Pitchfork slammed Oskar (http://pitchfork.com/reviews/albums/5385-oskar-tennis-champion/) when it came out, but four years later I met Michael Idov, the author of that review, in Paris. He told me that he'd completely changed his mind about the album since writing that, and now loves it. Which suggests that it's one of those albums which is ahead of its time, and a bit of a paradigm-shifter for anyone who hears it.