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I'm stuck in Kokura, Kyushu right now and we're weathering the worst typhoon of the year. Huge gusty winds shook the traditional dark wood building I spent the night in, and now the streets are flooded, turning taxis into boats. I'm back at Soap Gallery now, scene of last night's show. There isn't much to do but sit here and wait for the local and shinkansen train services to resume. Even this office I'm sitting in doesn't feel safe; I can hear water dripping through the roof onto a tarpaulin skin draped directly above the iMac I'm sitting at, and little spiders are scuttling across the tabletop. The typhooon map suggests that things will be better tomorrow. I certainly hope so; I have to catch a flight to Hong Kong on Wednesday from Kansai International.

Last night's show was pretty great. First there was a group called Lolo. Three yukata-clad girls played two pieces. The first was like Neu's 'Fur Immer', a repetitive drone with motorik drumkit, shamisen and a violin held upright and bowed like a cello. The second piece was like a school recorder exercise, a woodwind trio piece with some slightly sinister electronic effects casting a shadow across its scholastic cuteness. When I spoke to the girls later, they said their influence wasn't from 70s German electronica but from traditional Japanese theatre music; kyogen and bunraku.

Then came DoraVideo, with some of the most inventive use of Max/MSP I've seen. DoraVideo is a drummer who looks a bit like a sumo wrestler. His drumkit triggers Max manipulations of digital video projected on a big screen behind him. In this way he controls various short video sequences -- a clip from a samurai movie murder, the shower scene from 'Psycho', himself playing the drums, clips from Hong Kong ganster movies, a Chinese folk orchestra. It's basically live video scratching controlled by a drumkit instead of a shuttle wheel. A cymbal crash can spin the heads back, a snare advances the scene in real time to the next marker point. It's powerful and makes me think that Max used with video in this way could be the second big stage of the sampling revolution started in the 80s with Emulators and Akais.

My own show also saw me using the video projector, this time to play along, manually and in real time, adding a very visual layer of chaotic, atonal virtual instruments to my iTunes backing tracks. I loaded up the Harry Partch Flash instruments I downloaded last week (the link is in an old entry, and I can tell you that saving the Flash files wasn't easy). So when I wasn't singing I was playing, or rather puppet-playing, these weird zithery slides and boings courtesy of Harry and the Flash programmers who virtualised his amazing constructions. These instruments, projected big on a wall, are great for live shows; when you trigger them, you see, for instance, a marimba player moving to strike the notes you're playing with keyboard keys. It's a sort of iBook bunraku.

I'll post some photos of the show when I get back to civilisation. The whole show was captured on video by my friend Graham from Nottingham University, who tells me he'll be making a DVD of it at some point.

Set List

Date: 2004-08-29 11:25 pm (UTC)
From: [identity profile] imomus.livejournal.com
Rhetoric
Lovely Tree
Going For A Walk With A Line
Thatness and Thereness (Sakamoto)
Pierrot Lunaire
Scottish Lips
Corkscrew King
Bantam Boys
The Rape of Lucretia
Your Fat Friend
Life of the Fields
Robert Dye
Robin Hood
A Little Schubert
Frilly Military
Summer Holiday 1999
I Am A Kitten
Mika Akutsu
Pygmalism

(no subject)

Date: 2004-08-30 12:46 am (UTC)
From: [identity profile] malo23.livejournal.com
We've got the typhoon here in the "Chuugoku" region as well (see my recent post for reference). Pretty intense winds and rain out there.

BTW, is that a Sakamoto Ryuichi track that you covered? *v.cool*

~m

(no subject)

Date: 2004-08-30 01:07 am (UTC)
From: [identity profile] imomus.livejournal.com
Yes, it's my favourite Sakamoto track, from his 1978 (?) album 'B2 Unit'.

awesomeness

Date: 2004-08-30 06:56 am (UTC)
From: [identity profile] florida-phoenix.livejournal.com
See, now this is the type of thing I like...that was awesome the way you described all that.
I'm like totally in to mixing and stuff and I want to be a DJ when I graduate college, so there we are. Too bad someone would have to describe the vidio sequences...being totally blind does have it's disadvantages at times. LOL

(no subject)

Date: 2004-08-30 11:23 am (UTC)
From: (Anonymous)
MAX really is such an amazing tool, and it thrills me to hear about that video performance!! One of my roommates created a program with MAX would look at people walking by a camera, scan the visual input, and display the most prominent colors in their clothes on a monitor nearby. Tying certain colors to certain sounds would surely be easy to do with this, I imagine!

