Credit cards are the new jazz
Aug. 28th, 2007 11:16 amOn Saturday Hisae and I visited an installation by Ben Roberts, a British sound artist who lives in Madrid. At Radio Aporee, a gallery / living room on Bürknerstrasse, near our house, Ben had assembled some old cassette players fitted with wand-mounted VCR heads capable of reading -- turning into gloopy sound -- any kind of information stored on magnetic tape: the stripes on credit cards, the backs of metro tickets, old computer spools, and of course audio tape.

Ben gets most of his tech-junk from El Rastro, Madrid's famous hillside market district. He's a bin-diver, a re-jigger, a crank engineer. The show was trailed as "a chance to hear what your credit card sounds like", but I was a bit nervous to "play" my bank cards; last week one of them spontaneously de-magnetized and had to be replaced. (Also I suspect the "music" my cards would make would be somewhat tragic; the sound of an electronic stomach grumbling emptily, perhaps, or 8-bit Mahler?)
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Instead, I swiped the lengths of tape Ben had assembled on the gallery walls; Madrid metro tickets, old language-learning reel-to-reel tapes, ancient computer data. These all had their own distinct sounds, and were mounted on different colours of paper. It was easy to hear them as drumkits (the computer data was particularly rhythmic), vocals, solos, and so on. Soon Hisae and I were jamming "tape jazz" as if it were the most natural thing in the world.

Ben gets most of his tech-junk from El Rastro, Madrid's famous hillside market district. He's a bin-diver, a re-jigger, a crank engineer. The show was trailed as "a chance to hear what your credit card sounds like", but I was a bit nervous to "play" my bank cards; last week one of them spontaneously de-magnetized and had to be replaced. (Also I suspect the "music" my cards would make would be somewhat tragic; the sound of an electronic stomach grumbling emptily, perhaps, or 8-bit Mahler?)
[Error: unknown template video]
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Instead, I swiped the lengths of tape Ben had assembled on the gallery walls; Madrid metro tickets, old language-learning reel-to-reel tapes, ancient computer data. These all had their own distinct sounds, and were mounted on different colours of paper. It was easy to hear them as drumkits (the computer data was particularly rhythmic), vocals, solos, and so on. Soon Hisae and I were jamming "tape jazz" as if it were the most natural thing in the world.
That said, it would be so cool if you made a song with that piece.
Date: 2007-08-28 10:13 am (UTC)Re: That said, it would be so cool if you made a song with that piece.
Date: 2007-08-28 10:34 am (UTC)Re: That said, it would be so cool if you made a song with that piece.
Date: 2007-08-28 10:49 am (UTC)Re: That said, it would be so cool if you made a song with that piece.
Date: 2007-08-28 10:49 am (UTC)laidback blitz
Date: 2007-08-28 03:16 pm (UTC)In a way, it is very close to saving things from the waste bin.
greetings from berlin kreuzberg,
rinus
(no subject)
Date: 2007-08-28 10:22 am (UTC)(no subject)
Date: 2007-08-28 10:31 am (UTC)Wand
Date: 2007-08-30 12:34 am (UTC)and bamm, karaoke interactive!
(no subject)
Date: 2007-08-28 11:32 am (UTC)8-bit Mahler?
Date: 2007-08-28 12:13 pm (UTC)(no subject)
Date: 2007-08-28 12:18 pm (UTC)(no subject)
Date: 2007-08-28 03:48 pm (UTC)(no subject)
Date: 2007-08-28 12:44 pm (UTC)(no subject)
Date: 2007-08-28 02:28 pm (UTC)For the benefit of those unfamiliar:
"Generating melodic material through the micro-changes of surface-electric potential on leaves, Mamoru Fujieda's second Tzadik release was composed completely based on data taken from plants. Combining alternative tuning systems (just intonation, Pythagorean) with traditional instruments of China and Japan (sho, koto and the ancient 25-stringed zither, the hitsu), Fujieda has again created a world of sound never before imagined possible. Delicate and subtle variations of tone and timbre give a whole new life to classical musical forms such as the passacagalia and strophic variations in this bizarre and fascinating mixture of European Medieval music, the traditions of Asia and modern science."
(no subject)
Date: 2007-08-28 05:25 pm (UTC)A great, great piece of music -- one of my favourite records in the entire world!
(no subject)
Date: 2007-08-29 01:15 am (UTC)FYI: Just so you are aware...my friends in Espers and Fern Knight have joined together to compose and perform a soundtrack to Valerie's Week of Wonders. They're doing a live performance/screening at MoMA on Oct. 30th. Seemed like something that might interest you if you were still in town.
(no subject)
Date: 2007-08-28 09:42 pm (UTC)I was just reading a review of dental assistant Linda Perhacs lovely "Parallellograms" album. It quotes this lyric from the track "Chimacum Rain". "I'm spacing out/I'm seeing silences between leaves."
When I was audiomulching and amazingly slowdowning(tm) field recordings I really believed I was getting to the insect world as hinted at in the faux-psiloscybic buzzing of the beginning of Blue Velvet or scenes from the film Microcosmos.
(no subject)
Date: 2007-08-29 02:08 am (UTC)(no subject)
Date: 2007-08-28 04:47 pm (UTC)(no subject)
Date: 2007-08-28 05:12 pm (UTC)(no subject)
Date: 2007-08-28 08:32 pm (UTC)(no subject)
Date: 2007-08-29 03:22 am (UTC)old wisecracking twist
Date: 2007-08-29 03:39 am (UTC)also, i thought you should see this:
"Blogs have realised that old wisecracking twist on an Andy Warhol aphorism: that, someday, everyone will be famous for 15 people."
http://www.guardian.co.uk/commentisfree/story/0,,2157996,00.html
as they say in the article, "If a blogger had written that phrase, it would have come with a link to the source"
~t
Re: old wisecracking twist
Date: 2007-08-29 09:54 am (UTC)