The writer in his shosai
Jan. 3rd, 2009 02:45 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
imomusAnother treasure has come up from my cellar, decalcified and scraped clean of rat droppings: this time it's a book by photographer Takeoshi Tanuma entitled Bunshi No Shozo or Pictures of Authors. The preface explains that these are "authors who built up Japanese culture after the war". The book appeared in 1990. This is my favourite photograph in it:
This shows the writer Ito Sei in his shosai. A shosai is a room for books, a study, a workspace, a den for reading and writing. For me, this photo is the archetypal Japanese literary den. Ito sits on the floor in a tiny space, seen from a staircase. A naked bulb hangs above, and from floor to ceiling books line the space, less than one tatami mat across. Perhaps this is what Atelier Bow Wow had in mind when they created their mediapod.
Media in my living room continues to rise higher and higher as I bring things up from the cellar and find places to stack them in my workspace. But somehow the spirit of place captured in Tanuma's photos fails to emerge in my own space, a rather transitory and cerebral abstraction through which Wii and iMac signals are projected.
Here we see Yoshiuke Junosuke, Hotta Yoshie (below, left), Noma Hiroshi (top right, with the messy study) and Uno Koji (who looks like the austere leader of Shangri-La in Lost Horizon).
And here is Fujiwara Shinji with his traditional central fireplace and his small dog.
This of course is Yukio Mishima, hard at work composing the Sea of Fertility series, perhaps.
And this smoking man (almost all these writers smoke heavily in their dens) is suspense writer Matsumoto Seijo.
This shows the writer Ito Sei in his shosai. A shosai is a room for books, a study, a workspace, a den for reading and writing. For me, this photo is the archetypal Japanese literary den. Ito sits on the floor in a tiny space, seen from a staircase. A naked bulb hangs above, and from floor to ceiling books line the space, less than one tatami mat across. Perhaps this is what Atelier Bow Wow had in mind when they created their mediapod.
Media in my living room continues to rise higher and higher as I bring things up from the cellar and find places to stack them in my workspace. But somehow the spirit of place captured in Tanuma's photos fails to emerge in my own space, a rather transitory and cerebral abstraction through which Wii and iMac signals are projected.
Here we see Yoshiuke Junosuke, Hotta Yoshie (below, left), Noma Hiroshi (top right, with the messy study) and Uno Koji (who looks like the austere leader of Shangri-La in Lost Horizon).
And here is Fujiwara Shinji with his traditional central fireplace and his small dog.
This of course is Yukio Mishima, hard at work composing the Sea of Fertility series, perhaps.
And this smoking man (almost all these writers smoke heavily in their dens) is suspense writer Matsumoto Seijo.
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Re: acr
Date: 2009-01-03 01:12 pm (UTC)I never bought the Durutti Column album -- one of Peter Saville's little jokes, that one.
Re: acr
Date: 2009-01-06 01:03 pm (UTC)T'was me re ACR. I can never remember my user ref. That is a typical sleeve that just doesn't cut it in cd form. I'd never part with mine.
On the decor comment, this has been lurking for some time. I'd like to dedicate a complete wall to the sleeve, but as my place is 300 years old there is no expanse of wall space to feature the ilistration.
Hey, how about one of the outside walls!?
What would you do?
Robert Dye
Re: acr
Date: 2009-01-06 01:06 pm (UTC)Martha Tilson vocals were just like another instrument to the sound. Just in the way that Alan Vega's is to Suicide.
Re: acr
Date: 2009-01-06 01:24 pm (UTC)Maybe try it out first with a projector?