Pyramid pow-wow
Mar. 11th, 2008 09:41 amLast night's gala event for the Great Pyramid -- a huge "loft dying" necropolis planned for the lush countryside near Dessau -- was pretty interesting. The film presentations and talks actually made me think the pyramid (which could, if it's a success, become the world's largest building, housing the mortal remains of up to five million people) would be a good place for me to be buried, when my time comes.

Ever since I first heard of this pyramid project, I've had my doubts about whether it could possibly be true. Would the world's biggest pyramid -- and possibly its biggest human structure -- rise in the German countryside? Would you really be able to rent a necro-unit in it for all eternity for a total payment of €1000? Was Rem Koolhaas really selecting the architects who'd build the visitor centre around the structure? Were my favourite Japanese architects, Atelier Bow Wow, one of the four contending teams, and was I really going to sing my song "What Will Death Be Like?" at the ceremony which presented their plans?

My doubts were based on the fact that the people surrounding the project are a highly playful group of conceptual jokers, neo-visionaries, intellectual provocateurs and ironic pranksters with ties to REDESIGNDEUTSCHLAND. Basically, writer Ingo Niermann (who writes "popliteratur" in collaboration with Christian Kracht) founded this satirical design thinktank with Rafael Horzon with the idea of thinking about Germany (and the world) in a kind of "Year Zero" way, inspired by the visionary systematizing of the French Revolution, the Bauhaus with its Modernist existenzminimum, even North Korea. Basically, visionary systematic thinking has been taboo in postwar Germany because of the reductive essentialising which links everything of this kind to Nazi dystopias.

And yet Germany is now at the heart of a Europe which needs radical imaginative visions. Basically, connecting everything of this sort to Hitler is a kind of Godwin's Law of the mind, a sort of lazy reflexive caution which would end every speculative conversation and prevent anything interesting ever happening again (Hitler's final revenge: 1000 years of boredom and timidity?) To break out of this postwar paralysis, Ingo Niermann wrote a book called "Umbauland" (Reconstruction Land, Suhrkamp) which laid out ten provocative visions for Germany. He said Germany should have its own nuclear bomb. He advocated (as REDESIGNDEUTSCHLAND also do) the radical simplification of the grammar of the German language (REDEDEUTSCH) so that it can
spread easily through the world and stop the totalitarian dominance of English (because, let's face it, we Anglos are the closest thing to totalitarians today). He also welcomes German population decline on energy-saving grounds. And now, as a member of the Friends of the Pyramid, he's advocating another radical vision -- a redesign of the way we deal with death.
Rem Koolhaas really was there last night, attracted by his admiration of Niermann's book. Koolhaas likes bold ideas about the future. His presentation at the HAU1 theatre guided us through conceptual presentations for the pyramid visitor centre by Atelier Bow-Wow (Tokyo), Nikolaus Hirsch, Markus Miessen & Wolfgang Lorch (Frankfurt / M & London), MADA s.p.a.m. (Shanghai & Los Angeles), and Ai Weiwei / FAKE Design (Beijing). Or, as Koolhaas (taller in real life than you'd imagine, and wearing a tough guy leather coat) put it, poetry, pragmatism, mysticism and communism.

The images on this page are all from Atelier Bow Wow's presentation, themed around the natural forms of leaves and tree branches. At the end of the session Koolhaas announced -- slightly disappointingly -- that the jury (which included Miuccia Prada) had decided to use ideas from all four practices. They were all "the winner", or would be if and when the project (which he said might be real or might be ironic provocation -- "delirious Germany", if you like) was green-lighted. The other presentations -- by structural engineers, marketing people, the head of the Bauhaus -- made it clear that the scheme could be a commercial reality, and that it's gone far enough for local residents to have mounted a protest group, seen holding up banners saying "We don't want 5 million dead in our back yard!"
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At the end of it all I sang my song What Will Death Be Like?, not so much a manifesto about a future we all face as a statement about the unspeakability of death. But if we can't say what death might be like, at least we can say where we might spend it. And picture people coming to visit us there, milling around a soothing visitor centre based on the shapes of leaves.

Ever since I first heard of this pyramid project, I've had my doubts about whether it could possibly be true. Would the world's biggest pyramid -- and possibly its biggest human structure -- rise in the German countryside? Would you really be able to rent a necro-unit in it for all eternity for a total payment of €1000? Was Rem Koolhaas really selecting the architects who'd build the visitor centre around the structure? Were my favourite Japanese architects, Atelier Bow Wow, one of the four contending teams, and was I really going to sing my song "What Will Death Be Like?" at the ceremony which presented their plans?

My doubts were based on the fact that the people surrounding the project are a highly playful group of conceptual jokers, neo-visionaries, intellectual provocateurs and ironic pranksters with ties to REDESIGNDEUTSCHLAND. Basically, writer Ingo Niermann (who writes "popliteratur" in collaboration with Christian Kracht) founded this satirical design thinktank with Rafael Horzon with the idea of thinking about Germany (and the world) in a kind of "Year Zero" way, inspired by the visionary systematizing of the French Revolution, the Bauhaus with its Modernist existenzminimum, even North Korea. Basically, visionary systematic thinking has been taboo in postwar Germany because of the reductive essentialising which links everything of this kind to Nazi dystopias.

