Whim Wanders
Nov. 7th, 2005 12:09 pmSunday in Venice was so squally we didn't go out at all, but stayed in cooking, reading, composing music (a Toog commission which must remain secret for a while), and watching DVDs of Wim Wenders' truly awful film Till The End of the World. Luckily we also found a DVD of the excellent Belleville Rendez-Vous, as sharp, observant and funny as the Wenders film was waffly, rambling and portentous (we've nicknamed him Whim Wanders as a result).

On Saturday we caught more of the scattered national pavilions, the ones that fall outside the established ones in the Giardini. Hussein Chalayan's four-screen sci-fi film starring Tilda Swinton was a bit Whim Wanders for my taste, but I liked some folk dolls being displayed downstairs in the Armenian pavilion. These turned out of rhyme nicely with a display of oversized dolls by Laura Ford in "Somewhere Else: Four Artists from Wales" out on the island of Guidecca, so I've made a photo compilation of oulandish folkloric costumes for you today. I wish street fashion paid more attention to this sort of stuff — tell you what, next time you're about to pull on jeans, T-shirt and trainers, pull on clogs, a striped poncho, or a suit made of coffee sacks instead. Promise?
Off to Turin on the train, arrivederci!

On Saturday we caught more of the scattered national pavilions, the ones that fall outside the established ones in the Giardini. Hussein Chalayan's four-screen sci-fi film starring Tilda Swinton was a bit Whim Wanders for my taste, but I liked some folk dolls being displayed downstairs in the Armenian pavilion. These turned out of rhyme nicely with a display of oversized dolls by Laura Ford in "Somewhere Else: Four Artists from Wales" out on the island of Guidecca, so I've made a photo compilation of oulandish folkloric costumes for you today. I wish street fashion paid more attention to this sort of stuff — tell you what, next time you're about to pull on jeans, T-shirt and trainers, pull on clogs, a striped poncho, or a suit made of coffee sacks instead. Promise?
Off to Turin on the train, arrivederci!
(no subject)
Date: 2005-11-07 11:48 am (UTC)http://www.moma.pref.kanagawa.jp/museum/exhibitions/2005/antes050612/
was VERY interesting...
Keiko T
(no subject)
Date: 2005-11-07 08:07 pm (UTC)(no subject)
Date: 2005-11-07 12:55 pm (UTC)(no subject)
Date: 2005-11-09 04:20 pm (UTC)Certainly
Date: 2005-11-07 01:15 pm (UTC)costumes
Date: 2005-11-07 01:19 pm (UTC)(no subject)
Date: 2005-11-07 01:28 pm (UTC)http://books.guardian.co.uk/departments/generalfiction/story/0,6000,1635247,00.html
(no subject)
Date: 2005-11-07 02:03 pm (UTC)(no subject)
Date: 2005-11-07 04:30 pm (UTC)http://www.ghanaweb.com/GhanaHomePage/NewsArchive/artikel.php?ID=64509
Woman attempts to poison boyfriend
hehe
(no subject)
Date: 2005-11-07 02:24 pm (UTC)Antonin
(no subject)
Date: 2005-11-07 03:33 pm (UTC)p.s. I usually don't post here, but I always enjoy your writings.
(no subject)
Date: 2005-11-07 03:35 pm (UTC)p.s. I usually don't post here, but I always enjoy your writings.
Houellebecq
Date: 2005-11-07 04:20 pm (UTC)Sack Up! (baby)
Date: 2005-11-07 07:12 pm (UTC)Eventually, following much of a shin-dig (I always get what I want, it's for the best), the assistant said "you can take it, prat".
I think he changed his view about me though, as I'd heard him say as I eventually left the store "that was the last straw".
Stipetic
Date: 2005-11-07 08:26 pm (UTC)This year he also has come out with a film of widespread distribution in America, Grizzly Man (http://www.apple.com/trailers/lions_gate/grizzly_man/), which I am going to see later tonight.
(no subject)
Date: 2005-11-07 11:03 pm (UTC)My friend, Nick, wears a poncho regularly. I wish I could live in its fringes.
the Wales show.
Date: 2005-11-07 11:46 pm (UTC)Horrors aplenty and good times.
The three screen video at their pavillion was rather catchy.
As were there robots on heat.
I played live electronica on a boat made from bins from Belfast.
Did you get bitten by any of the fierce Venice mosquitoes?
barryc
dodgy stereo
the Wales show.
Date: 2005-11-07 11:47 pm (UTC)Horrors aplenty and good times.
The three screen video at their pavillion was rather catchy.
As were their robots on heat.
I played live electronica on a boat made from bins from Belfast.
Did you get bitten by any of the fierce Venice mosquitoes?
barryc
dodgy stereo
Imitation, Flattery, and Critical Commentary
Date: 2005-11-08 02:19 am (UTC)Adam
(no subject)
Date: 2005-11-08 06:04 am (UTC)do you like Kings of the Road or alice in the cities?
alin
(no subject)
Date: 2005-11-08 06:49 am (UTC)I've heard there are some pretty nice happenings in the streets of venice...
or maybe not?
Turin
Date: 2005-11-08 09:39 am (UTC)See you this night!
http://tolove.splinder.com/
(no subject)
Date: 2005-11-08 05:56 pm (UTC)"The development of spam can be seen as an attempt on the part of spammers to push anti-spam filters toward ever more effective methods of recognizing spam and thus allowing genuine human communication to reach the user. In this sense, spam is necessary to the experience of e-mail in the Internet age -- seeing the vast number of messages summarily dispatched by the spam filter, we are reaffirmed in our belief that e-mail provides us always and only with desired communications: convenience-enhancing self-chosen bulletins and, more importantly, real human interaction.
The automated refusal of the false intimacy of penis enlargement, call girls, and debt consolidation underwrites and guarantees the real intimacy that electronic communication has always promised. Indeed, the very experience of the stray fugitive spam message as invasion serves to reinforce the illusion of the electronic medium as a privileged site of intimacy and privacy -- an illusion that is increasingly necessary as the model of security and surveillance comes to dominate what we once thought of as our public life. In this way, spam is the essence and condition of "cyberspace" itself as an adjunct of political control -- and, we may perhaps conjecture, as the possibility of future liberation."
(no subject)
Date: 2005-11-10 09:43 pm (UTC)everything is a caricature, from the contrast between the balloon-like bellevillers, the slender, streamlined cyclists and the strictly rectangular french mafia to the impossibly tall belleville architecture. even in the movement or plotline we see evidence of such contrast, with the impatience of rearing cars and the cyclists' laborious single-mindedness, inherited by madame souza as she diligently crosses the atlantic on a pedalo.
ahem... i love it and i'm glad you do too.
(no subject)
Date: 2005-11-16 02:15 am (UTC)Ahhh, I'm always thinking about your prompts for street fashion to be riskier because I myself enjoying experimenting on that level...but the truth is, it's easier to go wild on that if you don't have a job, a school, any kind of social life that's composed by people who are not going to think twice before plainly pigeonholing you as a weirdo and give you hate or, at best, contempt for it. Or maybe it's just harder in spain.
Still, magic happens sometimes. Have you seen the movie 'rize'?it's a documentary about some pretty weird clown dancing gangs that flourished in the 90s and are still going strong in one of the worst parts of LA, and they're all positive community values and covered in a spontaneously generated mix between clown and african tribal makeup.check the trailer here http://www.apple.com/trailers/lions_gate/rize/large.html
I'm afraid the recent media exposure will just make their thing into just another MTV style if it hasnt completely happened yet, but who knows.