spirit reigns supreme."

(no subject)

Date: 2005-05-03 09:10 pm (UTC)
From: [identity profile] sarmoung.livejournal.com
Sorry if you know this already, but one of the intriguing aspects of Okakura is that he was far more comfortable writing in English than in Japanese. He was taught at one of mission schools in Yokohama set up by James Hepburn (the romaniser) and the story is that when he visited Tokyo one day, his father who was shocked to discover that his son couldn't read any of the characters. Okakura was sent to live in a temple in Kanagawa, but still spent half his day at the mission school.

There's an intriguing article by Christine Guth (http://muse.jhu.edu/cgi-bin/access.cgi?uri=/journals/positions/v008/8.3guth.html&session=74816590) that compares Okakura with Longfellow as "cultural cross-dressers" [Looks like it's developed into a book (http://www.washington.edu/uwpress/search/books/GUTLOC.html)]. Indeed, Okakura had a very distinct style of dress that borrowed freely from other Asian countries and there are photos of him in Indian costume, Daoist robes, as a rustic fisherman and so forth. When he set up Tokyo Art School (Tokyo Bijustsu Gakko), students wore a uniform based on styles from the Nara period.

(no subject)

Date: 2005-05-03 11:36 pm (UTC)
From: [identity profile] qscrisp.livejournal.com
Thank you. That's fascinating. Tenshin (Okakura?) is still a very new discovery for me, so I wasn't aware of that information. He sounds like he was as colorful in real life as his prose suggests. I'm only on the third chapter, but I think The Book of Tea is going to be a favourite for me.

Interesting that he was a pupil at one of Hepburn's schools. I don't think he uses the Hepburn system in The Book of Tea. Or maybe he uses a mixture.

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