The Paris of our dreams
Aug. 13th, 2009 02:39 amVenusFort is a synthetic European city laid out inside a warehouse in Odaiba -- itself an artificial island in Tokyo Bay. "Inside the enclosed building," boasts the theme park-cum-shopping mall's blurb, "the 17th-18th century European-style streets come to life. The open ceiling manifests the ever-changing sky from the clear blue sky to the evening sunset, and to the darkness of night. There are about 170 shops and restaurants lining the streets, just like true European street scenery. It is unbelievable that the whole scene has been reproduced inside a building."

Unbelievable indeed. A spectre haunts Tokyo -- the spectre of Europe, and particularly Paris. The Japanese capital boasts chef schools, boulangerie-style bakeries, pavement cafes with white-shirted, black-apronned waiters, French luxury goods stores on Champs-Elysees-like avenue Omote Sando, and even its own reproduction of the Tour Eiffel.

You'll see similar visions in the animations of Japan's most popular film director, Hayao Miyazaki. Here's Helen McCarthy on his early film, The Castle of Cagliostro: "The story takes place in the never-never land that is the Japanese dream of Europe, a rustic paradise of crumbling yet infinitely sophisticated cities and castles; ancient titles and even older secrets; lakes, mountains, and high flower-strewn meadows; and mystery and romance. There is a Japanese phrase that sums up this yearning for the beautiful, mysterious fantasy otherwhere -- akogare no Paris, the Paris of our dreams."

According to Dani Cavallaro, the anime Rose of Versallies "exemplifies an attraction to old Europe, steadily evinced by both anime and manga, as a synthesis of majestic yugen [subtle, profound grace] and unpretentious sabi. This fascination is related to what the Japanese designate as akogare no Paris ("the Paris of our dreams") -- namely, a speculative version of that world envisioned through Eastern eyes, akin to the West's imaginary configurations of the East founded upon the figment of the exotic."
This, then, is a sort of romantic projection, a reverse orientalism -- "occidentalism", if you will. Being exoticised in this way helps the French -- Paris is the number one European destination for Japanese tourists, with 700,000 visits every year. But it makes the Japanese suffer; Paris Syndrome is the name not just for a very particular form of culture shock, but for a nervous disorder that -- as Libération reported in 2004 -- sees over a hundred Japanese hospitalised each year. There's even a special unit for it at the Sainte-Anne Hospital in Paris, with a Japanese doctor -- Dr Ota, the inventor of the term -- in charge.

A couple of video reports on French TV give us glimpses into why Japanese in Paris fall sick. In the first, a trainee with Hermes called Akiko says: "My first visits to Europe were to little German villages where everything was very pretty and picturesque. When I came to Paris first it was with a group tour, and we stayed in a hotel at Place Clichy, the working class district. It wasn't what I'd dreamed of."
"Administrative queues take forever and you have to start all over again. The quality of service is not what we'd expect in Japan. Standing up in front of people and giving your opinion is difficult for us Japanese. We're used to holding back, staying in the background, listening to others. But if we are able to change this behaviour and be more forthright, here in France nobody listens to us." The sarcastic French sense of humour also proved difficult.

"When you see articles about Paris in magazines elsewhere in the world, you see nice districts, restaurants and boutiques. But when you see those articles after having lived here, you ask yourself "Where are these places?" It doesn't correspond with reality. It's a constructed image."
In the second video report a writer called Kenzo explains how, after a few months in Paris, he developed depression and a psychosomatic back problem which stopped him leaving the house.

