Do you dress to please the boys?
Oct. 16th, 2004 02:13 pm
Are you visually original? Are you an outsider in one group and a conformist in another? Do you send and receive messages based on your understanding of recently-updated information from trusted sources? Are you interested not in uniting humanity into one big lukewarm gloop but in separating it out into lots of different groups? Do you dress to please the boys?
I'm interested in lots of stuff about clothes. First of all, the right side of my brain just loves to see certain colours and shapes in a balanced composition with others. But the left side of my brain isn't asleep while this sensory data is being processed. The left brain chimes in with cultural pattern recognition. 'Ah, that's interesting, I thought that Flashdance style was dead and rotten,' says smartarse Left Brain, 'but apparently it's back, all fresh 'n' lickettysplit. And what happens now,' continues baggy-ass trendy Left Brain, 'is going to be interesting. Some people will feel a repulsion they can't overcome. Some will feel a nostalgia which makes them welcome the style back. Some will be too young or too naive to know what the hell the reference is, but will buy into it because it's fashionable. And most will neither know nor care. They'll be thinking about something completely different. Sex. The presidential election. Problems at work.'
There's nothing wrong with being divisive, with wearing clothes that express your 'difference'. It's not an unfriendly act! Because we're aiming for a world in which people can accept and enjoy differences, aren't we? A world where people are divided in diversity rather than united in conformity, right? Where there are big, safe differences -- differences conducive to respect -- rather than small, dangerous ones (those pesky Minor Differences Freud warned us start wars), right? And yet people still feel uncomfortable about their perceived divergence from perceived norms. Perhaps more so now than ever. I've noticed a lot of Middle Eastern people recently wearing American baseball gear at airports, as if to say 'Listen, I may not look like you, but I think like you. I am not trying to be different, because I realise that if I dressed 'differently' from you, you might assume I'm hostile to your culture. I think and dress like you. Please don't send me for a special security interview. I'm just trying to get home. Thank you.'
Our anxious Middle Eastern-looking man is probably also wearing denim, because, as Fashion UK News reports in an article entitled 'Denim Democracy', denim is 'the world's most democratic fabric'.
Of course, 'dressing to fly' is a special case. Mostly we don't dress to pass through security checks or to affirm our belief in 'democracy' (just so you don't give it to us with surgical strikes). We don't, in other words, dress to appease angry authority. No, we dress for our peer group, our friends, our potential mates. The same assemblage of signs that expresses our solidarity with our peers and lovers also expresses our difference from those we don't feel close to and are not keen to fuck. We align ourselves with some at exactly the same moment that we differentiate ourselves from others. We make ourselves available to some whilst removing ourselves from the orbit of others, and all with our clothes. It's political, but micro-political. I'm with you guys, not those guys over there. You can have me, they can't.
Sometimes this 'I'm with smart, not stupid' solidarity / differentiation thing is about age, or class, or culture. Sometimes it's about district. 'The arrondissement dresses the man,' they say in Paris. Menswear designer Thomas Maier, talking about Paris, explains: ''Each neighborhood reflects a different lifestyle, from those Chesterfield coats that pepper the 8th district to the hip-hop kids in Les Halles and the Marais, to cool St. Germain-des-Près.''
If district isn't dictating your style, then age is. Julie Alleman, a marketing bod at Paris pret-a-porter store Who's Next, says kids are extremely fashion-conscious:
'Boys are much more into brands while girls are interested in style, in the silhouette. But boys spend just as much as, and sometimes more than, girls. They reveal some consistency in their purchases. At a time when girls are trying to emphasize their femininity, the boys are looking into sports brands like the sacrosanct triptych Adidas-Nike-Reebok, or brands like Fila, Puma, Diesel, Quicksilver, Oxbow, which go to the top of the class and stay there right through to the end of adolescence. Rap, skate, street, r'n'b, gothic... kidswear suggests above all a manner of being, a statement about spirit as well as about belonging to a tribe.' While 'kidults' or 'adulescents' are trying to look ironically childlike, kids are trying to look mature, adult. Which is just as well, because adolescents hate to see their style being copied.


