Although wintry cold has begun chilling our bodies here in Berlin, our hearts are warm this week thanks to... well, thanks to the eternally-blossoming pink flowers and ever-smiling women's faces of the Democratic People's Republic of Korea!

The Asian Women's Film Festival opens in Berlin tomorrow, and Hisae and I will be interleaving its offerings at the Arsenal cinema -- which include a whole section dedicated to classic North Korean films -- with the Tokio-Shibuya season going on at the HAU theatres in Kreuzberg. On several evenings in the course of the next week we'll be shuttling from one to the other, braving lashing wind and rain, but warmed in our hearts by films like The Flower Girl, based on an opera written by Kim Il Sung, the Great Leader, himself.
Here's a song from the film:
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As I mentioned in my 7 lies about North Korea piece a couple of years back (a discussion of Christian Kracht and Eva Munz's "coffee table book" of photographs of the DPRK), Germany and Korea -- and specifically the former East Germany and North Korea -- have quite a bit in common. They share an immoderate love for flowers, for standardized folk costumes, and for tightly-choreographed, stirring, collectively-voiced, totally non-funky songs filmed on spectacular mountainsides.

The curator of the Asian Women's Film Festival, Sun-ju Choi, has also helped put together an exhibition currently showing at NGBK in Kreuzberg (and my favourite Berlin art gallery, as it happens, partly because it's an artists' collective). Shared.Divided.United points out more similarities between Germany and Korea: "The two countries were both front-line states in the Cold War – and are at the same time both marked by a history of division. The manifold migration routes between Korea and Germany were characterized by complex inter-relationships and trans-border, frontier-extending activities, which are here for the first time studied against the backdrop of the Cold War. Koreans went as guest workers from South Korea to West Germany (FRG), and as students and orphans from North Korea to East Germany (GDR); East Germans went to North Korea in the overall framework of ‘developmental aid solidarity’; South Koreans in West Germany went in turn to North Korea, and North Koreans in East Germany fled to West Germany."

Works by contemporary artists like Suntag Noh (responsible for the reappropriated North Korean crowd scenes seen here) are displayed alongside historical material at NGBK. There are lots of other Asian nations -- and women directors -- represented at the Asian Women's Film Festival (the film which kicks it off is actually Malaysian), but it's the North Korean films which I expect to enjoy the most, for their otherness, their beyond-the-paleness, their beauty and resolute positivity.
A Bellflower, for instance, hymns the importance of "loyalty, solidarity and commitment to the country" and contains "exhortations to put the common good above personal ambition... a recurrent theme of North Korean society guided by the “Juche” principle of self-reliance."
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Let's end with Let's Defend Socialism, a song "from the early 90s about the Korean people's resolve to defend socialism". According to YouTube user DPRKradio, "this song was released shortly after the betrayal of socialism in the former Soviet Union by the traitor Gorbachev."
Like the music, the comments beneath it are harmonious; refreshingly free of the usual OMFG WTF LOL kneejerk Web 2.0 cynicism, this video has inspired YouTube users the world over (but all on the same day) to lift their voices as one and proclaim: "The Democratic People´s Republic of Korea is raising the banner of socialism to new heights in the 21st century under the Songun leadership of KIM JONG IL" and "long live ALL OF THE PEOPLE OF DPRK, HER LEADER KIM JONG II, AND THE BEAUTIFUL VALUES, TRADITIONS AND CELEBRATION OF LIFE, OF HER PEOPLE"!

The Asian Women's Film Festival opens in Berlin tomorrow, and Hisae and I will be interleaving its offerings at the Arsenal cinema -- which include a whole section dedicated to classic North Korean films -- with the Tokio-Shibuya season going on at the HAU theatres in Kreuzberg. On several evenings in the course of the next week we'll be shuttling from one to the other, braving lashing wind and rain, but warmed in our hearts by films like The Flower Girl, based on an opera written by Kim Il Sung, the Great Leader, himself.
Here's a song from the film:
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As I mentioned in my 7 lies about North Korea piece a couple of years back (a discussion of Christian Kracht and Eva Munz's "coffee table book" of photographs of the DPRK), Germany and Korea -- and specifically the former East Germany and North Korea -- have quite a bit in common. They share an immoderate love for flowers, for standardized folk costumes, and for tightly-choreographed, stirring, collectively-voiced, totally non-funky songs filmed on spectacular mountainsides.

The curator of the Asian Women's Film Festival, Sun-ju Choi, has also helped put together an exhibition currently showing at NGBK in Kreuzberg (and my favourite Berlin art gallery, as it happens, partly because it's an artists' collective). Shared.Divided.United points out more similarities between Germany and Korea: "The two countries were both front-line states in the Cold War – and are at the same time both marked by a history of division. The manifold migration routes between Korea and Germany were characterized by complex inter-relationships and trans-border, frontier-extending activities, which are here for the first time studied against the backdrop of the Cold War. Koreans went as guest workers from South Korea to West Germany (FRG), and as students and orphans from North Korea to East Germany (GDR); East Germans went to North Korea in the overall framework of ‘developmental aid solidarity’; South Koreans in West Germany went in turn to North Korea, and North Koreans in East Germany fled to West Germany."