His disillusionment began, Kenzo says, with cafe waiters. "In Japan, even if they're busy, they'll say, sorry, please wait a bit, i'll be over. Here, they don't give a fuck. They pretend not to see you. It's not the waiting I mind, it's this reaction, when you're not used to it, that can be a bit humiliating. If you're a bit paranoid, you think "It's me, isn't it?" Or queuing for a taxi here, it's a queue, but it isn't a queue. If someone at the back of the queue sees a taxi passing, he runs after it, and the others shout "What's he doing, that bastard!"
"It can destabilize you, that sort of thing. For Japanese it's shocking, shocking, incredible. In Japan, the taxi driver would categorically refuse to take such a person. We're used to order." Soon Kenzo was walking with a stick, and cut all social contacts, especially with French people.
Could it be that Kenzo was a victim, not of French rudeness, but of the unrealistic expectations whipped up by the spectral Paris conjured by Tokyo? A victim not of Paris, but of "our dreams"?

Unbelievable indeed. A spectre haunts Tokyo -- the spectre of Europe, and particularly Paris. The Japanese capital boasts chef schools, boulangerie-style bakeries, pavement cafes with white-shirted, black-apronned waiters, French luxury goods stores on Champs-Elysees-like avenue Omote Sando, and even its own reproduction of the Tour Eiffel.

You'll see similar visions in the animations of Japan's most popular film director, Hayao Miyazaki. Here's Helen McCarthy on his early film, The Castle of Cagliostro: "The story takes place in the never-never land that is the Japanese dream of Europe, a rustic paradise of crumbling yet infinitely sophisticated cities and castles; ancient titles and even older secrets; lakes, mountains, and high flower-strewn meadows; and mystery and romance. There is a Japanese phrase that sums up this yearning for the beautiful, mysterious fantasy otherwhere -- akogare no Paris, the Paris of our dreams."

According to Dani Cavallaro, the anime Rose of Versallies "exemplifies an attraction to old Europe, steadily evinced by both anime and manga, as a synthesis of majestic yugen [subtle, profound grace] and unpretentious sabi. This fascination is related to what the Japanese designate as akogare no Paris ("the Paris of our dreams") -- namely, a speculative version of that world envisioned through Eastern eyes, akin to the West's imaginary configurations of the East founded upon the figment of the exotic."
This, then, is a sort of romantic projection, a reverse orientalism -- "occidentalism", if you will. Being exoticised in this way helps the French -- Paris is the number one European destination for Japanese tourists, with 700,000 visits every year. But it makes the Japanese suffer; Paris Syndrome is the name not just for a very particular form of culture shock, but for a nervous disorder that -- as Libération reported in 2004 -- sees over a hundred Japanese hospitalised each year. There's even a special unit for it at the Sainte-Anne Hospital in Paris, with a Japanese doctor -- Dr Ota, the inventor of the term -- in charge.

A couple of video reports on French TV give us glimpses into why Japanese in Paris fall sick. In the first, a trainee with Hermes called Akiko says: "My first visits to Europe were to little German villages where everything was very pretty and picturesque. When I came to Paris first it was with a group tour, and we stayed in a hotel at Place Clichy, the working class district. It wasn't what I'd dreamed of."
"Administrative queues take forever and you have to start all over again. The quality of service is not what we'd expect in Japan. Standing up in front of people and giving your opinion is difficult for us Japanese. We're used to holding back, staying in the background, listening to others. But if we are able to change this behaviour and be more forthright, here in France nobody listens to us." The sarcastic French sense of humour also proved difficult.

"When you see articles about Paris in magazines elsewhere in the world, you see nice districts, restaurants and boutiques. But when you see those articles after having lived here, you ask yourself "Where are these places?" It doesn't correspond with reality. It's a constructed image."
In the second video report a writer called Kenzo explains how, after a few months in Paris, he developed depression and a psychosomatic back problem which stopped him leaving the house.

