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[personal profile] imomus
Earlier this week I told you, sadly, that both democracy and popular music were dead. I haven't changed my mind, but today I'd like to give you a chance to prove me wrong by voting in the Qwartz Discovery electronic music awards.

Now, normally I hate awards ceremonies (though I certainly don't think they're over -- like conferences, sports events and art biennials, they flourish like the green bay tree), but last year my friends Hypo and Emmanuelle de Héricourt won this one with their brilliant Correct Use of Pets album (see video below). And this year there's a very interesting shortlist of six finalists, including the Morr-minimalism of Ms John Soda, the extraordinary elephantine brass bleatings of Babils, and O.Lamm's massive Monolith album (on which, of course, I perform a glitch-Cockney rap cameo).

Since Qwartz are very generous with their clips (whether you register to vote or not), you can hear all these interesting albums (including my cameo on "Syllabus of Errors") in their entirety on their site. But do vote too, and prove to me that democracy and music still work! Here, to tempt you, are two videos; "Naughty Place" from last year's Qwartz winners, Hypo and EDH, followed by my favourite track from o.lamm's Monolith, "Silviphobia" (feauring Midori Hirano).

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"Getting over"

Date: 2007-11-10 09:42 am (UTC)
From: [identity profile] ankh156.livejournal.com
Despite agreeing with all of your litany of finalities, almost without reserve, I have to further admit that I am not (yet) "over", so I still play electric guitars (through yummy-smelly old valve amplifiers), and I still play a Hammond Organ or two (equally bristling with glowing red devices), and I posses a car (how else deplace my behemoths to rehearsals and gigs ?). So whilst being in accord with your refreshing and reassuring gust of clean ahd forthcoming modernism, I still have some reservations : I'm not sure I can happily live in a world which doesn't have a telecaster, drawbars and a spinning leslie in it. If their particular charms were effaced the world would be a less loveable place. I probably won't be lingering on too long now, so I do sincerely hope that the cleaner, simple future of your vision arrives soon, but in the immediate meantime I shall continue twanging and tickling the yellow plastic keys, and changing the speed of my musical washing machine.

(I shall be sampling some of the above when I'm a bit more awake. I also make 'klangen', and love electronic music. There's a link in my LJ.)

Re: "Getting over"

Date: 2007-11-10 10:01 am (UTC)
From: [identity profile] imomus.livejournal.com
Well, your "behemoths" look charming (http://www.flickr.com/photos/ankh156/558258724/)! Behemoth, Monolith, same difference, really. One requires a lot of lugging, the other a lot of editing.

(no subject)

Date: 2007-11-10 10:10 am (UTC)
From: [identity profile] cap-scaleman.livejournal.com
Great stuff. I'll be voting today, buying/getting the albums in the future. 'Monolith' is not available at the webshop I shop from though... :(

Re: "Getting over"

Date: 2007-11-10 11:08 am (UTC)
From: [identity profile] ankh156.livejournal.com
PS : I love Monolith. (Tom Jenkinson has a lot to answer for...) Indeed, what a lot of editing. If I had to do all that on a Revox back in the 70s I'd have cut my finger so often I'd probably have died of blood-loss.

Thank heaven for SoundForge et al.

(Back in the summer of 2001, as Israel was kicking the s**t out of the palestinian in Jennin, a colleague and I did this :

http://www.esnips.com/doc/83410508-78c6-4e73-893e-57d988a5c0e1/Crossfire

sensing that wider trouble was brewing in the Middle East in general. How right we were. 2 months later The WTC came down, and the rest - sickeningly - is 'history' as they say.

(no subject)

Date: 2007-11-10 11:44 am (UTC)
From: (Anonymous)
Great entry. In the spirit of your Stars Forever album, would you consider doing a series of essays about people who pay you?

(no subject)

Date: 2007-11-10 11:50 am (UTC)
From: [identity profile] kumakouji.livejournal.com
HAY GUYZ, music is dead! But you can prove me wrong by voting for one of my friend's albums to win a Qwartz Discovery electronic music award! LOL! I think we can all agree that when albums me and friends have made are winning awards, music is very much alive and kicking. Y'know, otherwise music is just shit, innit? LOL!
From: [identity profile] imomus.livejournal.com
Are you a mind reader or something? Uncanny! That's exactly what I wrote, only shorter and less positive!
From: [identity profile] imomus.livejournal.com
Except it's not. Rooting shamelessly for your friends' records sounds like love to me.