The latest fashion news from Japan varies according to what district of Tokyo you're looking at. Personally, I always check Daikanyama first. Despite my recent posting about Shibuya-kei being back, there's still a large amount of chromophobia on Japanese streets. There are also lots of 'kidults'. Look at the girl on the left's Start-Rite sandals. The girl on the right is on Omotesando. I like her more formal, pageboy, pierrot-like look. The pierrot is an 80s archetype I feel has been left behind in the rush to ironic versions of early Madonna / Cyndi-Lauper / Flashdance pomo style (lots of accessories, deliberately trashy animal prints, leg-warmers, 50s-in-the-80s references). Harajuku is pretty ignorable right now, attuned to crappy old camo style, hip hop and visual kei clutter. Shibuya is doing flat caps and what I think of as 'Boy London' style (black'n'silver, crowns'n'crests). This stuff is also chromophobic; no nice colour combinations for hungry Right Brain here. People just aren't doing the colour thing at all.
Neither are Osaka fashion avant gardists Cosmic Wonder. Their jeans line is a series of white and pastel cotton ensembles with baggy bum pouches. (Plus some jeans with the same thing going on.) I'm more interested in their experimental 'nightwear for daytime' line, a series of pajamas and sleeping bags to be used for impromptu daytime sleeping. Anywhere, anytime! Very Slow Life! London-based Swedish designer Ann-Sofie Back also avoids colour, though she has some interesting eyepatch-style glasses in her Spring/Summer 2005 Lookbook.
Shift's 'Girls on the Street' archive this month is in London, where they've discovered some much more colourful Asian girls. (Why is it that Japanese abroad ditch the beige first thing they do? Is it because they tend to be art, design and fashion students, and therefore inherently less chromophobic?)


I like the way the girl on the left chains her jacket instead of buttoning it, the semi-transparent layered butterfly blouse she's wearing. (Marks off for the ciggy, though.) The girl on the right looks a bit up herself, but has made a good effort, especially with the colour-co-ordinated eye shadow. (Marks off for the boots, though.)
So, to sum up, the hot fashion memes this season, as far as I can see, are:
* Toned-down Flashdance style.
* Black and white stripes.
* Flat caps in light colours with loud houndstooth patterns etc.
* Trousers with something hangy-pouchy going on at the ass.
* Legwarmers.
And for the feet, chucks are still it. Though I'm personally favouring white Birkenstock sandals worn over black socks. And yellow flip flops are good.
Of course, there are still lots of people still swimming in the Redneck chic currents of yesteryear. I refer you to this photo that went up on someone's LJ today.
Vice magazine is doing some sterling work this month in its Worst Issue Ever, a satire on other magazines which includes several spoof fashion articles which might help to shame people out of their fashion complacency. There's a hip hop fashion spoof, a Guerilla Makeover and a deliberately evil and moronic set of Dos and Don'ts. I liked this comment left below the Don'ts by someone called 'Juvenal':
'I laughed at the cruelty of these because it's taboo -- and yet totally normal -- to see losers as losers. Then I thought about the humanity of putting homeless and poor people as 'Donts' in an issue which is The Worst Issue Ever. It's inexcusable -- and also totally normal -- to treat the excluded with this contempt. The Donts page is a satire which reveals the savagery of a 'totally normal' response to social exclusion. This page is also an effective response to haters of hip redneck style. It effectively says 'The alternative to putting poor people on a pedestal is hating them and leaving them in the gutter.' The moronic celebrity-worshipping Dos were the perfect corollary. The reason people are angry and disappointed about these Dos and Donts is that they're devastatingly on-target social commentary. And the laughs are uncomfortable ones.'
(no subject)
Date: 2004-10-16 07:57 am (UTC)(no subject)
Date: 2004-10-16 08:55 am (UTC)(no subject)
Date: 2004-10-16 08:14 am (UTC)(no subject)
Date: 2004-10-16 08:53 am (UTC)Re: Tokyo is behind
Date: 2004-10-16 09:33 pm (UTC)marxy
Re: Tokyo is behind
Date: 2004-10-17 05:06 am (UTC)Re: Tokyo is behind
Date: 2004-10-17 07:26 am (UTC)having said that, the Flashdance style and legwarmers etc that you pointed out do seem to come from that late 2001 moment when the Lower East Side and the Terry Richardson team were the focus of the hipster press. this particular look has been very slow to come to Japan, which is surprising to me, because Tokyo has traditionally been faster at adopting international trends than the rest of the world.
i wasn't trying to point out you being wrong as much as i wanted to note that the 3-year lag illustrates my ongoing point about the decline of the Japanese coolness juggernaut.
