The market... and the trap
Mar. 7th, 2007 01:06 am![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png){kind=small}
imomusI'm writing a Wired column this morning, so I'm just going to give you a picture of me and Hisae at the local market yesterday, enjoying what really felt like the first day of spring.
Actually, if I were BAFTA award-winning television essayist Adam Curtis, I'd tell you that it only felt like the first day of spring so early in March because of global warming, and that global warming is the direct result of the belief in mobile individualism fostered by Henry Ford. And, do you know, in a slightly paranoid way I actually think I am Adam Curtis. My Wired piece, for instance, will be about how market research software recursively influences the things it purports to study -- how junk mail produces junk space (insert Henri Lefebvre and Rem Koolhaas references) and (through focus groups and super-precise geodemographic software tools) junk politics.
Overdetermined as ideas like these may be, I love people who raise big questions and make semi-convincing, if polemical, accounts of how we've reached the state we're currently in. I love people who point out the inherent absurdity of ideologies we don't even notice we have. (See yesterday's Derrida line about how modern democracy is based on a phallocentric and other-hating idea of brotherhood and needs to relearn hospitality and openness.)
So I'm looking forward immensely to Adam Curtis' new BBC 2 series The Trap: What happened to our dream of freedom?, which starts on Sunday March 11th at 9pm. I don't get BBC 2 here in Berlin, but I'm hoping some kind soul will burn me a DVD, as they did with Curtis's excellent docs Century of the Self (follow that link, all four parts are up on archive.org for you to watch) and The Power of Nightmares.
So what's The Trap about?
"The Trap," says the BBC press release, "explains the origins of our contemporary, narrow idea of freedom. It shows how a simplistic model of human beings as self-seeking, almost robotic, creatures led to today's idea of freedom. This model was derived from ideas and techniques developed by nuclear strategists during the Cold War to control the behaviour of the Soviet enemy... Governments committed to freedom of choice have presided over a rise in inequality and a dramatic collapse in social mobility. And abroad, in Iraq and Afghanistan, the attempt to enforce freedom has led to bloody mayhem and the rise of an authoritarian anti-democratic Islamism. This, in turn, has helped inspire terrorist attacks in Britain. In response, the Government has dismantled long-standing laws designed to protect our freedom."
Rather wonderfully, Curtis links this to the antipsychiatry of R.D. Laing, a personal hero of mine (one of the greatest dead Scotsmen, and the subject of an excellent art film / documentary by Luke Fowler).
I'll let The Guardian tell you more about The Trap:
"The new series, The Trap: What Happened to Our Dream of Freedom, argues that we have unwittingly subscribed to a bleak ideal of liberty that has, ironically, "become our cage", reducing our true freedom and fuelling a dramatic rise in inequality.
"The cold war way of thinking about human nature, mirrored by the work of the economist Friedrich von Hayek, inspired the nascent Thatcherites. They were convinced that civil servants and public-sector workers, while claiming to serve the greater good, were really just self-centred and out for their own gain. As in the nuclear standoff, it was best to be honest about the fact that everyone involved was cold and calculating; the dangerous people were the ones who claimed to serve some higher ideal... Hence the culture of public-sector targets, pioneered by Margaret Thatcher and massively expanded by Tony Blair: give people the right incentives, the theory went, and in pursuit of their own interests they'll end up helping everyone.
"In a typical bit of conceptual long-jumping, The Trap leaps from politics to the radical Scottish psychiatrist RD Laing, who saw normal families as hotbeds of strategy and scheming, with husbands and wives manipulating each other as if they, too, were just like the White House and the Kremlin. Psychiatry abetted this nightmare, defining people as mad if they rebelled against the system.
"...If you keep treating people as if they were selfish and calculating, that's how they'll eventually become. "We ... come to believe," as Curtis puts it, "that we really are the strange, isolated beings that the cold war scientists had invented to make their models work."
Actually, if I were BAFTA award-winning television essayist Adam Curtis, I'd tell you that it only felt like the first day of spring so early in March because of global warming, and that global warming is the direct result of the belief in mobile individualism fostered by Henry Ford. And, do you know, in a slightly paranoid way I actually think I am Adam Curtis. My Wired piece, for instance, will be about how market research software recursively influences the things it purports to study -- how junk mail produces junk space (insert Henri Lefebvre and Rem Koolhaas references) and (through focus groups and super-precise geodemographic software tools) junk politics.