(no subject)

Date: 2007-11-10 04:02 pm (UTC)
From: (Anonymous)
Shouldn't this be categorized more as an "electro-pop award"? None of the options strike me as particularly interesting "electronic music," but rather more in the vein of pop music with electronic instrumentation. I was hoping to click over and find, you know, stuff like Miles Tilmann.

(no subject)

Date: 2007-11-10 04:08 pm (UTC)
From: (Anonymous)
Also, just to get back to that older post:

your whole "this is dead" mentality tends to assume that inanimate objects and concepts can live and die in the first place.

Explain further, plz.
From: [identity profile] kumakouji.livejournal.com
I'm not a fan of music awards, or awards that judge art in general. They dont offend me, I just couldnt give a flying fuck because I don't agree with the sentiment behind them, that being "popularity = quality" or "elitism = quality".

A friend of mine created an animation a few years ago. He sent me a DVD of it and asked me to appraise it. It was an excellent piece of work, the methods were very impressive but I was very critical of aspects of the narrative. I was frank with him about my criticisms, and it upset him quite a bit.

A few years later his animation won the BAFTA for a short animation. Obviously, winning something that prestigious will open a lot of doors for you, but I can say with some certainty that he didn't care as much about the award as he dd about the opinions of peers he respected.

I dont know how you can canvass for votes for this album when you've so openly expressed that you've fallen out of love with music. Whats your motive? If you genuinely believe this album deserves praise because it moves you, that's fine, but you can't then say something as sweeping as "music is dead".

A friend rooting for my Album because they genuinely love it is love of the music. A friend who's rooting for my album to win some award when they've so flagrantly fallen out of love with music isnt love; it's an empty sentiment. My work has failed to touch them. Love is over.

(no subject)

Date: 2007-11-10 04:41 pm (UTC)
From: [identity profile] imomus.livejournal.com
Well, let me turn that around and ask you, do you think CD-ROMs, for instance, are alive or dead at this point?

(no subject)

Date: 2007-11-10 04:46 pm (UTC)
From: [identity profile] electricwitch.livejournal.com
Read some freaking fic if you want to be convinced music isn´t dead.

Or go stand in line with a bunch of Tokio Hotel fans and SCREAM SCREAM SCREAM with all their names written on your face in eyepencil.

(no subject)

Date: 2007-11-10 04:46 pm (UTC)
From: [identity profile] electricwitch.livejournal.com
Mine are. I probably shouldn´t have used that spell on them.

(no subject)

Date: 2007-11-10 04:54 pm (UTC)
From: (Anonymous)
The question isn't that simple. 1) CD-ROMs obviously exist. 2) CD-ROMs have obvious precursors. 3) CD-ROMs have apparent successors.

Asking me if I think CD-ROMs are alive or dead is kind of pointless, because even if they become completely obsolete or are on their way to complete obsolescence (which I would take as your definition of something being "over" or "dead"), the object lives on in various future objects, just like the vinyl record lives on in the design of laser discs, CD-ROMs, DVD-ROMs, and more importantly, computer hard drives, which store the mp3 files that appear to be succeeding the old technology that is supposedly "over" or "dead." An mp3 is a format, though, just like CDA (CD Audio) was on compact discs. But the mp3 file itself does not = a compact disc, or a vinyl record, or a cassette tape. It's not a 1:1 replacement. Your new distribution format requires a hard disk on which to store the data. And the design of that hard disk is based on familiar analog storage hardware from the days of yore. These objects never "die" or "end." They are simply incorporated into the newer technology.
From: [identity profile] imomus.livejournal.com
I haven't fallen out of love with music -- you'll remember that I listed live concerts in my Tuesday piece as something very much not over. That's music, right? What's over is the central position of recorded music in our culture, and that's pretty easy to chart with objective measures. Critics only putting three albums from the last ten years in their Top 100 lists, for instance. Music stars like Joni Mitchell and Madonna singing to coffee chains or doing deals which include their concert and merchandising rights rather than just albums. The collapse of megaliths like Tower. The general expectation of the public that music is something they get for free. The migration of creative talent to software. The emergence of visual artists and designers as the new rock stars. And so on.

