imomus

The differences were, I think, significant enough for you to avoid litigation. This is where you began to attempt to crossover into other media, but it wasn't on the big screen. You did the plastic American record, but you were not coked out of your mind at the time. And when you ditched the bad vibes of America, you reached Berlin via Tokyo instead of Paris. And when you brought in a sound mangling producer to work with, he was only around for 2/3 of the Berlin trilogy. And perhaps Anne Laplantine was your Idiot, but that came a bit later than it should have in the chronology. In addition, the lack of Crowley references was clearly a conscious decision on your part to avoid charges of imitation.