Overdetermined as ideas like these may be, I love people who raise big questions and make semi-convincing, if polemical, accounts of how we've reached the state we're currently in. I love people who point out the inherent absurdity of ideologies we don't even notice we have. (See yesterday's Derrida line about how modern democracy is based on a phallocentric and other-hating idea of brotherhood and needs to relearn hospitality and openness.)
So I'm looking forward immensely to Adam Curtis' new BBC 2 series The Trap: What happened to our dream of freedom?, which starts on Sunday March 11th at 9pm. I don't get BBC 2 here in Berlin, but I'm hoping some kind soul will burn me a DVD, as they did with Curtis's excellent docs Century of the Self (follow that link, all four parts are up on archive.org for you to watch) and The Power of Nightmares.
So what's The Trap about?
"The Trap," says the BBC press release, "explains the origins of our contemporary, narrow idea of freedom. It shows how a simplistic model of human beings as self-seeking, almost robotic, creatures led to today's idea of freedom. This model was derived from ideas and techniques developed by nuclear strategists during the Cold War to control the behaviour of the Soviet enemy... Governments committed to freedom of choice have presided over a rise in inequality and a dramatic collapse in social mobility. And abroad, in Iraq and Afghanistan, the attempt to enforce freedom has led to bloody mayhem and the rise of an authoritarian anti-democratic Islamism. This, in turn, has helped inspire terrorist attacks in Britain. In response, the Government has dismantled long-standing laws designed to protect our freedom."
Rather wonderfully, Curtis links this to the antipsychiatry of R.D. Laing, a personal hero of mine (one of the greatest dead Scotsmen, and the subject of an excellent art film / documentary by Luke Fowler).
I'll let The Guardian tell you more about The Trap:
"The new series, The Trap: What Happened to Our Dream of Freedom, argues that we have unwittingly subscribed to a bleak ideal of liberty that has, ironically, "become our cage", reducing our true freedom and fuelling a dramatic rise in inequality.
"The cold war way of thinking about human nature, mirrored by the work of the economist Friedrich von Hayek, inspired the nascent Thatcherites. They were convinced that civil servants and public-sector workers, while claiming to serve the greater good, were really just self-centred and out for their own gain. As in the nuclear standoff, it was best to be honest about the fact that everyone involved was cold and calculating; the dangerous people were the ones who claimed to serve some higher ideal... Hence the culture of public-sector targets, pioneered by Margaret Thatcher and massively expanded by Tony Blair: give people the right incentives, the theory went, and in pursuit of their own interests they'll end up helping everyone."In a typical bit of conceptual long-jumping, The Trap leaps from politics to the radical Scottish psychiatrist RD Laing, who saw normal families as hotbeds of strategy and scheming, with husbands and wives manipulating each other as if they, too, were just like the White House and the Kremlin. Psychiatry abetted this nightmare, defining people as mad if they rebelled against the system.
"...If you keep treating people as if they were selfish and calculating, that's how they'll eventually become. "We ... come to believe," as Curtis puts it, "that we really are the strange, isolated beings that the cold war scientists had invented to make their models work."
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Re: Brazil - Terry Gillian - Tom Stoppard -1985
Date: 2007-03-07 08:05 pm (UTC)Although I do love the Cornelius version of "Brazil" :)
Re: Brazil - Terry Gillian - Tom Stoppard -1985
Date: 2007-03-07 09:27 pm (UTC)Re: Brazil - Terry Gillian - Tom Stoppard -1985
Date: 2007-03-07 10:17 pm (UTC)that one i liked
(but i also liked the girl with who i saw it,
maybe that helped)
the others are worse then greenaway
rinus
Re: Brazil - Terry Gillian - Tom Stoppard -1985
Date: 2007-03-08 01:50 am (UTC)I am never going to be as graceful, slender and delicate as an orchid or a curly grass fern (http://www.mikebaker.com/plants/Schizaea_pusilla.html), yet I adore them, and have on occasion put my health at risk (http://lord-whimsy.livejournal.com/2006/07/05/) when acting as their caretaker. There's an ache in appreciating such things, a yearning for that which can never be; or more precisely that which you can never be.
The things that remind me of myself don't give me this kind of rapturous feeling; most of the time, such things just make me laugh. And so it is with Gilliam--especially Time Bandits, with it's cast of plucky dwarves.
Re: Brazil - Terry Gillian - Tom Stoppard -1985
Date: 2007-03-08 01:54 am (UTC)