His disillusionment began, Kenzo says, with cafe waiters. "In Japan, even if they're busy, they'll say, sorry, please wait a bit, i'll be over. Here, they don't give a fuck. They pretend not to see you. It's not the waiting I mind, it's this reaction, when you're not used to it, that can be a bit humiliating. If you're a bit paranoid, you think "It's me, isn't it?" Or queuing for a taxi here, it's a queue, but it isn't a queue. If someone at the back of the queue sees a taxi passing, he runs after it, and the others shout "What's he doing, that bastard!"
"It can destabilize you, that sort of thing. For Japanese it's shocking, shocking, incredible. In Japan, the taxi driver would categorically refuse to take such a person. We're used to order." Soon Kenzo was walking with a stick, and cut all social contacts, especially with French people.
Could it be that Kenzo was a victim, not of French rudeness, but of the unrealistic expectations whipped up by the spectral Paris conjured by Tokyo? A victim not of Paris, but of "our dreams"?
We French don't take kahndly to ya'll outsiders . . .
Date: 2009-08-13 01:11 am (UTC)"French woman threatens legal action over 'burkini' ban
Muslim convert evicted from public pool for modest swimwear fuels row over religious symbols in secular nation"
http://www.guardian.co.uk/world/2009/aug/12/burkini-ban-islam-france
Re: We French don't take kahndly to ya'll outsiders . . .
Date: 2009-08-13 01:20 am (UTC)In Saudi Arabia you're banned for wearing a bikini, in France you're banned for wearing a burkini. And the difference is...?
Re: We French don't take kahndly to ya'll outsiders . . .
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From:Re: We French don't take kahndly to ya'll outsiders . . .
From:So forcing people not to smoke is the same as forcing them to smoke?
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Date: 2009-08-13 02:04 am (UTC)(no subject)
Date: 2009-08-13 02:12 am (UTC)I remember mentioning the mangaka Kaoru Mori (http://en.wikipedia.org/wiki/Kaoru_Mori) a few entries back. She's an anglophile who's most famous for her Victorian romance comics.
She's shy and dislikes giving interviews, but in a rare interview she mentioned her experiences of Britain:
----------------------------
Could you tell us more about your experience in Britain?
I was very pleased to discover that my imagination was not too different from what I experienced in Britain in person. However there were many new discoveries as well, such as the fact that British food was not as awful as rumored.
----------------------------
So yeah, she clearly had very low expectations. Just kidding, Britain! (I'm so not).
I don't quite get how you can spend your days fantasising about Victorian Britain, on a personal level and as a career, then turn up here and not be deeply disappointed. She should have dropped dead of 'London Syndrome' the moment she got off the plane.
(no subject)
Date: 2009-08-13 02:22 am (UTC)Never understood this rumor, well, except maybe when it comes to jellied eels and such. But roast beef and Yorkshire pudding, haggis, pasties, curries, various pies with good beer, tikkas, and so on--these are all good food, although I suppose some make vegetarianism difficult.
Also, if this woman spends her days fantasizing about Victorian Britain, I wonder if she dashed right off while in London to get some of those fabulous eel-based dishes.
No
Date: 2009-08-13 02:35 am (UTC)Re: No
Date: 2009-08-13 05:55 pm (UTC)(no subject)
Date: 2009-08-13 03:11 am (UTC)ashtray
Date: 2009-08-13 03:32 am (UTC)Re: ashtray
Date: 2009-08-13 05:18 am (UTC)Re: ashtray
Date: 2009-08-13 06:28 am (UTC)Re: ashtray
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Date: 2009-08-13 04:03 am (UTC)(no subject)
Date: 2009-08-13 04:16 am (UTC)(no subject)
Date: 2009-08-13 06:06 am (UTC)No place for the modern flaneur; the sterility of it all
made me want to top myself so I got out of there sharpish...
(no subject)
Date: 2009-08-13 08:26 am (UTC)(no subject)
Date: 2009-08-13 06:33 am (UTC)They've contracted Occidentalism
Date: 2009-08-13 06:33 am (UTC)Adding insult to injury one finds that not all restaurants look out over rock gardens, but are typically dusty and reek of a million cheap cigarettes. Finally, all their illusions of an orderly and deferential Japanese people are dashed upon shopping for food or boarding trains, where they are elbowed, cut in front of or jostled to death. Where's the meek and eager to please geisha's? they usually cry out to themselves...