And yet Germany is now at the heart of a Europe which needs radical imaginative visions. Basically, connecting everything of this sort to Hitler is a kind of Godwin's Law of the mind, a sort of lazy reflexive caution which would end every speculative conversation and prevent anything interesting ever happening again (Hitler's final revenge: 1000 years of boredom and timidity?) To break out of this postwar paralysis, Ingo Niermann wrote a book called "Umbauland" (Reconstruction Land, Suhrkamp) which laid out ten provocative visions for Germany. He said Germany should have its own nuclear bomb. He advocated (as REDESIGNDEUTSCHLAND also do) the radical simplification of the grammar of the German language (REDEDEUTSCH) so that it can
spread easily through the world and stop the totalitarian dominance of English (because, let's face it, we Anglos are the closest thing to totalitarians today). He also welcomes German population decline on energy-saving grounds. And now, as a member of the Friends of the Pyramid, he's advocating another radical vision -- a redesign of the way we deal with death.Rem Koolhaas really was there last night, attracted by his admiration of Niermann's book. Koolhaas likes bold ideas about the future. His presentation at the HAU1 theatre guided us through conceptual presentations for the pyramid visitor centre by Atelier Bow-Wow (Tokyo), Nikolaus Hirsch, Markus Miessen & Wolfgang Lorch (Frankfurt / M & London), MADA s.p.a.m. (Shanghai & Los Angeles), and Ai Weiwei / FAKE Design (Beijing). Or, as Koolhaas (taller in real life than you'd imagine, and wearing a tough guy leather coat) put it, poetry, pragmatism, mysticism and communism.