marxy
(no subject)
Date: 2004-10-16 08:47 am (UTC)(no subject)
Date: 2004-10-16 09:16 am (UTC)(no subject)
Date: 2004-10-16 09:17 am (UTC)(no subject)
Date: 2004-10-16 09:22 am (UTC)(no subject)
Date: 2004-10-16 09:58 am (UTC)(no subject)
Date: 2004-10-16 10:00 am (UTC)(no subject)
Date: 2004-10-16 10:31 am (UTC)(no subject)
Date: 2004-10-16 11:15 am (UTC)(no subject)
Date: 2004-10-16 11:19 am (UTC)(no subject)
Date: 2004-10-16 09:12 pm (UTC)(no subject)
Date: 2004-10-16 10:31 am (UTC)(no subject)
Date: 2004-10-16 04:59 pm (UTC)I see that Vice continues it's refined tone. Such invigorating ugliness. Ironic high five!
W
(no subject)
Date: 2004-10-16 09:35 am (UTC)By the way, I'm struck by the almost complete absence of Berlin culture/society in your recent posts. Left your heart in Japan?
(no subject)
Date: 2004-10-16 09:47 am (UTC)Yes, Berlin missing from my posts. I'm in some kind of weird denial that I'm back here. I shuttle daily between home and the theatre where I'm working. I'm in 'I'm not really here' mode.
(no subject)
Date: 2004-10-16 09:45 am (UTC)There are all sorts of things that could explain this: the relatively few number of colleges/universities in NY compared to Tokyo, the differences in living arrangements betwen American over-18 year olds and Japanese over 18s, the geographical differences between Tokyo and New York (and LA), etc.
I just thought I'd make a comment because this seemed like such an exceptional condition.
(no subject)
Date: 2004-10-16 09:55 am (UTC)(no subject)
Date: 2004-10-16 10:10 am (UTC)The shock of boredom and the cult of comfort
Date: 2004-10-16 10:27 am (UTC)W
(no subject)
Date: 2004-10-16 10:34 am (UTC)My favorite thing about Fruits: the accessories!
(no subject)
Date: 2004-10-16 11:09 am (UTC)(no subject)
Date: 2004-10-16 11:18 am (UTC)That girl in beige might as well be at a Young Republicans meeting.
(no subject)
Date: 2004-10-16 01:56 pm (UTC)(no subject)
Date: 2004-10-16 02:01 pm (UTC)And, um. What's wrong with independent girls?
I'm with you there...
Date: 2004-10-18 02:22 pm (UTC)Specifically, real independence, that is to say, capability, talent, humour, strength (as in ' -- to be gentle and kind', not brittleness) and Knowing What You Want.
-aj
westexpressway.typepad.com
(no subject)
Date: 2004-10-16 04:32 pm (UTC)-tomas
(no subject)
Date: 2004-10-16 05:52 pm (UTC)Tomas, I have no idea. Let's wait and see. Perhaps some Melanesian Cargo Cult will worship my records as objects (caring little that they don't have anything to play their 'forgotten formats' on). Or perhaps I'll be the first man to be knighted for blogging.
hoitsy-toitsy
Date: 2004-10-16 06:39 pm (UTC)i'm even considering purchasing some of your old albums (a route i rarely travel).
i've found your blog personality (through carefully calculated questions) to be quite different from your musical personality. i wish you would stop and play a show in hawaii.
somehow, i expected you to be more haughty.
why DID you write "i ate a girl right up" anyways?
could you explain that?
my mom just walked in carrying my nephews shit in her hands. i think i understand now.
could you draw a face for me?
what do you do when you can't get an erection (not just for cynthia plastercaster but in general)?
i'm only eighteen but i masturbate too much so my penis tends to be unresponsive when provoked.
anyways,
tomas
Re: hoitsy-toitsy
Date: 2004-10-16 07:16 pm (UTC)Well, probably. Blogging is like speaking to people, recording is more like praying.
i wish you would stop and play a show in hawaii.
I always like to play places I've never been to, and if the plane fares can be covered I might come. I'm talking to my US tour agency, Kork, about a possible 2005 US tour right now. Maybe they know a club in Hawaii. But actually I'm waiting for the results of the US presidential election before I decide whether to tour there in 2005. If Bush gets back in I really don't see what involvement I can have with the US on any level.
somehow, i expected you to be more haughty.
I always worry that I'm too haughty here. I mean, I can be a bit of an intellectual bully, can't I? I've already annoyed several people on this thread by asserting that cowboy boots are reactionary and flip flops 'sensual'.
why DID you write "i ate a girl right up" anyways? could you explain that?