This is when the romanticising barbarians usually have a complete meltdown and need medical attention. (But not in Japan mind you, where you literally take a number and wait like you're at the dept. of motor vehicles).
Re: They've contracted Occidentalism
Date: 2009-08-13 10:11 pm (UTC)Re: They've contracted Occidentalism
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Date: 2009-08-13 07:19 am (UTC)They're often later discovered curled up on the floor of a train station or department store, and usually by those one of those ubiquitous people handing out advert tissue packets on the streets.
(no subject)
Date: 2009-08-13 08:35 am (UTC)Alex P.
(no subject)
Date: 2009-08-13 11:17 am (UTC)As for Venusfort, I think the seed fantasy idea was Venice (within budget). The "Venus" in the name is has definite significance since I've seen English language promotional literature pointing out it is intentionally a mall oriented toward women.
It's worth also noting that Odaiba in general is more or less a dating destination + convention center.
(no subject)
Date: 2009-08-13 11:33 am (UTC)* Gypsies: I took exception, last week, to someone in a newspaper saying that positive romanticisation of gypsies is as bad as negative vilification... for the gypsies. I pointed out that romanticisation / exoticisation brings in tourist dollars. The people "hurt" are the exoticisers / tourists, when they discover a more complex reality. This is clearly what's going on with Paris Syndrome. To be romanticized doesn't hurt the Parisians, but it does hurt some of the head-in-clouds Japanese.
* Plethora: This relates to the point I made yesterday about Aki Onda, and how traveling a lot when he was a kid made him unhappy at school in Japan. A trip to Paris might seem like a godsend, but not if it destroys the more delightful Paris you had in your head. Having a plethora of options open to you might be great, but it might also be a curse, because it opens a negotiation between alternative realities, and one might come off worse (either your dream will be shattered, or your former reality will begin to seem inadequate).
(no subject)
From:"A victim...
Date: 2009-08-13 01:30 pm (UTC)Probably dreams. You could pose the same question and replace "dreams" with "morals." Oddly enough, the antidote I would suggest for this problem is actually French (or in French, anyway) - the Brassens' attitude (cf your electroacoustics of humanism piece). Kind of ironic I guess that french pop is some of the lightest, flippest, and most dreamy (in the most reassuring way) that I know of (Brassens, Toog, Katerine, etc.) but I guess it isn't "saving" the Japanese in this instance.
And who are they to believe they can find paradise on earth!
-Robyn
(no subject)
Date: 2009-08-13 06:09 pm (UTC)(no subject)
Date: 2009-08-13 06:31 pm (UTC)I asked a Japanese speaker, and Hisae said: "No-one uses those words. It's so gaijin topic, I think!"
(no subject)
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Date: 2009-08-13 11:24 pm (UTC)(no subject)
Date: 2009-08-13 11:31 pm (UTC)(no subject)
From:funny
Date: 2009-08-14 02:35 am (UTC)Japan does French (and everything else) so wonderfully.
I'm thinking of the french food. The pasteries are perfectly sweet and tender without being too sweet... the tables and interiors so cute...
It's a glorified version... yes... but its done w thought and skill.
Hard to find any blame in that.
The harsh reality that life is not a wonderland outside of japan... is similar with everyone. Ask any cab driver in NY... they say they came here to make money... but now they sit in this cab all day, barely getting by....
on cultural differences:
I was using a bathroom at JAS mart (japanese cafe/grocery store) and someone knocked on the door... so I kicked it to say "I'm in here"... when I opened the door to leave.. the Japanese man waiting was IRATE becasue I kicked the door too loud and he felt insulted... I felt bad because I totally couldnt take his anger seriously so I was half laughing which made him EVEN more upset...
Re: funny
Date: 2009-08-14 03:04 am (UTC)Re: funny
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