The images on this page are all from Atelier Bow Wow's presentation, themed around the natural forms of leaves and tree branches. At the end of the session Koolhaas announced -- slightly disappointingly -- that the jury (which included Miuccia Prada) had decided to use ideas from all four practices. They were all "the winner", or would be if and when the project (which he said might be real or might be ironic provocation -- "delirious Germany", if you like) was green-lighted. The other presentations -- by structural engineers, marketing people, the head of the Bauhaus -- made it clear that the scheme could be a commercial reality, and that it's gone far enough for local residents to have mounted a protest group, seen holding up banners saying "We don't want 5 million dead in our back yard!"
[Error: unknown template video]
At the end of it all I sang my song What Will Death Be Like?, not so much a manifesto about a future we all face as a statement about the unspeakability of death. But if we can't say what death might be like, at least we can say where we might spend it. And picture people coming to visit us there, milling around a soothing visitor centre based on the shapes of leaves.
(no subject)
Date: 2008-03-11 09:19 am (UTC)"SURPRISE! It was all an ironic provocation."
Then everyone in the room ejaculates in unison, whilst patting each other on the back.
(no subject)
Date: 2008-03-11 09:31 am (UTC)If you're buried in the pyramid then you'll fail to experience the finer points of death, such as worms and moss. The former plays with your corpse, and the latter covers your name.
wewillbecome.com
(no subject)
Date: 2008-03-11 09:35 am (UTC)(no subject)
Date: 2008-03-11 09:39 am (UTC)(no subject)
Date: 2008-03-11 09:52 am (UTC)which is why you can't help but laugh at the idea of this entire project being one big, ironic wank-fest.
(no subject)
Date: 2008-03-11 10:00 am (UTC)(no subject)
Date: 2008-03-11 10:12 am (UTC)Cremation is also environmentally unfriendly -- the major emissions from crematories are: nitrogen oxides, carbon monoxide, sulfur dioxide, particulate matter, mercury, hydrogen fluoride (HF), hydrogen chloride (HCl), NMVOCs, and other heavy metals, in addition to Persistent Organic Pollutants (POP). (wiki)
We need a way of getting rid of bodies. I'd quite like my dead body to be fed to some animals... Exotic ones that are due to be extinct preferably.
gone solid gone
Date: 2008-03-11 10:16 am (UTC).its got to change because the fact is theres no space ..i like frolicking around in old cematrys and seminarys as much as the next man but hey...My da is on his way and besides the obvious the theatre around the whole thing fills me with dread ...i was wonder about this pyrimad , what would the theatre of death be like here could you write your own script? would it be open to all peoples , why the 1000 euro cost ..could it not be free for poor folks who die with nothing and no one..friend of mine recintly put their parents(pay rents.....funnny that) to rest in the small back garden of there family home which avoided all the pompus crap surrounding your average burial and in the end was quite sweet ...this idea sounds great ....when and where do i sign up.
Re: gone solid gone
Date: 2008-03-11 10:29 am (UTC)In the area around Berlin it's quite the opposite problem. This is some of Europe's cheapest land, and likely to remain so thanks to declining populations, unemployment and de-industrialisation -- the Shrinking Cities (http://imomus.livejournal.com/57298.html) phenomemon I've written about before (and Koolhaas talked about in his presentation last night).
So -- despite the current resistance of some locals to the idea -- this pyramid really kills a lot of birds with one stone. As a tourist attraction it revitalizes a moribund area. It deals with Germany's declining population by turning it into a mini-economic boom (the attraction will bring jobs and visitors and trade to the area). It's a brilliant kind of hedging.
(no subject)
Date: 2008-03-11 10:38 am (UTC)(no subject)
Date: 2008-03-11 11:39 am (UTC)(no subject)
Date: 2008-03-11 11:49 am (UTC)Hitler Hitler Hitler Hitler Hitler Hitler Hitler Hitler
NOW WHAT I'VE SAID IS DEEP.
Re: gone solid gone
Date: 2008-03-11 12:38 pm (UTC)in tibet they got it best giving the corpses straight to the vultures as nourishment , even pounding the hard to eat bones and teeth and stuff to powder then mixing that with cereal so nothing'd be left.
deep shit
Date: 2008-03-11 12:53 pm (UTC)(no subject)
Date: 2008-03-11 12:53 pm (UTC)Oh? I shall inform Yemen and North Korea immediately.
The ubiquitousness of the English language owes not only to American and English empire, but also to the inherent utility they have created. Totalitarianism is the wrong word. An Indian businessman and a Chinese party mandarin who negotiate in English are using a tool.
Tod Pyramide!?
Date: 2008-03-11 01:08 pm (UTC)-The airlines will make a killing offering one-way "death class" tickets to all deceased persons traveling to their final destination in Germany. This will require the expansion of the Frankfurt airport and surrounding environs, making it the largest aerotropolis in the world.
-If the "dying Europe" these of Bruce Thornten, VD Hanson and the like is correct, this pyramid will be attended to and patronized by the inhabitants of the global south, surveying the remains of the deceased global north. Turks, Mexicans, Chinese, Africans... they will inherit the lost lands of the 20th century Pharoahs -- it's up to them how the we old mummies are exhumed.
-Unrelatedly, "Rededeutsch" -- fucking brilliant. If this can be instituted BEFORE I have to take my German language exams, even better. I still don't know when to use "dem", "den" "einer" "einem" etc. Perhaps the signage at the pyramid will all be in Rededeutsch. That, and Mandar-Swahilispanish.
-Future scenario: the Southern populations evolve, leave Earth, conquer space, and forget the Europeans -- and their DeathPyramid -- ever existed. Millenia later, a research expedition rediscovers the green planet, raids the crypt, and revives/clones the old EU crew. Depending on taste in sci-fi, untold hilarities/horrors unfold.
(no subject)
Date: 2008-03-11 02:05 pm (UTC)What Will Death Be Like?
Date: 2008-03-11 02:46 pm (UTC)Re: Tod Pyramide!?
Date: 2008-03-11 04:31 pm (UTC)"Rededeutsch" -- fucking brilliant. If this can be instituted BEFORE I have to take my German language exams, even better.
I'm totally with you on that. We immigrants should be out there on the street with placards, demanding REDEDEUTSCH NOW!
(no subject)
Date: 2008-03-11 04:34 pm (UTC)The only thing that can stop us now is China. And total eco-exhaustion. And our demographic decline. And those three things happen to be the main plot elements of the 21st century.
(no subject)
Date: 2008-03-11 04:38 pm (UTC)(no subject)
Date: 2008-03-11 05:33 pm (UTC)So, Newspeak? Does everyone get matching grey coveralls and shaved heads?
(no subject)
Date: 2008-03-11 06:50 pm (UTC)(no subject)
Date: 2008-03-11 07:05 pm (UTC)No one is still quite sure what they were actually getting at.
(no subject)
Date: 2008-03-11 07:11 pm (UTC)Maybe the reason Europe is so successful is because in certain respects we're getting things right. I dont exactly see you rushing to emigrate to Cuba or China.
China dropped communism, it's just too proud to say "Actually, this communism thing... its just not working out", not to mention the powers that be want to keep their undemocratic power and this is how they do it.
I read that article you linked me to about Japanese Capitalism. To sum it up in a nutshell -- instead of the financially savvy at the very top of the economic chain being able to manipulate money to make obscene amounts of money (hundreds of millions), the Japanese government employ people to take that job and they're payed a fixed wage for it. We should be doing this here, thats an example of an eastern economic model I think is superior to the economic model here. but again, Im not an economist and there might be a reason why the Japanese model wouldnt work, etc.
Also, It's not a race, there is no "omg Chinas growing and its gonna stop us". China becoming richer could potentially be a good thing for everyone (http://english.peopledaily.com.cn/200509/02/eng20050902_206065.html). ultimately, When a culture is forced upon another culture against its collective will -- its a threat. the way Bush and Blair went into Iraq and started that war when there were no WMDs, that was disgusting. I was completely against Iraq war, you can call that a threat. When a foreign culture is freely adopted eg. The Japanese lapping up western culture -- it's a choice. Its completely their choice. Stop using the word "threat" in such a general sense to describe every aspect of the spread of western culture just because the spread of western culture doesnt fit your personal preferences.