New alibis

Oct. 26th, 2008 12:14 am
imomus: (Default)
[personal profile] imomus
Well, here I am looking pleased as Punch to have received in the post yesterday not just one but two sets of finished CDs of my new album Joemus: the American and British CDs arrived in the same delivery. It's always a thrilling moment, but this time there's the suspicion that it might be the last physical CD I make, because no-one's buying the damned things any more. I still like the album format, though, as a structure. And you still need a physical object as a sort of alibi for that format -- a digital-only release is a bit nebulous and ghostly. Maybe that's what people will say in future; not "Are you releasing a new album?" but "Are you releasing a new alibi?"



The two releases are pretty much identical; all that distinguishes them is that the colour is darker on the UK one, which also has a sticker on the front bearing the title: Momus Joemus (release date mid-November, available on Amazon for pre-order now, UK edition and US edition).

The Joe of the title, Joe Howe, is currently engaged in a LastFM spree / jamboree-type thingy, giving away lots of his "ultra short attention span punk electronic music" free. Here's his Watermelon Dude Zone album, for instance. More on his LastFM and MySpace pages. And check out his other project, Ben Butler and Mousepad. I think right now I find Ben Butler (which sort of sounds like 70s BBC sci-fi themes) even more intriguing that Germlin -- I wonder what a collaboration with Ben Butler rather than Germlin would have done to the Joemus album? (Answer: there's probably too much melody already packed into BB&MP to lend the material to easy co-option into Momus songs.)



Whenever a Google Alert tells me an emerging band is being compared to me, I make a point of listening to their music. The alerts usually concern Stars or Black Kids reviews, but this week I got directed to a pretty nice album by Konrad -- one Jeffrey Konrad, in fact, a native of Rock Island, Illinois (with a little help from friends playing circuit-bent turtles).

The album is called Loose Canyons, the review that likens it to me is here, and you can hear quite a few tracks from it on the Konrad website. Konrad himself doesn't namecheck Momus as an influence, by the way; he lists Eno, Devo, Apples in Stereo, Hot Chip, Mountain Goats and Dan Deacon. It also reminds me of a little-known band from earlier in this decade, The Busy Signals. Whatever ghosts are in it, the Konrad album has come out pretty well, I think.

(no subject)

Date: 2008-10-26 08:03 am (UTC)
From: [identity profile] cap-scaleman.livejournal.com
So, what's next? Using netlabels or just putting the music at your blog/website?

(no subject)

Date: 2008-10-26 09:01 am (UTC)
From: [identity profile] imomus.livejournal.com
I want to continue releasing physical albums as long as labels exist to put them out. One problem with other forms of releasing is that you lose the discipline of holding something back for six months or so, polishing and reorganising it.

I'm very happy with the way Joemus flows -- it took a long time, and a lot of listening, before I discovered how to sequence the tracks. Releasing the tracks piecemeal, as and when they were recorded, would have caught the spontaneity part, but not the consideration. There's "Wow, this is here!" (creation) and there's "What do we actually have here?" (curation) and the album traditionally has them both. It's more difficult with net releasing.

holding something back

Date: 2008-10-26 10:49 am (UTC)
From: [identity profile] akabe.livejournal.com
i'm glad you're putting your leonardo thesis from a few days back in a better perspective.

my new curtains, meant to be temporary now here to stay, are (pink) bubblewrap.

Re: holding something back

Date: 2008-10-26 10:42 pm (UTC)
From: [identity profile] xinit.livejournal.com
Pink bubblewrap curtains sound excellent. I believe that I would buy something like that were it packaged for sale in the home furnishings section at the local shop...

Seriously.

(no subject)

Date: 2008-10-26 07:56 pm (UTC)
From: [identity profile] cap-scaleman.livejournal.com
Does it count if someone else curates the album? When I (with two friends) released an album via a netlabel a couple of years ago I was told that some songs ruined the flow of the album.

There wasn't much disagreement from my side since they where right.

(no subject)

Date: 2008-10-26 09:28 pm (UTC)
From: [identity profile] imomus.livejournal.com
That happened with me with Summerisle. Anne Laplantine had very firm ideas on running order, which involved dropping what I thought were some of the best songs (After the Rain, Farewell Ye Ladies, Love is No More) from the album. The compromise was that Anne curated the CD and I made the Summerisle Horspiel (http://www.ubuweb.com/sound/momus_summerisle.html) from the leftover material.

(no subject)

Date: 2008-10-26 10:26 pm (UTC)
From: [identity profile] cap-scaleman.livejournal.com
It was not a bad compromise. But is the Horspiel the leftovers played at random or did you modify it to sound differently?

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