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[personal profile] imomus
Amongst Edinburgh's many simultaneous festivals there's a film festival. Last night Hisae and I went out to a new cinema complex on Fountainbridge to see Alexander Sokurov's film "The Sun" (Solntse).

The brilliant actor Issey Ogata plays the Emperor Hirohito just before and after his capitulation to the Americans. It's a Russian film, with dialogue in Japanese and English. I found it very impressive, haunting. The images are sombre and subtle, and Ogata plays Hirohito in a way that made me think of Derek Jacobi's portrayal of the Emperor Claudius, Richard Kapuscinski's book about Haile Selassie (another emperor burdened with divinity) and Dostoyevsky's Prince Myshkin, the "Idiot".

Hirohito here is a tic-ridden, stiff, naive aesthete uncomfortable with the veneration offered by his retainers, living, even in the darkest hours of Japan's defeat, only for his marine biology collection and his calligraphic poetry compositions. The sombre greeny-grey tint of the film adds to the sense of claustrophobia in the emperor's underground bunker, re-inforced by the unctuous staff and stiff clothes. The emperor is a fan of Darwin who likes to stress, when reminded he's a god, that his body is phylogenically no different from those of humans. General MacArthur is portrayed as a sardonic brahmin secretly amused by Hirohito and determined not to dislodge him from power.

When I got home from seeing "The Sun" there happened by co-incidence to be a BBC documentary on TV dealing with exactly the same events. The documentary said that Hirohito had been complicit with all the aggression of the war, but was whitewashed and rebranded in the space of a few weeks by the Americans, who thought Japan would be much easier to dominate with the emperor still in place. Sokurov's film is much more sympathetic, with the director holding up Hirohito, in an interview with the Moscow Times, as a benign figure:

"For the director, Hirohito's major act was his broadcast calling on his citizens to cease their resistance -- an act that saved the lives of people who were still prepared to die for the lost cause of imperial Japan. "The idea of power being humane is new to Russia," the director said. "We have an idea of power being aggressive, and an entity that hates and does not understand its own people. We need to show other examples."

In the end, this is a Russian film. It's very hard to imagine it being shown in Japan. "The Sun" has, for me, a strong feel of the febrile, melancholic intensity of Tarkovsky, and the ambivalence of writers like Dostoyevsky and Tolstoy towards the West, and the modern. There's a scene, for instance, where the emperor is photographed sniffing roses by American GIs who can't believe that this dapper and whimsical little man is Hirohito. They cluster round, calling him Charlie. "Hey, Charlie, looky here! Hey, emperor!" It struck me that Sokurov's film was as sympathetic as it was to Hirohito's doomed otherness because, right now, Russia too has this sense of having lost its menacing, dignified particularity and capitulated to American informality. Russia too knows what it's like to get called "Charlie".

(no subject)

Date: 2005-08-24 09:21 am (UTC)
From: (Anonymous)
As you're in Britain at the moment, maybe you have seen the news reports about suicide groups in Japan, i.e., websites where young Japanese get together to form groups in which to kill themselves. According to the reports, suicide is viewed quite differently in Japan than elsewhere, e.g., it is not illegal. Any thoughts on that?

(no subject)

Date: 2005-08-24 10:38 am (UTC)
From: (Anonymous)
Where exactly is suicide illegal? Has anyone ever been prosecuted for committing suicide?

(no subject)

Date: 2005-08-24 10:46 am (UTC)
From: (Anonymous)
Yes, I was. The judge gave me life.

(no subject)

Date: 2005-08-24 09:32 am (UTC)
From: [identity profile] purplerabbits.livejournal.com
Ah, so it was you I overheard on Leith Walk saying "we mustn't be too arrogant about our European Art". I think I recognised the idea before the voice. Of course the retreating view of a man with floppy clothes and a bag slung across the shoulder was also a bit of a giveaway...

(no subject)

Date: 2005-08-24 10:14 am (UTC)
From: [identity profile] imomus.livejournal.com
I would never utter such a sentence.

(no subject)

Date: 2005-08-24 10:47 am (UTC)
From: [identity profile] murmanskdays.livejournal.com
This is a good movie. Too bad it has never achieved any finincal success here, in Russia. People here prefer to watch something like Nochnoy Dozor (Ночной дозор, The Night Watch) - have you ever heard of that one? It's laughable.

(no subject)

Date: 2005-08-24 07:37 pm (UTC)
From: [identity profile] diabloenelojo.livejournal.com
We as Americans can look forward to a wide release this fall, and, if we're lucky, a remake as well. Joy.

On the other hand, a friend from Cyprus mailed me a copy of Koktebel, which never made it over to the US, and it was easily my favorite Russian film of the last five years (which is to say I preferred it to both Russian Ark and The Return).

(no subject)

Date: 2005-08-24 08:10 pm (UTC)
From: [identity profile] murmanskdays.livejournal.com
I always find strinking similarities in Koktebel and The Return. Still, I guess I prefer the former

(no subject)

Date: 2005-08-24 11:28 am (UTC)
From: [identity profile] bifteck.livejournal.com
Wow, this sounds excellent. I do hope I can see it in New York.

(no subject)

Date: 2005-08-24 02:33 pm (UTC)
From: [identity profile] nicepimmelkarl.livejournal.com
admit. u are a dramanator bird.

(no subject)

Date: 2005-08-24 11:47 pm (UTC)
From: [identity profile] bifteck.livejournal.com
If only I knew what that was.

(no subject)

Date: 2005-08-24 12:41 pm (UTC)
From: [identity profile] piratehead.livejournal.com
Oh would that we Americans still had the democratic informality of those plucky, wise-cracking GIs, whose brutal vulgarity bayonetted the 'otherness' of brutal autocracies, but I'm afraid that American informality has developed into a kind of covert formality, a complex protocol of deference and authority which, although couched in folksy familiarity, is governed by rituals of deference and authority no less than the courts of emperors and czars.

(no subject)

Date: 2005-08-24 12:57 pm (UTC)
From: [identity profile] dzima.livejournal.com
Something that might be of interest:
http://www.bpf.org/tsangha/loy-victoria.html
http://www.racematters.org/zenatwar.htm

(no subject)

Date: 2005-08-24 02:24 pm (UTC)
From: [identity profile] nicepimmelkarl.livejournal.com
we all end up on mount baldy.

(no subject)

Date: 2005-08-25 02:09 am (UTC)
From: [identity profile] sparkligbeatnic.livejournal.com

A Cohen fan, are you NiceKarl?

AC

Date: 2005-08-25 01:30 am (UTC)
From: (Anonymous)
i have the new animal collective "feels" any body want it?

(no subject)

Date: 2005-08-25 05:58 pm (UTC)
From: (Anonymous)
and then an other... what is he saying ? curiosity is twinged like a marketing mans cocaine budget with an extra 10,000 dollar http://www.kovac.co.uk the site becomes the dying in 12 days...
Implored reading for the wrongness, 12 day "funny" will expire, but will intermitantly post for exposure, its a horrible dredge..but will raise somes smiles and furrow some frowns, by all means ask it, it asks with courtesy http://www.kovac.co.uk it recommends it for momus so that the angle of real life living can be seen, focused and appreciated not the wrong money priveledge dog.

(no subject)

Date: 2005-08-25 11:04 pm (UTC)
From: [identity profile] eveninginmadrid.livejournal.com
nice analysis, nick, with regard to the post-war(s) japan & russia.
For a completely different perspective on the emperor, and if you haven't seen it, i really recommend "The Emperor's Naked Army Marches On" - Yuki Yukite Shingun.
http://www.imdb.com/title/tt0092963/

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