Flash instruments are so fun to make, and not too difficult either! Last year I took to performing shows with Flash samplers that had loops of telephone samples. If you cut the samples just right, you get a perfect loop, but the most fun is when you have them slightly off and the sound gallops in and out of syncronization!

Adam

alas, babylon.

Date: 2004-08-30 11:35 am (UTC)
From: [identity profile] ultrakurtzwelle.livejournal.com
lo siento.. weather's caprices make me feel like a trapped animal.
we just had a bad hurricane with no water no street light or electricity for a week, and a second one is meant to hit us at the end of the week again. It was very post apocalyptic. It looks like you're faring pretty well, though.

i'm listening to an hour in osaka, it's really lovely. There is a strange connection that happens in hearing someone sing and then hearing them talk, it makes the songs much more intimate.. I don't know if I'm making sense. my english grammar is not of the best caliber.

(no subject)

Date: 2004-08-30 04:12 pm (UTC)
From: (Anonymous)
kind of off point but it would be very nice to see you perform in Istanbul...

Re: alas, babylon.

Date: 2004-08-30 06:47 pm (UTC)
From: [identity profile] imomus.livejournal.com
BBC reports the typhoon:

http://news.bbc.co.uk/2/hi/asia-pacific/3611104.stm

Some people died, and record high winds for this area were recorded, but I think the hurricane in the US sounds more dangerous. Today in Kyushu it's sunny and calm. I'm off to the station to see what the travel situation is.

(no subject)

Date: 2004-08-30 08:11 pm (UTC)
From: [identity profile] giggomachine.livejournal.com
if only there was someone out there making these flash gems work with a midi keyboard...
here's the link if anyone needs it
http://musicmavericks.publicradio.org/features/feature_partch.html#
cheers

the death row of the hibiscus

Date: 2004-08-30 09:19 pm (UTC)
From: [identity profile] ultrakurtzwelle.livejournal.com
it sounds awful.
good luck.

(no subject)

Date: 2004-08-31 04:40 am (UTC)
From: [identity profile] imomus.livejournal.com
Well, I escaped. This morning all was sweetness and light (except for the 7 people who died).

(no subject)

Date: 2004-08-31 05:16 am (UTC)
From: (Anonymous)
Seen the new G5 iMac yet? Inital thoughts?

(no subject)

Date: 2004-08-31 07:36 am (UTC)
From: [identity profile] imomus.livejournal.com
It's a laptop with a lampstand. And a mouse and keyboard which will slither over your belly like Tom and Jerry. I've got a yen for the chip, though.

(no subject)

Date: 2004-08-31 08:04 am (UTC)
From: (Anonymous)
The chip costs more than a yen

M83

Date: 2004-08-31 01:12 pm (UTC)
From: [identity profile] violinist-a.livejournal.com
Hear of a French band M83? Interesting stuff.

Re: Set List

Date: 2004-09-01 08:29 am (UTC)
From: [identity profile] biseinen.livejournal.com
Wow, what a great set of songs.
It'd be my first complete English sang version (I assume, judging from other live performances) of "A little Schubert", which I very much like; the first time I'd listen to "Frilly Military" sang by you, which I trully adore too; and, of course, the new songs live.
If possible, I'd love to own a copy of this DVD whenever made. If, please keep me posted.
BUEN VIAJE!
eD B^)

Brautigan

Date: 2004-09-01 10:41 am (UTC)
From: (Anonymous)
Momusu, are you familiar with the musings on Japan of Richard Brautigan, mainly in his books 'The Tokyo-Montana Express' and 'June 30th, June 30th'? I'd imagine you could relate easily to the composition below... succinct stuff.

Japanese Women

If there are any unattractive
Japanese women
they must drown them at birth

Tokyo
May 28, 1976