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Wherein I shall readily observe that:

1. Coming to Japan just for a holiday is not really a sustainable lifestyle, no matter how much electricity it generates in your soul.

2. Mr Terunobu "tea in the trees" Fujimori currently has his entire Venice Architecture Biennale show playing at Tokyo Opera City. Lots of 1:1 scale sustainable wattle huts that you can pop in and out of. Excitement!



3. Nadiff (the Harajuku one will move soon to a new, undisclosed, location) has gone all New Age, with a tent in which you listen to quad sound surrounded by crystals and twigs. Much better is a book of angular ice cream-coloured paintings (from publishers Bluemark) by conceptual manga man Yokoyama Yuichi.

4. The new ArtIt is acrackle with excitement about the Asian artists in the Venice Biennale, as I am myself. But it's not very sustainable, all this biennale-hopping (especially wearing those heavy bunny ears)!

5. There's also a big feature on hamster girl Sako Kojima in the magazine, which one reads at Cafe FOB, positioned to watch girls entering La Foret.

6. Marquee magazine has a great big family tree of everything leading up to and following Shibuya-kei, with a twiddly, fiddly diagram by editor MMMatsumoto. That's me in the corner!

7. The other Matsumoto, the comedian from Downtown -- perhaps Japan's most familiar television face, he's singlehandedly made shaved heads and too-long suit sleeves cool -- has directed a film which is getting very good reviews. It's called Dai Nippon Jin and you can watch a trailer here (second button from the left). It's about big-body Japanese people who shoot up to Godzilla size and fight with monsters. Music is by Towa Tei, and UA is in it.



8. Bright Life Mascot Cleaning's Kuri-Chan says: "I am your dry cleaning mascot!"

9. One dines in Naka-Meguro with one's ex, Shizu, and husband David, both in fine fettle, which rhymes with kettle.

10. One buys a vibro-massager in the shape of a Mutant Ninja Turtle's back at Donki at, like, one in the morning. The store also sells cushions in the shape of human breasts. Perhaps sustainable?

11. One watches a one-hour documentary about hosts in Osaka on Google video. These spiky-heads are surrounded by girls who pay them enormous sums to flatter and fuck them. And it's a sad nightmare.

12. One will spend the next two days visiting Florian Perret in sleepy pacific Kamakura, Slow Life on Sea. Sustainable!

(no subject)

Date: 2007-05-21 11:25 pm (UTC)
From: [identity profile] akabe.livejournal.com
Yokoyama is a perfect example of the stuff i was talking about.
Enjoy Kamakura and maybe have a dance to brazilian beats on the beach.
or is it too early ?

(no subject)

Date: 2007-05-22 07:05 am (UTC)
From: [identity profile] bikerbar.livejournal.com
The experimental manga of Yokoyama Yuichi is really cool. .. is there a whole movement of this kind of work, or is he on the fringes .. I would like to see more of it

I haven't had a chance to watch the whole documentary on Osaka host clubs, but its pretty tragic. When people let consumerism invade so deeply into their souls that they come to treat other people as products (its really not so uncommon ie women as armcandy) then they are lost in a superficial gloss of advertising and pretense. I get the feeling that this happens often in Japan, especially in the cities, where wearing a mask and projecting an identity is common. Watching the film I wondered what these people do after they reach 25 (christmas cake time) .. the better looking hosts have the opportunity to go into TV perhaps, and the girls become housewives, I suppose. I know there is a long tradition of this type of entertainment (geisha) in pubs, but it looks so devalued to me. The hosts trolling for girls on the street was nutty, such open gigolo action in the west is only found in dirty train stations where muscle boys are pimped to homos looking to buy rough trade

(no subject)

Date: 2007-05-22 10:13 am (UTC)
From: [identity profile] akabe.livejournal.com
>.. is there a whole movement of this kind of work, or is he on the fringes ..

there is a whole movement of manga that doesn't, even superficially, look like any other manga. it differs from each other too much, and it's been going too long, to be called a 'movement'. it's always published and distributed through mainstream sources, and can often find its way and sit comfortably in very 'conservative' compilations, covers of best-selling books etc so you couldn't really call it fringe... another good case to the point that mainstream and alternative have little/different meaning in japan

(no subject)

Date: 2007-05-22 12:26 pm (UTC)
From: [identity profile] bikerbar.livejournal.com
I only view Japan from an outsider's perspective, and having never been, I am probably flooded with disinformation. But I find it fascinating the way the Japanese support the graphic arts and continue to have a refined aesthetic sense. (I wish America and Europe hadn't thrown out the feeling for the aesthetically beautiful after WWII) What is it called, mono no aware? The sadness of time passing, or just an awareness of the world, a feeling for objects and changes in nature ... I'm intrigued by this aspect of Japan that the poles of mainstream/alternative do not exist .. is it because the mainstream so quickly consumes the alternative, or rather that the value system in place doesn't judge works of art/music on a value scale which produces a mainstream, rather all approaches are embraced as creative and revealing of some platonic(sic) aesthetic ideal?? I partially feel that Japan is a highly artificial place though .. there is a quote from Basho I think about arranging the fallen leaves in the garden to make it more beautiful. Nature needs a helping hand, it must be arranged to appear complete. Artifice, like a mask. But I show my Eurosceptic bias, I suppose. Japan remains for me a mysterious mirror of a post feudalist industrial society which tried to absorb American/capitalist values. I look at it through the telescope of my imagination, and today I see Momus eating sashimi in Kamakura, playing dress up, another tall hairy foreigner on the beach, or maybe walking by Soseki's grave

(no subject)

Date: 2007-05-22 03:58 pm (UTC)
From: [identity profile] mandyrose.livejournal.com
This arrangement of fallen leaves is not artificial if the arranger is himself part of nature.

(no subject)

Date: 2007-05-22 09:31 am (UTC)
From: [identity profile] jogs6000.livejournal.com
Yokoyama Yuichi is fantastic. I've been hoping a Tokyo gallery would show his work, but it seems he hasn't had a show here in like a year.
I also watched the documentary and was captivated by those poor people. The film continued to add depth to the people as it went along, making me feel bad for everyone involved but especially the women. I've seen some dudes that look like hosts traveling in packs around Tokyo, Sendai, and Chiba...now I wonder if they were actually hosts.
Thanks for your entertaining posts and links!

Nice quote

Date: 2008-05-07 12:12 pm (UTC)
From: (Anonymous)

The error of youth is to believe that intelligence is a substitute for
experience, while the error of age is to believe experience is a substitute
for intelligence.
-- Lyman Bryson


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