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Someone called Richard Henderson sent me $7 for the radio piece I made in Kurama last week. 'Just getting round to listening to this,' said the Paypal note, 'fantastic, more of this kind of thing, please. It'd be even better with video! You've already got iMovie, right? Drop a few hundred bucks for a used cam on eBay, and you could release a new documentary/lifeblog snippet with a self-composed soundtrack every couple of days!' Well, daily movies might be a bit of a stretch, but Richard encouraged me to make a new radio piece. This time it's an hour-long ramble around Osaka. You'll hear (and see in your mind's eye) an Australian rabbit giving a guided tour of an art centre called Graf, a bunch of funny Jinglish mottos on girls' T shirts, some tips on killing cockroaches, the lowdown on an up-and-coming district, some thoughts on homelessness, and a serenade by a sad restauranteur. All in glorious low-res mono. Come ramble with me!

An hour in Osaka (One hour, mono mp3, 27.74MB)

Re: Postcard recordings...

Date: 2004-08-27 07:43 pm (UTC)
From: [identity profile] imomus.livejournal.com
Though I'm sure it's 'creative' on a certain level, TV is one of my least favourite things about Japan and I go months at a time without seeing any of it. When I do watch some, I feel a huge sense of emptiness, just as I imagine I would after a night of watching silver balls falling in the deafening emptiness of a pachinko parlour.

But I do like the way the show concepts go just that little way further into daftness than anything we'd dare to do in the west. It's the same with Japanese porn. Consider One Week With Only Semen (http://www.jmate.com/reviews/article_95.html), the concept of which is 'Can a girl live for a week on semen and the eggs a single hen lays? Poor Nanami Nanase must go a week without eating anything but the eggs from one chicken and the sperm of a roomfull of guys.'

Re: Postcard recordings...

Date: 2004-08-28 10:04 am (UTC)
From: (Anonymous)
Yes, 'creativity' is too strong a word for television and its repetitive formulas. TV and Movies seem to be doing a lot of 'meme-splicing' more out of desperation than any other motive. Outside of PBS, I can't bear US broadcast TV, so anything a little unusual and other in this one track culture can be interesting for what you can glean. Having never seen real J-TV I am sure the tumbling balls analogy of the TV void is true ( sounds like Bingo ! ).

For a while I would boast that I didn't watch TV, as the web became my TV replacement. However for someone whose living revolves around motion graphics design I do need to see where it's at; although most of the 'creativity' is ironically being driven by the web. ( Designing around processing power means that one can't get too fancy. I think this is a good thing, but as with Moore's law web graphics will soon resemble TV eye candy ). I know I am sounding very defensive but I have found that one can't be too dismissive even if all of these things are ultimately empty. Rather like a diet of semen...

For a popstar it's probably like refusing to listen to the top 40 or watch TOTP. Actually once one hits 40 these things are not so important, but ivory towers however refined can cut one off from popular culture in a way that shuts off exposure to current memes good or bad. Maybe this idea fits in with your current musings. So perhaps in pursuing the new and the avant-garde, one needs to maintain a pop or un-pop sensibility. I think you are of course, and your questioning and debating of these thoughts is fascinating. Keep it 'un-real'...

Richard G

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