imomus: (Default)
[personal profile] imomus
Monday's International Emmy Awards saw a win for Japan in the Comedy category. NHK's production of Hoshi Shinichi's Short Shorts presents "one author's tales of strange worlds, told with an odd accent, grownup fairy tales". Shinichi, who died in 1997, wrote over a thousand of these "short shorts", stories just three or four pages long. He's often called a sci-fi writer, but most of his fictions are earthbound, and concern parallel worlds where strange things happen. Here, for instance, is the tale of Mr Teal, a space travel insurance agent whose life is so mechanised that nobody notices he's dead:

[Error: unknown template video]

And here's the tale of a woman brought to hospital by her boyfriend, who tells the staff she thinks she's a fox, because the last thing she said was kon, which is the bark of a fox in Japanese. In fact, she was starting to say kondo, which means "next time", and was trying to warn him that next time he cheated on her she'd leave him.

[Error: unknown template video]

This is a very odd one. A young girl has a much older lover, who keeps her in the lap of luxury, in a room with strange white flowers and a fountain bath. He goes away on a trip, leaving her (totally naked) in the care of his butler. The servant has to relay the news that the old man has died in a car accident, but the young girl already knows it somehow:

[Error: unknown template video]

There are times I wish I could draw well. I think manga, or the visual novel (The Crib Sheet prefers the term gekiga, or "drama pictures"), has the capacity to be a much higher artform than written-word-only novels. Just about anybody can write, but not so many can write and draw with talent. So it seems unfair that we generally rank visual novels lower than literary novels.

Japan tends to observe this hierarchy less. When Tomoko Miyata was visiting Berlin recently, she told us that her favourite writer is the mangaka Yoshiharu Tsuge. He's still alive, but hasn't made any new manga since 1986. Here are a couple of rather remarkable films I found on YouTube, in which a fan has animated still Tsuge manga in a superbly weird, almost psychedelic style:

[Error: unknown template video]

[Error: unknown template video]

I think it's the capacity of drawing to evoke -- better than photography, film, or the written word -- parallel worlds which both resemble our world and don't that I like so much. That plus the fact that a single auteur-creator, sitting at a kotatsu table, can produce these worlds with very few resources except time, effort, skill and imagination. And possibly the fact that the manga industry has something abject and underground about it, rather like the world of indie record labels (the Wikipedia entry on gekiga basically says they were to Japan what rock was to the US). Is it too late for me to learn to draw and switch careers?

(no subject)

Date: 2009-11-26 12:56 pm (UTC)
From: [identity profile] ewok-sister.livejournal.com
Just when i started to count the number of years i have been milking this blog for comic ideas! You should give it a try! Mighty time consuming work, but it's worth every second.

(no subject)

Date: 2009-11-26 01:32 pm (UTC)
From: (Anonymous)
Any body can write of course but how many can write well?

Take a well-read, well-travelled, and open-minded person like yourself.
You may have read and reread the whole occidental and oriental canons by this stage but reading profusely, though of great value, has little to do with the imagination and at your age it's far too late to change.

(no subject)

Date: 2009-11-26 01:46 pm (UTC)
From: [identity profile] imomus.livejournal.com
Not quite sure what you're saying here, Anon. Are you disagreeing with Scotland on Sunday's assessment of my powers of imagination (http://news.scotsman.com/entertainment/Book-review-Solutions-11167-The.5845225.jp)? Eh? Eh?

(no subject)

Date: 2009-11-26 02:17 pm (UTC)
From: [identity profile] blaiselarmee.blogspot.com (from livejournal.com)
momus, your tintin comic from childhood was really lovely.

(no subject)

Date: 2009-11-26 02:23 pm (UTC)
From: [identity profile] imomus.livejournal.com
Ah, yes, this one (http://imomus.com/tintinbigger.jpg). My career as a cartoon plagiarist ended tragically early when Snowy sued me for all my pencils!

happy thanksgiving :)

Date: 2009-11-26 08:15 pm (UTC)
From: [identity profile] count-vronsky.livejournal.com
I love the way Snowy is walking in the 5th panel. Cracks me up every time.

And Tintin's coat looks like an Armani in the next panel -- earthtones, soft collar. Tintin the dandy.

(no subject)

Date: 2009-11-26 04:08 pm (UTC)
From: [identity profile] ewok-sister.livejournal.com
Forgot about that one. The Villain really looks like the stuff of nightmares.

(no subject)

Date: 2009-11-26 04:30 pm (UTC)
From: (Anonymous)
In a parallel world you're somebody who's managed to carve out a life in Japan, as opposed to dreaming (and blogging) about it.

No?

(no subject)

Date: 2009-11-26 07:13 pm (UTC)
From: [identity profile] imomus.livejournal.com
That parallel world is real for the next six weeks!

(no subject)

Date: 2009-11-26 09:15 pm (UTC)
From: [identity profile] subalpine.livejournal.com
Now are you trying to say that the other parallel worlds aren't 'real'?

kanashimi no belladonna

Date: 2009-11-26 07:24 pm (UTC)
From: (Anonymous)
have you seen kanashimi no belladonna? it's a psychedelic animation from the 70s by eiichi yamamoto - sort of wicker man witchcraft and satanism drawn in aubrey beardsley style.

http://en.wikipedia.org/wiki/Kanashimi_no_Belladonna



erik

Re: kanashimi no belladonna

Date: 2009-11-26 10:18 pm (UTC)
From: (Anonymous)
It's on Veoh (haven't checked the link yet but it shows as a 90min. title when googled):
http://www.veoh.com/browse/videos/category/anime/watch/v17210581Yf8rMwRF

Re: kanashimi no belladonna

Date: 2009-11-27 06:46 pm (UTC)
From: [identity profile] imomus.livejournal.com
Possibly the most psychedelic film ever made! Thanks for the recommendation! It totally took me back to 1967-69, and the scary thing is that I can remember how those years actually felt, looked, smelled, moved...

too late for me

Date: 2009-11-26 07:27 pm (UTC)
From: [identity profile] pay-option07.livejournal.com
You and Joe working it.



