Cover me!

[imomus]

The Pet Shop Boys have a new single, Flamboyant, which is their best in a while. The lyric seems to be a piece of sniping at fellow celebrities (I imagine Elton John as the snubbed queen, since the last time I met Neil Tennant Elton was also present), but it might also be an internal critique of homosexual theatricality. The arrangement is a nice return to the PSBs' 80s sound, with chugging bass sequencers and orchestral hits. The song isn't a great one -- it wouldn't have stood out on their last good album, 1993's Very -- and the melody veers dangerously close to 'Cruel Summer' by Bananarama. But the video is pretty cool. It juxtaposes scenes from Japanese TV game show Kaso Taisho (including a wonderful sequence in which people with coloured hats stand in for billiard balls) with fake -- and absurd -- commercials starring Neil and Chris, in an obvious nod to Lost In Translation.



The so-so-ness of the song made me wonder why nobody ever covers my songs. In the west, anyway. It would never happen, but I dream of an entire album of Pet Shop Boys covers of my songs. It would be called Pet Shop Boys: Platinum and the track-listing would be:

Platinum
London 1888
The Hairstyle of the Devil
Shoesize of the Angel
A Complete History of Sexual Jealousy (Parts 17-24)
Red Pyjamas
A Lapdog
Bishonen
Miles Franklin
The Symphonies of Beethoven
Folk Me Amadeus
I Want You But I Don't Need You
Pygmalism
The Animal That Desires
Song In Contravention
The End of History

It would certainly go platinum all over the world and would be the best album the Pet Shop Boys never made. What's more, I would be able to move into a much nicer house on the proceeds. The Boys could take over my flat on the Karl Marx Allee (in an i-D magazine interview recently Neil expressed a wish to move his office to this very street.)

Thinking about this in the bath, I wondered why the Japanese have been the only ones to appreciate my songs to the extent of covering and commercializing them. In the west, weirdly enough, I've had more success as a vocalist, invited to sing on records by Hypo, Kreidler, The 6ths, Anne Laplantine... Now, correct me if I'm wrong, but I was not 'born with the gift of a golden voice'. The reason I've persisted in the music industry for so long is that my songs are good. As for the reasons people in the west don't cover them, I can only hazard guesses.

The songs are gently deviant in a world where the thing to be is aggressively normal. The songs are too 'intellectual' or 'difficult' or 'subversive' or 'silly' for the mass market. Artists in the west tend to write their own material, and if they do cover versions it tends to be classics from the past, or songs that have already been hits or become standards. Few artists do covers 'to expose new talent' or 'to encourage lesser-known artists' or 'to give something back to the people who influenced us'. (I guess Kurt Cobain was one of the exceptions.) The trouble with covering artists who are working now, and working close to your own style, is that if they're better than you it's going to make your own work look bad, and if they're worse, why would you do it? If they sound like you, what's the point in covering them? The only artist who covers his own soundalikes is David Bowie, who almost makes a knowing self-tribute when he covers people like Morrissey and Metro. But even he gives the impression, when he does it, of having run out of ideas.

Well, I guess this all goes without saying. We live in a world where the big fish eat the little fish, the big countries invade the little countries, David Beckham wins a book award while I go unpublished, the wicked flourish like the green bay tree, I cover the Pet Shop Boys but the Pet Shop Boys never ever cover me. It's the natural order of things. I should count myself lucky they haven't sued me.

Comments

You may not like it but

[davecorun.livejournal.com]

I'll cover your stuff.

I just have to pick a favorite momus track first, any suggestions?

[martylog.livejournal.com]

Hmm, Momus hasn't had the accordion treatment yet, either... must do something about that...

[jamesward.livejournal.com]

It's a coincidence you mention Metro, as I was just listening to their first album whilst on my lunch break. It's not that much of a coincidence actually, as I almost always listen to the first Metro album on my lunch break. One Way Night is quite stunning.

[automatique.livejournal.com]

You forgot...

"no artist wants to risk having a massive pop hit, then having to give all their royalties to someone else, when their own song might have had the same success."

Few artists do covers 'to expose new talent' or 'to encourage lesser-known artists' or 'to give something back to the people who influenced us'

It's a lovely idea that the old masters might promote the young pretenders, but will 'established' artists risk doing that kind of thing? I thought (Peaches entry) that all artists were of a dog-eat-dog mentality?

[imomus.livejournal.com]

I think it's a classic example of Freud's 'narcissism of small differences'. The closer artists are to each other in function, style and stature, the more they're inclined to compete. But when you're as huge and established as Nirvana or David Bowie, you can become a sort of patron of the arts, and help out the odd tiddler.

I think I will call my next album 'The Odd Tiddler'.

