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This is a photographic approximation of my first column for Japanese art magazine ART-iT, which recently migrated from a paper to a web publication. To read this on the ART-iT site you have to go through a rather tedious one-off registration process, but considering it makes the magazine available worldwide for free, it's a small price to pay.



One of the peculiarities of the ART-iT site is that the magazine -- which has been bilingual from the start -- uses mechanical web translation for its contents. So if you click the Japanese / British flag at the top of the page, your English text automatically goes into Japanese, and vice versa. Just for fun, I google-translated the Japanese version of my column back into English, and came up with the following. I've picked out a few "found poems" in bold:

I, slenderly, please give the event a collection of art and MAKARETA Map dilapidated buildings. I am a happy person. Or Not Museum dim pure white cube for me; I like to be dirty but my art venues. I, And peeling wallpaper, the accordion by crush, and prefer to feel a bit damp and wet and that they are. I The Kerameikos in Athens was abandoned as the district office, county amended plots between the two events Perez recently called They are inherited in the same place for the Gallery project, we prefer to be re-occupied.

Event Type Art gives you a map to the art if not bigger - and, in revised county parcel, it marked a significant And elephant - no longer a winner even if the cluster of buildings to explore unfamiliar. Glass display case for a temporary art And over the entrance was converted into apartments or workshops, adventure amazing city break a padlock of a forbidden I want the house.

2006 was a big city adventure biennial Berlin; Maurizio Cattelan and his co-curator, the re-building of the upper and lower. The art was, it was necessary to match the wallpaper a basin and discard them inspire Auguststrasse Residential flat used by the stables, mobile utility shed, a Jewish school for girls and older people. I sense In addition they were inside the two-day, 48 hours Neukolln I held near Berlin, as part of the event called Last weekend to explore as I SHAGAMIKOMI meager.

Tokyo is the closest ever to arrive, the town was building Shokuryo-Saga. "Site of emotion" - former U.S. cooperatives -- Is this for Ishii and KOYAMAGYARARI home earlier than 10 years, to inspire. It was taken in 2002 RI has been paid. However, Omi Biwako bee man as a biennial event, since they use the old movie tradition, the living to hold a sake museum and tea house at a factory.

However, there is a risk. Last year, I collect old streetcar repair shop in the Berlin district of north-filled immigrants to marry I saw the show was first called KYANPUBERURIN. It is a dialog between the artist and from Berlin Been thought, but for me to Hiroshima, it is the tram shed full of atmosphere and it became more store art Like the charisma of the competition. The building won.

(no subject)

Date: 2009-07-04 09:33 am (UTC)
From: (Anonymous)
not for me the pristine white cube

Hmmm, is this the same Momus who only a few months ago wrote:

A white-walled, evenly-lit space with a simple form factor puts me at ease. I like how it brings the focus to the people in the room, giving them the status of works of art. I like what it does to colour. I like how there's no traffic noise in there, no radio.

(no subject)

Date: 2009-07-04 09:50 am (UTC)
From: [identity profile] imomus.livejournal.com
By golly, you're right! (http://imomus.livejournal.com/408546.html)

I like how my readers keep me on my toes!

I dislike how my readers keep on my toes!

They're contradictory, and they're both true!

I think this probably has something to do with dialectics, and something to do with appetite, and something to do with the way the moment you state one position forcefully, the opposite position begins to seem more true and more attractive. Because life isn't as clear-cut as semantics.

The contradictions are probably resolved by The arrow and the frame (http://imomus.livejournal.com/446616.html): "let's bracket positionality for a moment. Let's say the most important thing is the frame... Maybe -- just maybe -- it doesn't matter whether you're anti-gay or pro-gay. What matters is that you're looking at gay topics."

Replace "gay" here with the pristine / patina binary.

(no subject)

Date: 2009-07-04 10:04 am (UTC)
From: (Anonymous)
Either that, or you just pull it out of your ass...

(no subject)

Date: 2009-07-04 10:15 am (UTC)
From: [identity profile] imomus.livejournal.com
That's one way of looking at it, but my question would be, what does that do for you? It makes you feel superior, right, and it also makes you see that what we're talking about here is shit. The problem is that this makes you "The King of Shit". It's the cynic's dilemma; do you really want to be the ruler of such a worthless world?

Or perhaps the "arrow and frame" argument applies: what matters isn't what you believe, but the fact that you're here. That we're "on the same page".

(no subject)

Date: 2009-07-04 10:34 am (UTC)
From: [identity profile] imomus.livejournal.com
The arrow and the frame (http://imomus.livejournal.com/446616.html) again, because the link didn't seem to work before, and because it's a cracker of an essay SLASH sums up everything that's wrong with Momus.

(no subject)

Date: 2009-07-04 11:07 am (UTC)
From: [identity profile] imomus.livejournal.com
Actually, I was thinking about how language would be if you took the conclusions of The arrow and the frame (http://imomus.livejournal.com/446616.html) into account, ie if you did seriously what I do above as a joke ("cracker of an essay / sums up everything that's wrong with Momus"). And it occurs to me that the results would sound like a Japanese person speaking. In order not to give offense, every opinion would be counterbalanced by an alternative and opposite opinion. In order to show that opinion was irrelevant, you'd leave out all person pronouns and just let perspectives float, ownerless, in the ether. And you'd make sure that your positionality within society would trump the positionality of any opinion you might want to adopt in relation to the subject at hand. In other words, you'd always be speaking as rather than speaking about.

But obviously my strawman "Japanese person" is not Ozaki Tetsuya, ART-iT's editor, who calls a spade a spade (http://www.realtokyo.co.jp/docs/en/column/outoftokyo/bn/ozaki_209_en/) and who coined the phrase (ART-iT's original motto) "genuinely rude art journalism" (http://www.frieze.com/comment/article/genuinely_rude/).

fnord

Date: 2009-07-04 07:12 pm (UTC)
From: [identity profile] st-ranger.livejournal.com
"Do I contradict myself? Very well, then I contradict myself, I am large, I contain multitudes."

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