I will say that, personally, I'm enjoying silence (and the sounds of the environment) more than I did before. But I'd rather say that this absence of music makes the presence of music that really stimulates me -- like "Silviphobia" by o.lamm, one of my favourite tracks of the past year, and do please vote for his album if you agree! -- all the more wonderful.

(no subject)

Date: 2007-11-10 04:57 pm (UTC)
From: [identity profile] imomus.livejournal.com
I can see we're going to get into McLuhanesque theology here, so I dare hardly ask if you think the medium is the message or if there's a "timeless soul" that lives on whatever the platform of the day is?

(no subject)

Date: 2007-11-10 05:00 pm (UTC)
From: (Anonymous)
Additionally:

I think that this stance of yours is just really obnoxious. It's speculative Wall Street avant-gardism. You throw out a bunch of controversial assertions as bait and see what, if anything, gets caught in the fishing net. I'm not saying that I disagree with you on every count, in terms of what is/isn't influential or culturally significant anymore, but rather that the absolutism of your declarations is fraught with all sorts of philosophical baggage (can things even have discrete "beginnings" and "endings"?) that you never even seem to address.

(no subject)

Date: 2007-11-10 05:03 pm (UTC)
From: (Anonymous)
A soul? No, of course not. But a lingering influence? I think so. I mean, it is no surprise that most automobiles are designed with 4 wheels, and are, to some extent, technological replications of the 4-hooved beasts we used as transport in generations past.

(no subject)

Date: 2007-11-10 05:04 pm (UTC)
From: [identity profile] imomus.livejournal.com
Ha, I was just in Woolworths looking at a Tokio Hotel ring binder which showed the group totally spattered with mud. Some teenage girls walked by and one said to the other "Do you want a Tokio Hotel ringbinder?"

"No way!" said the second girl in a tone which suggested the very notion was absurd and insulting.

(no subject)

Date: 2007-11-10 05:10 pm (UTC)
From: [identity profile] imomus.livejournal.com
speculative Wall Street avant-gardism

Arf arf! Do you think I should put a twenty-minute delay on these "results" and charge a premium rate for people who really want to make a killing on the news that cars, for instance, are history? Good idea!

I will say, though, that you mix metaphors clumsily when you describe what a speculator does as "absolutism".

(no subject)

Date: 2007-11-10 05:21 pm (UTC)
From: [identity profile] imomus.livejournal.com
Well, never say never, but most of us would accept that horse traffic in our major cities is "over". Would you have been angered by someone declaring this in, say, 1900?

(no subject)

Date: 2007-11-10 05:22 pm (UTC)
From: (Anonymous)
Do you have to be reaping direct, immediate rewards in order for this speculation to be obnoxious? I don't think so. But it seems that, as Momus the character, writer, presenter, etc. you thrive on being perceived as culturally adept, part of the system that creates culture, creates the future (of design, of art, of whatever). Hence your recent appearances at these design conferences and whatnot. I am not critical of this. I think it's fine. And obviously your head is full of all sorts of ideas, some great, some middling, some not so great, just like anybody else. I enjoy reading your blog because your ability to invent something interesting to post about on a (pretty much) daily basis never ceases to amaze me.

Which is why I become so disappointed when you pull the tired move of saying that something is "dead" or "over." It is, as I said, a sort of Wall Street avant-gardism. Or if that description isn't working for you, imagine yourself as Joan Rivers out on the red carpet judging Hollywood fashion for the E! Network. In either case, you're throwing ideas out there, hoping that they'll become buoyant just by the absolute nature of the declarations themselves. I mean, if it's supposed to be a funny gimmick, please do explain the humor. Because that's the only way I can even attempt to rationalize your comments without wanting to tear them apart.

(no subject)

Date: 2007-11-10 05:25 pm (UTC)
From: [identity profile] imomus.livejournal.com
Let me add: the person in charge of Tokio Hotel's concert appearances is onto something good. The person in charge of their merchandising is too, as are all the people in China pirating similar merch. The person in charge of their record releases, however, is a bit of a chump, unless s/he is taking a cut of what the others are getting.

And this is entirely in line with what I wrote on Tuesday.

