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I played my little show at the Belleville launch party in the role of The White Archer, my new alter ego. But when I got home and looked at the pictures, I suddenly realised that The White Archer looks like... like... like a gumby. Oh no, my brain hurts!

Right after the Belleville show a bunch of us scooted round the corner to see Anne Laplantine performing at the record store Staalplaat. It was a kind of live Summerisle: Anne played simple guitar parts, kicking a digital delay foot pedal to capture and loop and build phrases, and playing voices, some of them mine, over the top. The results were lovely; what can I say, Anne Laplantine is a genius transported in from the Middle Ages to weave spells of ancient magic with modern technology. One day the whole world will celebrate her; in the meantime it's just you and me. Here's a rough bootleg of some of the concert:

Anne Laplantine live at Staalplaat (4.57MB mono mp3 file, 9.58 minutes)

(no subject)

Date: 2004-12-06 12:52 am (UTC)
From: [identity profile] scottbateman.livejournal.com
You know, you do kinda look like you should be bashing bricks into your head in that outfit... :-)

(no subject)

Date: 2004-12-06 01:44 am (UTC)
From: [identity profile] violaine8.livejournal.com
Uhmmm. Me would've liked to get a closer look on the Archer's Special Eyepatch.

(no subject)

Date: 2004-12-06 08:03 am (UTC)
From: [identity profile] imomus.livejournal.com
You can see the special eyepatch closer at Kansai dandy (http://www.livejournal.com/users/imomus/49085.html). Its made from a Chinese purse.

(no subject)

Date: 2004-12-06 05:20 pm (UTC)
From: [identity profile] theilybinilwys.livejournal.com
Speaking of said eyepatch, did you get the favicons I emailed to you?

eyepatch followup questions: how many do you have? do you hold on to them forever or auction them off as you get sick of them? do you generally make them out of things, or have someone else do it, or usually find them as-is? if the former two, what is the creation process?

forbive the badgering, but I'm sure you know how enchanting an unexplored textile arena can be.

(no subject)

Date: 2004-12-06 11:03 pm (UTC)
From: [identity profile] imomus.livejournal.com
Yes, thanks for those favicons, I'm sure the dick one will show up somewhere sometime...

How many eyepatches do I have? There must be between ten or twenty 'active' ones. When they get manky and tangled and smelly I chuck them out. Japanese women make them for me. But I take part in the design process: the last batch was made from purses bought in Yokohama Chinatown, some fancy silk designs, some more like shower curtains... Another recent batch was made with felt from a department store in Osaka. The great breakthrough recently has been transparent knicker elastic for the straps. This keeps its shape much better than normal elastic (which tends to loosen over time), is transparent and surprisingly resilient. And it's rather nice to walk around feeling like you've got a pair of panties over your head.

(no subject)

Date: 2004-12-07 12:58 am (UTC)
From: [identity profile] violaine8.livejournal.com

Kansai dandy guided me like Little Tom Thumb up to Story of an Eye.
Good thing I added you, I like your writing! (me not very polite, I didn't ask...)

(no subject)

Date: 2004-12-06 03:58 am (UTC)
From: [identity profile] lord-whimsy.livejournal.com
Ha ha. Magnificent--Huzzah, White Archer!

I'd say that you now have license to get those wicker trousers.

Anne is a phenom; I doubt she's capable of making unremarkable music. So glad you'd recorded some of her show--I look forward to seeing her live someday. Forgive my ignorance, but does she have any upcoming releases anytime soon?

W

(no subject)

Date: 2004-12-06 08:05 am (UTC)
From: [identity profile] imomus.livejournal.com
Anne released three records in 2004, 'Summerisle' with me, 'Dicipline' and 'Hambourg' on her own. Here's Tomlab's page about her (http://www.tomlab.de/artists/annelaplantine.html).

(no subject)

Date: 2004-12-06 09:14 am (UTC)
From: [identity profile] lord-whimsy.livejournal.com
Much appreciated.

W

Graham Fitkin and Steve Reich

Date: 2004-12-06 11:41 am (UTC)
From: [identity profile] fufurasu.livejournal.com
There was something very very familiar about Anne's stuff, ever since you put "Thyme" online. The "bootleg" made it clearer to me. The music on the MP3 blends the gamelan-like guitar of Pat Metheney in Reich's "Electric Counterpoint" with the chromatic yet lyrical works by Graham Fitkin (www.fitkin.com). If you haven't listened to Fitikin, you should. Just a tiny bit more academic than Anne, but incredibly evocative.

