
So I'm, like, passing people on the street, and, like, catching snatches of their conversation, and this is, like, New York, right, nowhere near the San Fernando Valley, home of, like,
Valspeak, and yet these people are all like "Like..." all the time, honest to God there are, like, 20 iterations of the word "like" in, like, one minute of speech? There's also this "high rising terminal" thing? That turns every statement into, like, a question? By means of, like, rising intonation?

But, like, it's mainly, like, the "like" thing that I don't, like, like. I know that it's a, like, powerful meme, used by the, like, articulate and the inarticulate alike. It, like, started in California? I guess? And then, like, got boosted by, like, Frank Zappa's, like,
"Valley Girl" single? And then, like it, like, or not, it, like, swamped California then, like, marched over the whole United, like, States?
So now I'm, like, wondering how long it'll be before, like, saturation occurs? Like, what will happen when there are more, like, "likes" in every, like, sentence, than, like, any other word? So, like, people are just going to be like "Like, like, like, I guess, it's like, and she's like, and I'm like, like, like, right?" Right? Like, language won't, like, mean anything any more?

I'm not, like, like that. Like, I tend to use, like, Japanese hesitation phenomena. I'll be like "
Ehhhhhhh toooooooooooo..." if I can't, like, think of a, like, word. But I can't, like, help being like "I wonder if this is like some kind of, like, viral infestation, a bit like the kind I was, like, describing in my, like,
Wired piece about, like, feral pop music like taking everything over?" Because, like, it's like saying "like" is based on a deep fear of, like, silence, and, like, the word "like" just rushes in like a, like, placeholder, to, like, make sure nobody, like, interrupts you, even if you've got, like, nothing to say?
But, like I say, I'm, like, worried about you guys. Like, how long will it be before this, like, virus takes over completely? Maybe we can, like, get a glimpse of the, like, future of American conversation by, like, using this speech, like, simulator, the, like,
Valspeak Translator. So, like, feed a chunk of what I, like, just said through that and I'm like:

"Like, like, wow, what will happen when there are more, like, like, like, wow, "likes" in every, fer shure, like, mostly, sentence, like, wow, than, man, like, man, any other word? So, like, wow, like, like, wow, people are just goin' to be like "Like, oh, baby, like, oh, baby, like, like, I guess, man, it's like, like, wow, and she's like, mostly, and I'm like, oh, baby, like, mostly, like, like, wow, right?" Right? Like, like, language won't, like, like, mostly, mean anythin' any more?"
So I'm like, omigod? You know? Would you guys just, like,
shut the fuck up? Cos, like, I'm, like, starting to, like, totally do this thing too? And I don't, like, you know,
like it?
I like this
Date: 2006-04-23 04:45 pm (UTC)that gives me another point!
Date: 2006-04-24 09:33 am (UTC)atte. nananaina
Sorry to bother you with a totally unrelated issue
Date: 2006-04-25 01:13 am (UTC)I'm currently writing a dissertation on grids and cinema, I'm trying to connect the two. The celluloid itself could be seen as a grid through it's series of frames but I'm struggling with the grids relation to narrative. I think there is a cause and effect as the effect the horizontal lines have on the vertical lines make up the grids structure. However this is just a balance of forces and as such would mean that the grid was inert. In your opinion do you think the structure of the grid is impervious to narrative? Have you written any articles on grids?
Thanks, would love to know what you think.
Jenny.
Re: Sorry to bother you with a totally unrelated issue
Date: 2006-04-27 05:25 am (UTC)momasu@gmail.com