(no subject)

Date: 2007-11-10 05:27 pm (UTC)
From: (Anonymous)
But it isn't "over." It retains an influence in design and practice, an influence that can be (and is commonly) upheld, but which can also be subverted, as long as we still understand that it came from somewhere.

Real innovation comes from people who recognize these influences and ask themselves "why the fuck are we retaining it? this isn't an elegant way to design the product? fuck this! i'm doing something else! bring in the test monkeys, i want to see how the test monkeys might inspire a new transportation vehicle!"

(no subject)

Date: 2007-11-10 05:28 pm (UTC)
From: [identity profile] imomus.livejournal.com
Ah, it's an accusation of insider trading? Well, in the light of today's entry you may well be right.

How are you feeling about Norman Mailer's passing, by the way, talking of obnoxious-but-rarely-dull cultural figures?

(no subject)

Date: 2007-11-10 05:34 pm (UTC)
From: (Anonymous)
Mailer?

Oh, I'm not sad. I think he lived a full life. I like his writing, but I like (what evidence remains of) his curmudgeonly attitude even better. He had moxy, that one.

If Vladimir Nabokov hadn't existed, Mailer might well have been the best fiction author of the 20th century.

(no subject)

Date: 2007-11-10 05:37 pm (UTC)
From: (Anonymous)
Best fiction author, in English, I meant.

sorry, honey

Date: 2007-11-10 06:03 pm (UTC)
From: [identity profile] beketaten.livejournal.com
But Ms. John Soda got my vote :D

I do kinda like that glitchstep rap though.

(no subject)

Date: 2007-11-10 07:26 pm (UTC)
From: [identity profile] electricwitch.livejournal.com
I totally want a Tokio Hotel ringbinder now.

drive me, baby, I give fanservice

Date: 2007-11-10 07:41 pm (UTC)
From: [identity profile] electricwitch.livejournal.com
Actually, I just had the epiphany that you probably think music is over because there are no ringbinders of you. You don´t even have a lolz community anymore. You get what you give, bb.

(no subject)

Date: 2007-11-10 08:38 pm (UTC)
From: [identity profile] cap-scaleman.livejournal.com
Momus, since it is rating time today I wonder: What do you think of this (http://freedownloads.last.fm/download/94561828/Ijus.mp3)(Artist : Bugotak)

(no subject)

Date: 2007-11-10 08:50 pm (UTC)
From: [identity profile] vonbruckhousen.livejournal.com
I second that motion.

(no subject)

Date: 2007-11-11 12:52 am (UTC)
From: (Anonymous)
Well Nick, why not go to itunes and buy The FASHION FLESH digital full length release entitled "EVERYTHING IS BLACK". If that isn't a good idea there are no good ideas.
love,
John Flesh

www.fashionflesh.com

ps- for those that don't know who Fashion Flesh is: he is the one that made the last three Momus releases a lot more...interesting.

(no subject)

Date: 2007-11-11 05:43 pm (UTC)
From: [identity profile] imomus.livejournal.com
You've got an album on iTunes now? Wow!

(Goes to listen.)

Sounding pretty interesting, texturally. I can hear some of that Add N to X glam stomp in some of the tracks.

(no subject)

Date: 2007-11-11 08:16 pm (UTC)
From: (Anonymous)
Ok, I didn't envision glam before but I guess the reference to old analog based material groups is fairly validated; although I build all of my own exotic electronic instruments instead of using the "classic" synths of years past. There will be several newer still full lengths coming soon Nick, but I do think that "Everything is Black" is a good starting point for those that haven't had the chance to hear any of my recordings before...as you well know labels have been scared of my supposed too-out and unsaleable music for years limiting anyone's intake to mainly my collaborations, reproduction work, etc..............now the time has come for the breaking of my chains, leaving the coward labels behind all in all. However, a vinyl release is set for the not so distant months on a much braver label, VINYL INTERNATIONAL; the label's first release is Ariel Pink's Underground Vol. 1. My vinyl release will be their Third following the release of an E.P. by TRS-80. So everyone can soon hear FASHION FLESH in plastic as well as in digital!!!
love,
John / F.F.
www.fashionflesh.com

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Date: 2008-01-26 02:51 pm (UTC)
From: (Anonymous)
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