Re: Graham Fitkin and Steve Reich

Date: 2004-12-06 11:51 am (UTC)
From: [identity profile] fufurasu.livejournal.com
To illustrate the point, try The Cone Gatherers (http://www.fitkin.com/flash/samples/track15.html) by Fitkin. But I am also thinking of his works for Piano Circus, an ensemble of six pianos. The CD is called "Log, Line, Loud" but it's been out of circulation for a very long time. It includes some of the best music I've ever heard.

Re: Graham Fitkin and Steve Reich

Date: 2004-12-06 01:10 pm (UTC)
From: [identity profile] imomus.livejournal.com
I'm lucky enough to have known and hung out with Fitkin when I lived in London in the late 80s. He would come to dinners at my friend Thomi's house, and the readings of a literary group called The Quick End (Michael Bracewell, Mark Edwards, Don Watson), and we'd go to his concerts (often played in the company of Laurence Crane) at places like the BMIC, or clubs in Soho. Fitkin's music is terrific, and I remember once, in an interview, expressing a vain wish to hear him arrange my songs and make a whole 'Fitkin Plays Momus' CD. Perhaps working with Anne is the nearest I'll get to that.

Re: Graham Fitkin and Steve Reich

Date: 2004-12-06 01:36 pm (UTC)
From: [identity profile] fufurasu.livejournal.com
Well, well. I 've been to his concerts several times, as he used to do a lot of stuff around Bath, where I studied, and I met him a couple of times, but only as a babbling fan. I liked his stuff so much I named my iBook (http://fufurasu.org/archives/000220.html) "Fitkin."

"Momus" is a pretty good name for a Mac too.

(no subject)

Date: 2004-12-06 04:36 am (UTC)
From: [identity profile] zacharydaiquiri.livejournal.com
This question may be naive, but Nick, what type of pants are those?

Zachary Daiquiri, Esq.

(no subject)

Date: 2004-12-06 06:04 am (UTC)
From: [identity profile] seanthesean.livejournal.com
they resemble waders for fishing.

(no subject)

Date: 2004-12-06 08:06 am (UTC)
From: [identity profile] imomus.livejournal.com
They're German army cold weather over-trousers from Humana (my 'tailor').

(no subject)

Date: 2004-12-06 06:03 am (UTC)
From: [identity profile] seanthesean.livejournal.com
i am reminded of several things...
the singer from laibach having been bleached and sent out fly fishing, and this "white archer" reminds of some sort of dc archery comic book character who i can't remember at the moment.

(no subject)

Date: 2004-12-06 06:32 am (UTC)
From: (Anonymous)
Green Arrow?

(no subject)

Date: 2004-12-06 07:58 pm (UTC)
From: [identity profile] seanthesean.livejournal.com
yes. color + archery reference. yes.

(no subject)

Date: 2004-12-06 06:43 am (UTC)
From: [identity profile] sugar-foot.livejournal.com
Hahaha, awesome!

(no subject)

Date: 2004-12-06 07:17 am (UTC)
From: [identity profile] autokrater.livejournal.com
that outifit is very awesome..the hat is sweet all by itself!
that must have been fantastic..and speaking of fantastic..
i just downloaded "nordheim" by anne laplantine tonight and it is totally great!!!

(no subject)

Date: 2004-12-06 08:07 am (UTC)
From: [identity profile] imomus.livejournal.com
The hat is a Japanese carpenter's hat, from a tradesmen's uniform shop in Osaka.

dot dot dot

Date: 2004-12-06 09:38 am (UTC)
From: (Anonymous)
hi

yesterday I flipped through dot magazine at atheneum bookstore in amsterdam. it had your article. and I saw a large pile of relax mags.

erik

l a t e a g a i n !

Date: 2004-12-06 12:42 pm (UTC)
From: (Anonymous)
planning to take the advantage to see momus live with the whole family at a children friendly hour and at a smoke free location we (antónia, her sister dada with her son, lucas, little roxy and me) had some quick pancakes and rushed toward mitte... but - as usual - the caravan was too late: we were told that the white archer had just left the building!
i am heartbroken. maybe i should book you to perform at lucas' birthday party to make sure that the kids get their momus lessons...
haste ye back!

oswald curling master

Re: l a t e a g a i n !

Date: 2004-12-06 01:23 pm (UTC)
From: [identity profile] imomus.livejournal.com
Sorry you missed the show, Eric -- but you have given me a lovely title for my next album in the form of 'Oswald Curling Master'!

oswald curling master

Date: 2004-12-06 05:46 pm (UTC)
From: (Anonymous)
oh, it's definitely time that someone writes a song about one of the most odd sports in combination with one of the most odd names... and nick, you should be the one!
eRiC

(no subject)

Date: 2004-12-06 03:14 pm (UTC)
From: (Anonymous)
Anne is a wonderful, unique talent, but a) can she sing? and b) does she need someone to stop her from detracting from her pieces with what sounds like affected amateurism?