[niemandsrose.livejournal.com]

It wasn't the substance of your voice itself that I fell for, as far as that goes-- it was your flawless, flawless diction. There is a great subliminal sensuality to such things. Now who do we have to thank for that, you honey-tongue you?

[imomus.livejournal.com]

'Here is the news from the BBC.'

Cover me

[(Anonymous)]

"The songs are too 'intellectual' or 'difficult' or 'subversive' or 'silly' for the mass market."

Your sledgehammer hits the shaky nail. Qualify "mass" with "American" or "western," and this remark is even more accurate. But how often does something that's intellectual, difficult, subversive, and silly ever become as popular as David Beckham or Justin Timberlake, anywhere? Remember, in America, the Pet Shop Boys (who are often intellectual, difficult, subversive, and silly--but rarely all at once, as Momus is often) themselves are a marginal commodity. Even David Bowie hasn't had a real hit for twenty years, though I understand he still sells out halls and is only too glad to lend his face to numerous advertising campaigns.

So, pine not, Momus. If the world were different for pop singers and songwriters, you might not have developed that impeccable diction and even-more-impeccable artistry. I'd rather more obscure (and talented) artists such as the Sixths and Kreidler invite you to sing along, rather than have to suffer a lot of mediocre versions of your own songs by bestselling artists. Well, in a better world, we'd have both and you'd have a bigger bank account, but in my opinion your fans are better off this way. I do, however, wish things could be always be better off for the artist first.

Despite it all, you're doing admirably for an artist in an indifferent world, and you're still an inspiration for those us who seek only to coast in your wake.

I'm Lovin' it!

[bishojo.livejournal.com]

"as for artists and writers who agree to question the rules of the plastic and narrative arts and perhaps share their suspicions by distributing their work- they are destined to lack credibilty in the eyes of the devoted adherents of reality and identity, to find themselves without a guaranteed audience." -jean-francois lyotard

Maybe it would be a good idea to try and hunt down ye old pet shoppe boys to finally allow your songs to have the crediblity they deserve. Maybe BT could do a remix as well? I personally think that an inclusion into a MacDonald commercial would really do the trick.

on a side note...I always thought that i will have TRULY made it when a marching band is covering one of my songs. Something about a roland 303 bass line being doubled by a tuba...

andi

Strange you mention that...

[vinylboy20.livejournal.com]

My friend's band covers "Lolitapop Dollhouse" live! They're called The Fisticuffs UK, and are actually from Madison, Wisconsin... He's the guy who turned me on to your music originally.

You can download it here if you want. (http://www.crackerbox.net/audio/fisticuffs/FisticuffsUK-LolitapopDollhouse(live).mp3) It's a great club rock version.

Re: Strange you mention that...

[imomus.livejournal.com]

Wow, that put a big smile on my face! That's a really rocking version of a song which is all about 'rock values' -- playing the Fender Jaguar, jumping into the crowd wet with sweat, smashing the walls around you... In a way, the point is lost, because the point was the juxtaposition of Kahimi Karie as 'Alice in Wonderland' with all this rawk and sweat. But in another way the point is restored: it's funny to hear the driving rock riffs which I sampled from french group The Little Rabbits (in fact they came into the studio and played along with samples I'd made of them, but in the final mix I pushed the samples louder than the live sound, because they had a more sinuous gait) played again by a real rock group to a mosh pit! When we played this song with Kahimi live in Japan in 1998 the band did quite a similar driving version. Kahimi let the tension build, then came onstage, tiny and fragile, shaking a tambourine.

I think of the song as the exact midpoint between Francoise Hardy and Iggy Pop. Anyway, tell the Fisticuffs they made my afternoon!

Re: Strange you mention that...

[(Anonymous)]

I'd love to hear the 1998 live band version in question, or any live Momus for that matter. Has there been a live album I'm not aware of? Also, VinylBoy... Great LJ Icon! =)

[chickensnack.livejournal.com]

I'd love to cover Folk Me Amadeus

[alchemist-jesus.livejournal.com]

hey, I'm a person in the west. And right now I am trying to find a song of yours that I'd like to cover, I just don't know which one yet.

[girlvii.livejournal.com]

"The trouble with covering artists who are working now, and working close to your own style, is that if they're better than you it's going to make your own work look bad, and if they're worse, why would you do it? If they sound like you, what's the point in covering them?"

This doesn't seem to stop the countless cover versions of "There She Goes" by the La's. As the La's are now making royalties on a song about heroine as it sells birth control on American TV... are they content with this? Be careful what you ask for...

i did

[rroland.livejournal.com]

remember "how to get and stay famous" from the momusissus EP, when i used the slide guitar treatment and sang it with a lisp? I then proceeded to become infected by a momusmeme and wrote "sebastien hein"...let me go, let me go! Now I'm writing a portrait of Hikaru and, yes the meme is still within. I tried to fight it off with analog synths but it keeps coming back like a growth.