Gainsbourg, Bataille, De Sade. I was influenced by a French tradition of sensualists, libertines and 'transgressors'. But my cannibalism was supposed to be warm, complimentary. It wasn't of the Hannibal Lecter type. That's cold, Anglo-Saxon cannibalism.
could you draw a face for me?
what do you do when you can't get an erection (not just for cynthia plastercaster but in general)?
Think about something sexy. But sometimes not being able to get an erection is nature's way of telling you to go do something else. Remember, 'an intellectual is someone who's found something more interesting to think about than sex'.
The New Aestheticism
Date: 2004-10-16 07:16 pm (UTC)"There were spotted veils that seemed to stain the skin with some exquisite and august disease, fans with some exquisite and august disease, fans with eye-slits in them... There were masks of green velvet that make the face look trebly powdered....There were wigs of black and scarlet wools, of peacock's feathers, of gold and silver threads, of swansdown....huge collars of stiff muslin rising high above the head; whole dresses of ostrich feathers curling intwards; tunics of panthers' skins that looked beautiful over pink tights....Some of the women had put on delightful little moustaches dyed in purples and bright greens....But most wonderful of all were the black silhouettes painted upon the legs, and which showed through a white silk stocking like sumptuous bruise."
And on and on. Now, if the girls (and boys) of the world were to start following such literary antecedents, I would be eager to join the hoi polloi more often.
(no subject)
Date: 2004-10-16 08:17 pm (UTC)i must admit, the design is rather ingenius: soft, quilted material paired with a whimsical print (apples AND hearts? can one possibly be more japanese?)...too bad they neglected the abnormally large japanese such as myself. i am, unfortunately, nowhere near close to being able to contort my legs and zip into the neat and tidy sleeping bag package intended.
there are several wonderful examples of pierrot-chic in the japanese vogue this month, although i don't imagine it would tickle your fancy as the colours are most drab and commes des garcons.
red guard
Date: 2004-10-16 08:26 pm (UTC)http://movies2.nytimes.com/2004/10/15/movies/15TEAM.html
Irony and disorienteering are the most effective control mechanisms of all. Just ask Nabokov...
Re: red guard
Date: 2004-10-16 09:10 pm (UTC)My feeling is that people who react this way to Vice want to explain away all the difficult and salutory questions the magazine raises about American culture by seeing a fascist salute behind every article. Vice is 'racist' and 'classist' because it talks about race and class, and they don't want to think about race and class. (And what is a 'classist' anyway, is that someone who, criminally, raises the issue of social class? Like a Marxist, you mean?)
Whenever I've asked anyone to identify an actual instance of racism, for example, in Vice, they've demurred. Because to point to an ambiguous piece of satire about race and see racism in it is a bit like pointing at a rorschach blot and saying it demeans black people. It reveals more about your own insecurities than anything else.
When it comes down to it, the pro- or anti- Vice war (and I've fought this at tedious length, and don't want to do so again here) comes down to a slanging match between those who think Pandora's Box should be opened and those who think it should stay shut. The box-openers (and I'm one) think that human nature is basically good, and that we can all agree to disagree, and that dissent is basically healthy. The box-shutters are much more pessimistic.
Re: red guard
Date: 2004-10-16 11:27 pm (UTC)Re: red guard
Date: 2004-10-17 05:31 am (UTC)Re: red guard
Date: 2004-10-17 06:26 am (UTC)It seems to me that 'Only give us the good news, and don't open wounds' is a recipe for bland art and, especially, super-toothless satire. Sure, since 9/11 comfort food has been the order of the day in much of the American media. But it won't be on the menu in this restaurant. I won't make muzak for 'victims' or write 'comfort journalism'. When Prometheus and Pandora (http://www.physics.hku.hk/~tboyce/ss/topics/prometheus.html) had their argument about whether to open the mysterious box they'd received, Prometheus was right, in a sense, to warn against it. After all, inside, swarming like brown moths, were all the evils and ills that beset mankind. But Pandora was right, too, to open the box, because down at the bottom the gods had hidden something good and necessary: hope. Bland art and bland satire may offer comfort, but they can never offer hope.
Re: red guard
Date: 2004-10-18 02:29 pm (UTC)I do think a spell back here in your spiritual home, the multilingual point where Europe meets America, might do you some good....
AJ
westexpressway.typepad.com
sorry not an answer to this subject
Date: 2004-10-23 02:15 pm (UTC)http://www.girlkarl.com/cars2.html