(no subject)

Date: 2009-11-26 08:50 pm (UTC)
From: [identity profile] count-vronsky.livejournal.com
have you seen Teshigahara's Gaudi (http://arethehillsgoingtomarchoff.blogspot.com/2009/02/antonio-gaudi-1984-film-by-hiroshi.html) documentary momus. If no, I highly recommend it. Great soundtrack as well.

(no subject)

Date: 2009-11-26 11:43 pm (UTC)
From: (Anonymous)
I second this, it's a great documentary. Rather similar to the Heinz Emigholz documentary "Schindlers Häuser", too.

(no subject)

Date: 2009-11-27 12:32 am (UTC)
From: [identity profile] imomus.livejournal.com
It does look interesting. I still haven't seen the Emigholz Adolf Loos film.

(no subject)

Date: 2009-11-26 09:08 pm (UTC)
From: [identity profile] count-vronsky.livejournal.com
"Just about anybody can write, but not so many can write and draw with talent."

this had me thinking of famous writers who could also paint or draw.

(this is one of those things that is hard to google - Poe was a talented portraitist, but googling for his work only brings up images of him, not by him)

Pushkin, Goethe, Elizabeth Bishop, Oscar Wilde, Flannery O'connor also had artistic talent. I'm sure there are many more I am forgetting.

(no subject)

Date: 2009-11-26 10:14 pm (UTC)
From: (Anonymous)
Victor Hugo:
http://ajourneyroundmyskull.blogspot.com/search/label/hugo

The move from action/performance to film/animation might be a good move, Nick. Perhaps start a site asking for animators and writers to coalesce...help one another along.

Does anyone know the name of the style of drawing that is similar to that of the latter examples in this entry? A style based on sublimating all aesthetic rules of manga, in a way, to be ulgy beyond ugly. Very difficult to do well, I heard. But I can't remember where... There must be someone reading this that knows.

(no subject)

Date: 2009-11-27 03:48 am (UTC)
From: [identity profile] count-vronsky.livejournal.com
I see the Book Of Jokes as being a perfect candidate for animation. Possibly a different style for each chapter -- from manga to Chuck Jones.

(no subject)

Date: 2009-11-27 06:27 pm (UTC)
From: (Anonymous)
for the fellow anon looking for the ugly manga style, you might be thinking of Teruhiko Yumura, aka Terry Johnson, AKA King Terry of the Heta Uma art style. The philosophy is more on the emotions of the work than technical mastery.

(no subject)

Date: 2009-11-28 08:18 am (UTC)
From: (Anonymous)
Heta Uma it is! Thank you!
This might very well be the style Moemius could develop into.

captcha: Matagami allover
matagami: (noun) waist (the part of the pants located above the crotch); pant rise

(no subject)

Date: 2009-11-28 08:21 am (UTC)
From: (Anonymous)
Nick's living with an artist right now, isn't he? What's at hand...

captcha: film stylization
Are these captcha's determined by page content/google adsense?

artists/writers

Date: 2009-11-27 04:16 am (UTC)
From: (Anonymous)
william blake is the biggest one that comes to mind--toiling away as he did on his etchings of an entire mythic world.

also john lennon was quite a doodler; i've got a small book printed in japan of his drawings. the beat-ish writer kenneth patchen was also known for his artwork, too.

broadening the catagory, miles davis was quite a painter, etc etc...

Re: artists/writers

Date: 2009-11-27 06:23 am (UTC)
From: [identity profile] count-vronsky.livejournal.com
Wyndham Lewis and Vorticism (http://en.wikipedia.org/wiki/Vorticism).

FAKE

Date: 2009-11-27 09:49 am (UTC)
From: [identity profile] stanleylieber.livejournal.com
It's never too late to change careers. For example, I'd love a Momus drawing or comic strip for my upcoming FAKE comics anthology. The concept is to varnish together the sensibility of GARO (http://en.wikipedia.org/wiki/Garo_%28magazine%29) with the spirit of illegal dōjinshi (http://en.wikipedia.org/wiki/Dojinshi) publications. Each issue will be bookended by traditional 4-panel strips featuring Orson Welles working at a late 1970s Tokyo design firm, hoping to bring Japanese popular culture to the U.S. (The Welles strip will be called NO. Orson: "Noguchi and I have been in business for three years. 'NO' is the acronym -- He insisted that ORSON was my surname. I didn't have the heart to correct him. The signage and business cards had already been made.")

Image (http://massivefictions.com)

(no subject)

Date: 2009-11-27 04:26 pm (UTC)
From: [identity profile] jared-is-leader.livejournal.com
My understanding was that while this was true for a long time, recently manga has become almost as commercialized as the animation industry. I have no firsthand experience with this as the only manga and/or anime that is readily available here in the United States is for the kids, though many adults here don’t seem to notice, so I haven’t bought any since I was around ten years of age.

I do read many western indy comic books, however, such as Daniel Clowes and various other lesser known authors. I often tell people that I read comics and that leads to talk of The Spectacular Spiderman and Batman and the like. About as mainstream as I actually get is Alan Moore.

None of this really adds anything to the topic at hand but I just thought that I would share.

(no subject)

Date: 2009-11-28 11:31 am (UTC)
From: [identity profile] jenny-junkie.livejournal.com
Yes, let's build a database of writers who dabbled in painting and drawing in their spare time, because there's not enough examples of genius writer/artists that have contributed to the History of comic books.
Also, the manga industry is anything but underground.