(no subject)

Date: 2004-12-06 05:05 pm (UTC)
From: [identity profile] imomus.livejournal.com
I think we probably have very different views on this question of amateur/professionalism, you and I. Actually, one of the first things I said to Anne after she finished playing (and it was a response to the last piece you can hear on the 'bootleg', which to me sounds very like traditional African music) was 'You must come to the Ethnographic Museum at Dahlem one day, you'd love their ethnomusicology section!'

(no subject)

Date: 2004-12-06 08:17 pm (UTC)
From: (Anonymous)
OK, but the point I was trying to make is that, to me, there is a clear contradiction in Anne's music between, on the one hand, a very articulate vision - actually very sophisticated in its nuance - and, on the other, this kind of shambling, chaotic tendency that tends to drown out the genius.

Thankfully, the destructive side never quite wins.

If we take summerisle as an example I think the pieces that work best - that communicate something profound rather than just unusual sound - are those with structure, e.g., Thyme, Tailor of Dunblane, Johnny Jump Up, Go Fishing. Indeed "Spin Thread, Annie" would be my wish when she sometimes appears to be unravelling her gift. Anybody can sound all arty etc., but she has a quite unique musical eloquence. Shame to obscure it, that's all.

(no subject)

Date: 2004-12-06 08:48 pm (UTC)
From: [identity profile] imomus.livejournal.com
Well, I appreciate what you're saying, but of course the tension between things like 'rough/smooth' and 'tidy/chaotic' and 'music/noise' is a matter of personal taste. I think Anne gets it about right, personally, but I can't say there's anything 'objective' about my taste here, or that you're 'wrong'. De gustibus nil disputandum est. Slick, tidily-organised music tends to bore me a bit. I like a certain amount of asymmetry and chaos, and plenty of accidents and errors going on. I like people playing things 'badly', and would rather listen to the Langley Schools Project or Portsmouth Sinfonia do a piece of Bach than the London Symphony Orchestra. I'd rather listen to Maher Shalal Hash Baz than Mahler. But that's just me.

(no subject)

Date: 2004-12-06 11:11 pm (UTC)
From: (Anonymous)
Yeah, I don't know what it is. Is she shy about her talent or something? Sounds a bit like an angel singing through her hands or a butterfly in sackcloth. You know her personally, so I'll listen again...

Fergus

(no subject)

Date: 2004-12-07 10:08 am (UTC)
From: [identity profile] imomus.livejournal.com
It's worth pointing out, on your 'can she sing' thing, that the female voice in track three of my live recording is not Anne. Like all the voices in this show, it was being played from a CD player, and was recorded by someone else, a cappella. This is also how 'Summerisle' was recorded. Anne created the music around unaccompanied tracks I gave her. It's quite close to the way someone like Dominique Petitgand works. You could call it 'reverse engineered' folk music. It sounds like a folk song, but it's made in this rather odd way.

(no subject)

Date: 2004-12-07 11:01 am (UTC)
From: (Anonymous)
Thank goodness for that. If she can sing as well then I would love her it combined with her music.

Regarding the notion of her sort of "concealing" what she is capable of: isn't that quite similar to her practice of hiding/obscuring her face on record sleeves? Maybe that was just a temporary thing.

(no subject)

Date: 2004-12-07 02:08 am (UTC)
From: [identity profile] klasensjo.livejournal.com
That last piece is just mindblowing. Anne Laplantine is fucking brilliant, she is. Folksy African indeed and sort of Sacred Harp singing in a pop context. I start thinking of the Shipp sisters "Sea Lion Woman". Transcendental and beautiful stuff in Berlin.

(no subject)

Date: 2004-12-06 03:21 pm (UTC)
From: (Anonymous)
The White Archer:

http://www.amazon.com/exec/obidos/tg/detail/-/0152958541/qid=1102346352/sr=8-1/ref=sr_8_xs_ap_i1_xgl14/102-2003646-9196935?v=glance&s=books&n=507846

Interesting that his upper body is in summer, his lower in winter

(no subject)

Date: 2004-12-06 06:31 pm (UTC)
From: (Anonymous)
Apart from the fancy hat, that looks like a fishermans outfit to me (or at least you can see lots of fisherman wearing stuff like that where I come from);
yours
lsb (http://losceiccobianco.splinder.com)

(no subject)

Date: 2004-12-07 01:04 am (UTC)
From: [identity profile] sparkligbeatnic.livejournal.com
Lovely. Is it my imagination or is Près de Paris-era Pierre Bensusan an influence?