Works by contemporary artists like Suntag Noh (responsible for the reappropriated North Korean crowd scenes seen here) are displayed alongside historical material at NGBK. There are lots of other Asian nations -- and women directors -- represented at the Asian Women's Film Festival (the film which kicks it off is actually Malaysian), but it's the North Korean films which I expect to enjoy the most, for their otherness, their beyond-the-paleness, their beauty and resolute positivity.
A Bellflower, for instance, hymns the importance of "loyalty, solidarity and commitment to the country" and contains "exhortations to put the common good above personal ambition... a recurrent theme of North Korean society guided by the “Juche” principle of self-reliance."
[Error: unknown template video]
Let's end with Let's Defend Socialism, a song "from the early 90s about the Korean people's resolve to defend socialism". According to YouTube user DPRKradio, "this song was released shortly after the betrayal of socialism in the former Soviet Union by the traitor Gorbachev."
Like the music, the comments beneath it are harmonious; refreshingly free of the usual OMFG WTF LOL kneejerk Web 2.0 cynicism, this video has inspired YouTube users the world over (but all on the same day) to lift their voices as one and proclaim: "The Democratic People´s Republic of Korea is raising the banner of socialism to new heights in the 21st century under the Songun leadership of KIM JONG IL" and "long live ALL OF THE PEOPLE OF DPRK, HER LEADER KIM JONG II, AND THE BEAUTIFUL VALUES, TRADITIONS AND CELEBRATION OF LIFE, OF HER PEOPLE"!
(no subject)
Date: 2009-10-13 09:38 pm (UTC)(no subject)
Date: 2009-10-13 09:48 pm (UTC)(no subject)
Date: 2009-10-13 10:21 pm (UTC)Down with OMG and WTF, SONGUN and JUCHE forever!
(no subject)
Date: 2009-10-13 10:30 pm (UTC)someone's drank the kool-aid
Date: 2009-10-13 10:37 pm (UTC)HTMhelL
Date: 2009-10-13 10:47 pm (UTC)nathan
Re: someone's drank the kool-aid
Date: 2009-10-13 10:48 pm (UTC)Re: HTMhelL
Date: 2009-10-13 10:49 pm (UTC)so:
http://www.youtube.com/watch?v=LNCujB5tJnQ
Re: HTMhelL
Date: 2009-10-13 10:50 pm (UTC)...but with pointy html brackets instead of square ones.
So:
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Re: HTMhelL
Date: 2009-10-13 10:56 pm (UTC)[Error: unknown template video]
(no subject)
Date: 2009-10-13 11:42 pm (UTC)Curiously, the first thing that sprung to mind (right after being amazed a long-time president/dictator would write operas) was that the singsang in the embedded Youtube video reminded me a lot of old DEFA movies, especially fairy tales. The classic singing in a lot of old DDR films has a striking similarity to what Kim Jong Il wrote. Perhaps not by accidence.
The Flower Video
Date: 2009-10-14 12:10 am (UTC)Re: someone's drank the kool-aid
Date: 2009-10-14 02:49 am (UTC)Kim Jong II: the new Kahimi muse?
Date: 2009-10-14 03:00 am (UTC)You could strum a Bipa, while "Dear Father" croons his favorite song "Not Motherhood Without You" or teach him "I Am A Kitten" while riding in his armored train, watching pretty girls make pretty things.
(no subject)
Date: 2009-10-14 05:13 am (UTC)shy
Date: 2009-10-14 05:45 am (UTC)[Error: unknown template video]
(no subject)
Date: 2009-10-14 06:25 am (UTC)We can only hope that the next glorious leader (who was undoubtedly born on a gleaming mountaintop, from a beauteous virgin, raised by chipmunks, and taught to lead by the great Holanghee in the Sky) will also understand how important it is to preserve the true Korean culture at the expense of, well, providing physical sustenance for one's Korean brethren. Truly, "glory for the beautiful values, traditions and celebrations of life, of her people." At the expense of her people.
Momus, is that you?
Date: 2009-10-14 06:26 am (UTC)http://www.bertisevil.tv/pages/bert029.htm
Re: someone's drank the kool-aid
Date: 2009-10-14 07:30 am (UTC)(no subject)
Date: 2009-10-14 07:33 am (UTC)ALL HAIL THE GREAT LEADER.
Re: shy
Date: 2009-10-14 07:34 am (UTC)the piety is hilariously pitiful.
hmmm
Date: 2009-10-14 07:37 am (UTC)(no subject)
Date: 2009-10-14 07:55 am (UTC)My statement is this. Certainly my entry is propaganda. But the OMG WTF Web 2.0 requirement to cast the DPRK, every time you mention it, as part of an "empire of evil" is also propaganda. It's rather like harassing people reviewing American films into making clear their views on Hiroshima, the invasions of Iraq and Afghanistan, or the percentage of black Americans in prison. It inculcates the idea that an American film or record could not be reviewed responsibly without mention of these things.
In my Book of Scotlands I include a text parodying this idea. It's a review of a New Age folk album by a band called Sonic Flower Groove. The reviewer docks a star from his review because the band fails to make clear its position, in the course of the record, on the widespread Scottish practice of genital cutting.
(no subject)
Date: 2009-10-14 08:07 am (UTC)(no subject)
Date: 2009-10-14 08:38 am (UTC)