Yu and Gutai
Oct. 22nd, 2008 12:50 pm
This image of Yu Aoi is by far the most popular of the thirty or so new images I've posted to my Flickr photostream in the last week. It's from a Beams Boy ad supplement stapled into the new edition of Ku:nel, my favourite Japanese Slow Life magazine. Yu Aoi features in about twenty photos in this supplement, and in many of them she's wearing these beautiful glasses and a preppy bow tie.I've written about Yu Aoi before on Click Opera, enjoying (but at the same time doubting) her depiction as an artist: "If you follow Yu Aoi through Japanese popular culture, you find that, over and over again, she's cast as an advanced, soft being, a quirky, childlike, expressive, kind-hearted fairy, modestly unaware of her own beauty and unwilling to use it in power games. In her many TV commercials -- for Canon, for the Aeon bank card, for Shuiesha -- Yu is self-expressive yet socially harmonious. She's a water nymph, sharing a bath with Aoi Miyazaki. If she's not a painter, she's holding a light meter, part of the creative team on a photo shoot, dressing up in a kimono, heading out to the seaside in a cute yellow Fiat 500, or weeping as she reads sentimental books in refreshing candy-striped wrappers. Now, it's unlikely that so perfectly lovely a person could ever be a good artist. And, indeed, the paintings Yu's character creates in Honey and Clover are truly dreadful daubings, underscored on the soundtrack with appalling emo songs..."
The fantasy in the Beams Boy shoot is that Yu is an intellectual. It's not that she hasn't worn glasses in fashion shoots before -- she has, it's just that they've never been good ones:

I find Yu as an intellectual just as compelling as Yu as an art student in Honey and Clover. I imagine long evenings in her company, discussing the pioneering actions of the Gutai Bijutsu Kyokai between 1966 and 1972, and the avant garde group's belief that beauty arises when things become damaged or decayed. I can imagine Yu giving an enthusiastic exposition of this concept, completely oblivious to the fact that her face is completely refuting it as she speaks.
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Someone who might confirm that Gutai belief, though, are Ku:nel's cover stars this month, two old Dutch ladies who dress up in remarkable traditional costumes for various civic festivities in their hometown. I must say, I think it's rather unjust that, although they're on my Flickr photostream right next to Yu, these amazing ladies only get 29 views to Yu's 109. Not only do they do their own hair and make-up (in most amazing styles), these ladies also embody the Gutai ideal.

Here's the Gutai Manifesto:
"This is described as the beauty of decay, but is it not perhaps that beauty which material assumes when it is freed from artificial make-up and reveals its original characteristics? The fact that the ruins receive us warmly and kindly after all, and that they attract us with their cracks and flaking surfaces, could this not really be a sign of the material taking revenge, having recaptured its original life?"I think to agree too wholeheartedly to this "revenge of the material" would be to miss the point, though: the ladies on Ku:nel's cover are weatherworn, sure, but they're also investing a lot in make-up and self-transformation, and it's the tension between the two that makes them look really interesting. And although Yu Aoi is wearing little make-up in the Beams Boy shoot (we can see her beautiful moles, regrettably covered up in her Shiseido campaign), she's been carefully styled. It's the dynamic tension between her "original life" and the projection of an unlikely fantasy Yu that gives this image its power. I can see her now, sipping port as she sits in the button-back library chair, nodding sagely in her glasses, cradling a dusty book between her thighs.
(no subject)
Date: 2008-10-22 12:17 pm (UTC)Wishful thinking, Momus.
(no subject)
Date: 2008-10-22 12:19 pm (UTC)(no subject)
Date: 2008-10-22 12:40 pm (UTC)Not much going on there!
Date: 2008-10-22 01:14 pm (UTC)Re: Not much going on there!
Date: 2008-10-22 01:34 pm (UTC)Re: Not much going on there!
Date: 2008-10-22 02:00 pm (UTC)(no subject)
Date: 2008-10-22 02:15 pm (UTC)Those old ladies reminded me of an artist I stumbled upon a few months ago:
I wrote down the name of the artist who created this piece (this is one of set I think) but I lost the piece of paper and now all I have is this one image. If anyone recognises it, let me know. I think the artist had an exhibit in Germany recently.
Yu Aoi -- she got the most hits because she's attractive. She's a model. "Yu the intellectual" isn't an intellectual beyond the glasses or compelling beyond the fact you find her attractive. It's very easy to project desirable personality traits on beautiful people in an act of wishful thinking, in fact, it's what the advertising industry thrives on, and that's exactly what BEAMS BOY were aiming for.
(no subject)
Date: 2008-10-22 02:32 pm (UTC)Though why she has a coloured plain cap is a mystery. That would usually be for poorer women, who couldn't afford gold head-irons at all.
(no subject)
Date: 2008-10-22 02:37 pm (UTC)The hair-styles are a part of the traditional dress, sry2say.
bad movie, great penis
Date: 2008-10-22 03:05 pm (UTC)(or maybe one of these (http://www.soodlesclown.com/Balloon%20Twisting.htm)?)
(no subject)
Date: 2008-10-22 03:31 pm (UTC)Do you think the Japanese interest in Dutch costumes is in some way patronising, or reductive, or stereotyping? Or is it nice and broadminded and anti-ageist?
(no subject)
Date: 2008-10-22 05:24 pm (UTC)less ageism, less body fascism, less "sexy and trendy", more quirkiness! More expression of individual personality!
stars in your eyes
Date: 2008-10-22 07:21 pm (UTC)Totally unrelated - close your eyes and listen to Bowie in this video - do let me know what you think...
http://uk.youtube.com/watch?v=T86nZNUcTJE
(no subject)
Date: 2008-10-22 07:34 pm (UTC)I think it's nice, as few people here know/care about it. I would like to make sure they realise the symbolism inherent in it, though. I find that incredibly intriguing, because Holland is supposed to be so classless, but the traditional costumes are almost fetishistic of class. You can pinpoint their exact position in society by their hats.
(no subject)
Date: 2008-10-22 08:03 pm (UTC)(no subject)
Date: 2008-10-22 10:18 pm (UTC)Re: Not much going on there!
Date: 2008-10-22 10:28 pm (UTC)Re: stars in your eyes
Date: 2008-10-22 11:28 pm (UTC)